Riyadh Ardah: A martial dance celebrates Kingdom’s history, preserves its heritage

King Salman performs the Saudi Ardah with former US President Donald Trump at a welcome ceremony at the Murabba Palace in Riyadh. (AFP)
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Updated 23 September 2023
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Riyadh Ardah: A martial dance celebrates Kingdom’s history, preserves its heritage

  • Originally a martial dance, it was performed before significant battles and victories by tribes of the Arabian Peninsula
  • Nowadays the Ardah is performed during weddings, graduations, Saudi embassy events worldwide and Saudi National Day

JEDDAH: The Saudi Ardah, formerly known as the Najdi Ardah, holds global cultural importance. Originally a martial dance, it was performed before significant battles and victories by tribes of the Arabian Peninsula including the ruling family of Al-Saud.

The Ardah is a UNESCO-listed dance that combines traditional chanting, swordplay, and rhythmic drums. It was originally used to motivate warriors and embodies loyalty and pride in Saudi culture.




People perform the Saudi Ardah in Diriyah. (DGDA)

Sami Al-Shamrani, supervisor of the Heritage and Folklore Committee of the Culture and Arts Association in Jeddah and supervisor of the Arts and Heritage Club at King Abdulaziz University, said: “It’s a magnificent and exquisite form of performance art that melds dance, drumming, and poetic chants.

This art form is now an integral part of various significant events, both at the onset and conclusion of national gatherings, including concerts, national festivals, and royal ceremonies held to welcome dignitaries.”




People perform the Saudi Ardah. (Supplied)

The dance is performed on many occasions, such as weddings, graduations, various events organized by Saudi embassies worldwide and on the grand celebration of Saudi National Day.

The Ardah dance, known for its displays of strength, originated in the central region of Saudi Arabia, particularly in the Najd region. The tradition, passed down over generations, has been embraced by kings, princes and sheikhs.




People perform the Saudi Ardah. (Supplied)

According to Al-Shamrani, participants in the Ardah dance must wear the traditional Saudi dress, which includes the ghutra (headscarf) and agal (headband). They must also wear an ornamental gown called Saya or Dagla, while drummers wear Furmaliyah gowns. Attention is given to accessories like daggers, pistol holsters, and bullet belts.

Al-Shamrani said that due to deviations from the authentic essence of the Ardha dance, certain musical groups were denied permission to perform.




People perform the Saudi Ardah. (Supplied)

“A joint directive from the Royal Court and the King Abdulaziz Foundation for Research and Archives emphasized the importance of adhering to fundamental principles and established traditions. This includes preserving original elements, pillars, and poetic verses.

“Approval from the foundation is required for any creation of new verses. The Ardha dance is to be performed within its traditional elements, honoring this cherished and widely recognized dance,” he said.




King Salman performs the Saudi Ardah at the Janadriyah National Festival for Heritage and Culture in Riyadh. (SPA)

How many people participate?

Al-Shamrani said: “When the king and the crown prince are present, the assembly comprises over 150 to 200 performers, encompassing drummers and a poet responsible for conveying poetic verses to the performance segments.

“During celebrations and weddings, the performer count should not dip below 25 to 30 individuals, all (dressed) in their customary garments and paraphernalia,” he added. This includes musical instruments, drums, banners and swords, and apparel.




King Salman performs the Saudi Ardah at the Janadriyah National Festival for Heritage and Culture in Riyadh. (SPA)

How is the performance executed?

The Ardha is a collective endeavor, with participants arranged in rows, singing and performing together. The spectacle usually lasts 15 to 25 minutes, as described by Al-Shamrani.

He said: “During the Ardha, participants begin by shifting their shoulders toward their teammate’s shoulder. They then align their shoulders and lift their knees, followed by propelling their left shoulder over their teammate’s shoulder. This cycle of movements repeats throughout the performance, with the dancer maintaining the sequence.




King Salman performs the Saudi Ardah at the Janadriyah National Festival for Heritage and Culture in Riyadh. (Reuters)

“The poetic verses are passed from the first row to the opposing row, creating a poetic debate-like structure. This harmonizes with the vocal expressions and melodic rendition of the Ardah.”

Before the performance starts, the poet initiates a vocal call called muharrabah, accompanied by rhythmic beats. The rows converge, with the poet leading the chant and the drums setting the rhythm. The flag dancer starts the dance by spinning right, and the rows follow in sync.




King Salman performs the Saudi Ardah at the Janadriyah National Festival for Heritage and Culture in Riyadh. (SPA)

Al-Shamrani said: “Renowned poets, including Fahd bin Dahim, have penned poetic verses for Ardah. These poems, known for their wisdom and fervor, celebrate the Kingdom’s triumphs and have been passed down through generations.”

In Ardah, men use percussion instruments called Al-Tathleeth and strike them with bamboo rods. There is also a group of drummers who play larger drums called Al-Takhmeer, positioned behind them.




King Salman performs the Saudi Ardah at the Janadriyah National Festival for Heritage and Culture in Riyadh. (SPA)

The National Center for Saudi Ardah has guidelines in place for managing items like flags, drums, and other instruments.

The Saudi flag used in the dance routine should be at least 120 x 80 cm in size. It should be in good condition, not touching the ground or sagging. The flag bearer must be in parade uniform, carrying the flag on the left side but placing it on the right shoulder.




Former US President Donald Trump joins dancers with swords at a welcome ceremony at the Murabba Palace in Riyadh. (AFP)

In 2021, the Diriyah Gate Development Authority and the National Center for Saudi Ardah launched the Diriyah House of Ardah initiative. It aims to train young people in the art of Ardah with the help of skilled performers, contributing to the preservation and revival of the Kingdom’s cultural heritage.




Former President of France Francois Hollande performs the Saudi Ardah. (Supplied)


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.