Review: ‘Final Fantasy XVI’ offers rich fantasy alongside deep character development  

‘Final Fantasy XVI’ has been marketed as being accessible to anyone who has not played any of the previous 15 games. (Supplied)
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Updated 15 July 2023
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Review: ‘Final Fantasy XVI’ offers rich fantasy alongside deep character development  

LONDON: The “Final Fantasy” series is a renowned franchise of role-playing video games. Spanning over three decades, it has captivated players with its deep stories, memorable characters, and innovative gameplay mechanics.

Each installment presents a unique world filled with magic, technology and adventures. Players embark on quests, battle formidable foes, and unravel complex narratives interwoven with themes of friendship, love, and the struggle between good and evil.  

With its rich lore, breathtaking visuals, and captivating soundtracks, “Final Fantasy” has become a cultural phenomenon, enchanting millions of fans worldwide and cementing its place as one of the most influential and beloved game series in history. “Final Fantasy XVI” has been marketed explicitly as being accessible to anyone who has not played any of the previous 15 games. Although the game has a leveling-up system, it is more character action than a classic role-playing game. Indeed, despite having over 50 hours of story, the depth and quality of its yore are impressive and accessible right from the start of the game.  

The world of Valisthea will seem familiar to fans of “Lord of the Rings” and “Game of Thrones.” It is full of foul-mouthed soldiers, societal injustice, and ever-present violence. It is a lot to take in. However, the introduction of the function of “active time lore” — where you can access an encyclopedia of knowledge in the game — allows players to learn more about decades of history across five kingdoms in a digestible manner. This is not a particularly open or interactive world compared to the new “Zelda” game or other peers, but it is visually impressive and distinct in its character.  

Within this realist fantasy is the story of the central protagonist — the surprisingly named Clive. It begins with him as a teenager responsible for looking after his younger brother who is a “dominant” able to transform into a titan-like creature. These powerful monsters, called Eikons, are a unique feature of the game in both their playability and scale, which are accessible and memorable. The game’s dramatic soundtrack and pacing make for a thrilling balance between showing and playing.  

Combat is reflex-driven and a test of timing, combinations and taking advantage of key moments, such as an opponent staggering, cinematic opportunities for a key defense or a killer blow. Weapons and spells are the central assets along with jumping and sprint-like attacks toward enemies.

Non-playable characters help at points around the periphery of fights, but your key ally is your dog, Torgal, whom you raised as a puppy and who can be directed in battles. However, while the early battles are bombastic and exciting, the combination of enemies with copious health bars and the sheer length of the game can make it feel somewhat repetitive.

Thankfully, the power of the storyline keeps players engaged beyond the frequent fights and the reward is a genuine connection with characters who have a complexity that is allowed to flourish by the depth of the world they have built for them.


Swiss Eurovision winner Nemo to send trophy back in protest over Israel’s participation

Updated 12 December 2025
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Swiss Eurovision winner Nemo to send trophy back in protest over Israel’s participation

  • Nemo, who won in 2024, said Israel’s continued participation went against the contest’s ideals of inclusion and dignity for all people
  • Eurovision has seen five countries pull out after it cleared Israel last week to take part in next year’s event in Austria

ZURICH: Swiss Eurovision winner Nemo on Thursday said they were handing back their trophy in the latest protest about Israel’s continued participation in the contest over the war in Gaza.
Nemo, the non-binary singer who won in 2024 with “The Code,” a drum-and-bass, opera, rap and rock song, said Israel’s continued participation went against the contest’s ideals of inclusion and dignity for all people. The comments are the latest protest against the European Broadcasting Union, the Eurovision Organizer that has seen five countries pull out after it cleared Israel last week to take part in next year’s event in Austria.
“Eurovision says it stands for unity, for inclusion, and dignity for all people. And these are the values that make this contest so meaningful for me,” Nemo said in a post on Instagram.
“But Israel’s continued participation, during what the UN’s Independent International Commission of Inquiry (on the Occupied Palestinian Territory, including East Jerusalem, and Israel) has concluded to be a genocide, shows there’s a clear conflict between those ideals and the decisions the EBU is making.”

VÆB, representing Iceland, perform "ROA", during the first semi-final of the 2025 Eurovision Song Contest, in Basel, Switzerland, on May 13, 2025. (REUTERS/File Photo)

Israel has repeatedly rejected any accusation of genocide, saying it has respected international law and has a right to defend itself after the cross-border Hamas-led attack from Gaza on October 7, 2023 that precipitated the war. Iceland will not take part in the 2026 Eurovision Song Contest, the country’s public broadcaster RUV said on Wednesday, joining Spain, the Netherlands, Ireland and Slovenia who have also pulled out, citing Israel’s conduct in the war in Gaza.
Nemo said it was clear something was deeply wrong when countries pulled out of the contest, adding they would send their Eurovision trophy back to the EBU’s headquarters in Geneva.
“This is not about individuals or artists. It’s about the fact that the contest was repeatedly used to soften the image of a state accused of severe wrongdoing, all while the EBU insists that this contest is non-political,” Nemo said.
The singer said they had a clear message for the EBU, which organizes the contest that reaches around 160 million viewers.
“Live what you claim. If the values we celebrate on stage aren’t lived off stage, then even the most beautiful songs become meaningless,” Nemo said.
“I’m waiting for the moment those words and actions align. Until then, this trophy is yours.”