Picasso masterpiece heads to Dubai as highest value painting ever brought to Mideast by an auction house

Picasso’s 1932 portrait of Marie-Thérèse Walter called "Femme á la montre" holds an estimate in excess of $120 million. (AFP)
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Updated 19 September 2023
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Picasso masterpiece heads to Dubai as highest value painting ever brought to Mideast by an auction house

DUBAI: A masterpiece by Pablo Picasso is heading to the UAE for its first exhibition outside the US in 50 years, marking the highest value painting to ever be brought to the Middle East by an auction house.

Picasso’s 1932 portrait of Marie-Thérèse Walter called "Femme á la montre" holds an estimate in excess of $120 million.

The painting will be on show at Sotheby’s Dubai in DIFC on Sept. 25 and 26.

“It is a true privilege to have a masterpiece of this significance, by one of the world’s most well-known and well-loved artists, unveiled in the UAE as the first stop on its world tour. One of the greatest works of modern art, we have ever brought to auction, it is the perfect artwork to showcase and continue our commitment to bringing the best of art and culture to the region,” Katia Nounou Boueiz, head of Sotheby’s UAE, said in a released statement.

“In 2020, we exhibited a painting by Botticelli, which was estimated in excess of $80 million, and at the time made headlines as the highest value painting ever to be brought to the Middle East by an auction house. Since then, we have exhibited some wonderful works by the likes of Boetti, Kandinsky, Warhol and more. The appearance of this Picasso on our walls in Dubai will now overtake the record set by the Botticelli, and also marks the first time a painting of this calibre by the artist has ever been exhibited anywhere in the UAE.”


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”