Pakistan’s Ainy Jaffri Rahman calls for separation of art and politics after signing Indian film

The picture posted on April 7, 2022, shows Pakistani actress Pakistan’s Ainy Jaffri Rahman. (Pakistan’s Ainy Jaffri Rahman/Instagram)
Short Url
Updated 20 July 2023
Follow

Pakistan’s Ainy Jaffri Rahman calls for separation of art and politics after signing Indian film

  • Jaffri will be starring in an Indian production called Coke, which has been shot in England
  • Says the film will revolve around the themes of human greed, survival, family and loyalty

KARACHI: Pakistani actress Ainy Jaffri Rahman has called for a separation between art and politics, weeks after announcing that she would be starring in an upcoming Indian film called Coke.

Pakistan banned the screening of Indian movies after ties with New Delhi reached a new low in 2019 over the disputed Kashmir region. Before this, Pakistani artists were banned from working in India in 2016 after militants that India claimed were from Pakistan attacked an Indian Army brigade headquarters near the town of Uri in the part of Kashmir administered by India. Pakistan denies state complicity.

India and Pakistan, both nuclear-armed neighbors, have fought two out of three wars over Kashmir. Both claim the region in full but control it in part.

“I humbly believe art should have no politics or boundaries but alas the political situation, as we all well know, is extremely complicated,” Rahman, 34, told Arab News this week, speaking about Coke, an Indian film entirely shot in Stoke-on-Trent, England and which will be released on a streaming platform.

“There are collaborations happening every day [so] if you’re shooting on neutral soil, there isn’t usually an issue.”

Rahman said cultural exchanges were “extremely necessary” for a nation’s personal growth as well as in its ambitions to become a global player.

“There’s so much to offer both ways and it’s such a shame that there are these horrible bans,” she said, adding that Pakistan would be a “global force to be reckoned with” if art were allowed to flow freely.

Speaking about Coke, which is directed by Sarim Momin, Rehman said that the film would revolve around the themes of human greed, the fight for survival, family, and loyalty.

“I have a complicated nuanced character [in the film],” said Rahman, declining to reveal more about the film.

“After so many years in the business, you start looking for something different – something out of your comfort zone, something uncomfortable that will help you push boundaries. This role provides me with that, so I’m very excited about it.”

Rahman added that many Indian producers and casting directors had offered her work over the last decade but the projects never worked out for her for several reasons.

“[But] a casting agent reached out for Coke, and this time, the timing was right,” she said, “so everything just clicked into place.”


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
Follow

‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.