RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past

The 20-minute film tells the story of a young boy, Ali, who sets out with his father’s tape recorder to record a folk singer named Abu Hussain. (Supplied)
Short Url
Updated 04 December 2023
Follow

RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past

JEDDAH: Saudi director Hassan Saeed is set to unveil his short film “Antidote” at the Red Sea International Film Festival in Jeddah and spoke to Arab News ahead of the screening to explain the themes he explores and why he chose to tell this story. 

The 20-minute film tells the story of a young boy, Ali, who sets out with his father’s tape recorder to record a folk singer named Abu Hussain.

However, Abu Hussain loses his voice after undergoing throat surgery, and Ali reconnects with him through a previous recording. The deliberate use of silence surrounding Abu Hussain serves as a powerful motif, symbolizing his enduring struggle and passion for music, set against the challenges faced by Saudi musicians in the past.

Saeed said that he drew inspiration for “Antidote” from his formative years in the Eastern Province of Saudi Arabia.

“Having grown up in a society where musicians and music were not widely embraced, my goal was to portray the challenges encountered by underground musicians in the 1990s. The film intertwines a personal narrative with a broader cultural context, showcasing the unwavering determination and commitment of artists in the face of adversity,” he said.




Saudi director Hassan Saeed on set. (Supplied)

The director is excited about showing his work to global audiences at the festival, which attracts participation from international industry figures.

“I firmly believe that our stories possess a unique quality, and through ‘Antidote,’ we can offer a fresh and captivating perspective to audiences worldwide. I anticipate the film resonating deeply with viewers, sparking meaningful conversations, and bridging cultural gaps,” he said.

“I am thrilled about the prospect of presenting ‘Antidote’ at the Red Sea Film Festival, as it offers an ideal setting to connect with international directors and producers who share a profound passion for cinema.”

Reflecting on his career as a filmmaker, Saeed said that growing up in a conservative society with limited access to cinema, his fascination with the art form began with a VHS camcorder in the late 1980s. This early exposure to capturing moments on film sparked his love for observing the world through a lens.




The film's poster. (Supplied)

Saeed’s hope is that “Antidote” will allow audiences to connect with the characters and their struggles, and also spark an appreciation for local stories.

“The characters and their journeys are not limited to a specific culture or region; they represent universal experiences that can resonate with people from different backgrounds,” he said.

“Through my work, I hope to bridge cultural gaps and foster a deeper understanding and appreciation of Saudi culture.”

With its unique storytelling and cinematic style, “Antidote” stands out, particularly as a period piece set in the 1990s.

The film was made in collaboration with German director of photography Christoph Schumann, and has garnered widespread recognition, including two Golden Palm awards for best short film and best cinematography at the 2023 Saudi Film Festival.

Saeed said that through “Antidote” and future projects, he hopes to contribute to a “more comprehensive and accurate understanding of Saudi culture on a global scale.”

He added: “Film has the power to transcend boundaries and bring people together, and it is my mission to use this medium to tell meaningful and impactful stories.”


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
Follow

‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."