At least 23 Indian soldiers missing in flash flood

Flood waters inundate buildings along the Teesta river in Sikkim, India, on October 4, 2023. (Photo courtesy: AP)
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Updated 04 October 2023
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At least 23 Indian soldiers missing in flash flood

  • Intense rainfall triggers flash flood through valley in India’s mountainous northeast Sikkim state 
  • Flash floods are common during the monsoon season, which begins in June and ends in September

Guwahati, India: The Indian army said Wednesday that 23 soldiers were missing after a flash flood caused by intense rainfall tore through a valley in the mountainous northeast Sikkim state.

A video released by an Indian army spokesman showed a thick torrent of raging brown water sweeping down a thickly forested valley, with roads washed away and power lines ripped down.

“Due to sudden cloud burst over Lhonak Lake in North Sikkim, a flash flood occurred in the Teesta River... 23 personnel have been reported missing and some vehicles are reported submerged under the slush,” the army said in a statement. “Search operations are underway.”

Lhonak Lake sits at the base of a glacier in the peaks that surround Kangchenjunga, the world’s third-highest mountain.

The army said water released upstream from the Chungthang dam meant the river was already more than 4.5 meters (15 feet) higher than usual.

Local media reported that three civilians had died after water smashed into homes overnight, with their bodies recovered from the town of Singtam on Wednesday.

Sikkim is close to India’s border with Nepal and China and boasts a sizeable military presence.

India has been wary of its northern neighbor’s growing military assertiveness and their 3,500-kilometer (2,200-mile) shared frontier has been a perennial source of tension, with parts of Sikkim claimed by Beijing.

Clashes in January 2021 left injuries on both sides in Naku La pass, which connects Sikkim with Tibet on the Chinese side.

China and India, who fought a border war in 1962, have posted tens of thousands of troops into border zones.

Flash floods are common during the monsoon season, which begins in June and normally withdraws from the Indian subcontinent by the end of September. By October, the heaviest of the monsoon rains are usually over.

Experts say climate change is increasing their frequency and severity.

Other photographs shared by the army showed water submerging the first floor of buildings, and flowing down a street in a town with only the tip of a small construction crane visible.

Sikkim Chief Minister Prem Singh Tamang said emergency services were working to support those impacted by the ferocious floods and urged people to “remain vigilant.”

Six bridges were washed away and the national highway that connects Sikkim with the rest of the country was badly damaged, state disaster management chief Prabhakar Rai said.

The monsoon occurs when summer heat warms the landmass of the subcontinent, causing the air to rise and suck in cooler Indian Ocean winds, which then produce enormous volumes of rain.

It brings destruction every year in the form of landslides and floods.

Melting glaciers add to the volume of water while unregulated construction in flood-prone areas exacerbates the damage.

Himalayan glaciers are melting faster than ever due to climate change, exposing communities to unpredictable and costly disasters.

Glaciers disappeared 65 percent faster from 2011 to 2020 compared with the previous decade, a report in June by the International Center for Integrated Mountain Development warned.

Based on current emissions trajectories, the glaciers could lose up to 80 percent of their current volume by the end of the century, it said.


Oxford exhibition explores Islam’s sacred journey through contemporary art

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Oxford exhibition explores Islam’s sacred journey through contemporary art

OXFORD, UK: The Oxford Centre for Islamic Studies has launched a landmark exhibition titled “The Ultimate Journey,” inviting visitors to reflect on Islam’s holiest sites and their enduring legacy.

Launched in collaboration with the Saudi-based Layan Cultural Foundation, the Oxford presentation is the latest iteration of the exhibition, which has previously been shown in other formats and venues internationally.

The exhibition also marks the 40th anniversary of the Oxford Centre for Islamic Studies as well as just over 20 years since Makkah was designated the first capital of Islamic culture by the Islamic Educational, Scientific and Cultural Organization in 2005.

“The Ultimate Journey” brings together 36 artists from Saudi Arabia, Lebanon, Indonesia, Australia, the UK and beyond.

Their works span different styles and techniques — from calligraphy to abstract art — ultimately representing and honoring Islam’s three sacred sites: the Grand Mosque in Makkah, the Prophet’s Mosque in Madinah and the Al-Aqsa Mosque in Jerusalem.

The collection includes works by both Muslim and non-Muslim artists including Dia Aziz Dia, Peter Gould, Nassar Mansour, Ahmed Mater, Bill West, Abdullah Al-Shalti and Reem Nazir.

 

“The idea was simple but deeply personal,” Ghada Al-Tobaishi, managing director of the Layan Cultural Foundation, told Arab News. “Artists from around the world were asked one question: How do you feel about the three holy mosques? They were invited to translate faith, memory and pilgrimage into their own visual language.”

Founded in 1985, the Oxford Centre for Islamic Studies was established to promote the multidisciplinary academic study of Islam and contemporary Muslim societies. Its founder and director, Dr. Farhan Ahmad Nizami, said cultural engagement has always been central to the center’s mission.

“From day one, the study of art, culture and civilization was very much part of the center’s remit,” Nizami told Arab News. “Inter-civilizational understanding rests on sound academic engagement with history, culture and people, and from that emerges a more accurate understanding of the Muslim world.”

Nizami said that presenting Islam’s holy sites through contemporary art enables audiences — Muslim and non-Muslim alike — to engage with their spiritual significance beyond text or ritual.

The exhibition is drawn from a growing collection developed by Layan Culture, a not-for-profit cultural institution founded in 2007 by Prince Faisal bin Abdullah bin Mohammad Al-Saud.

Describing itself as a “custodian of cultural legacy,” the foundation preserves Islamic heritage through research, knowledge gathering and public exhibitions, showcasing the transformative power of the arts.

The institution is dedicated to safeguarding Saudi Arabian heritage, Islamic arts and Arab culture through curated collections, educational publications and cultural initiatives.

Exhibition consultant and catalogue producer Richard Wilding said the exhibition’s works explore not only religious devotion, but also the historical and human dimensions of the sacred cities. “Makkah, Madinah and Jerusalem are holy spaces, but they are also ancient cities,” he said. “You see pilgrims, historic settings and personal moments — artists responding emotionally to places that carry deep meaning.”

Wilding, who is non-Muslim and has worked extensively in Saudi Arabia, added that the exhibition speaks to broad audiences. “You don’t have to be Muslim to respect or revere these places,” he said. “This exhibition offers an opportunity — especially for UK audiences — to encounter these sacred cities through art, sometimes for the first time.”

The exhibition also honors Prince Khalid Al-Faisal, governor of the Makkah Region, Oxford alumnus, poet and artist, whose vision has long championed the intersection of culture, faith and artistic expression.

Housed within the Oxford Centre for Islamic Studies’ purpose-built home, which blends classical Islamic architecture with traditional Oxford design, “The Ultimate Journey” positions art as a bridge between scholarship and spirituality, history and lived experience.

It welcomes visitors to reconsider the contemporary significance and enduring legacy of Islam’s most sacred spaces.