Swiss Eurovision winner Nemo to send trophy back in protest over Israel’s participation

Swiss singer Nemo representing Switzerland with the song "The Code" celebrates on stage with his trophy after winning the final of the 68th Eurovision Song Contest (ESC) 2024 on May 11, 2024 at the Malmo Arena in Malmo, Sweden. (AFP)
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Updated 12 December 2025
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Swiss Eurovision winner Nemo to send trophy back in protest over Israel’s participation

  • Nemo, who won in 2024, said Israel’s continued participation went against the contest’s ideals of inclusion and dignity for all people
  • Eurovision has seen five countries pull out after it cleared Israel last week to take part in next year’s event in Austria

ZURICH: Swiss Eurovision winner Nemo on Thursday said they were handing back their trophy in the latest protest about Israel’s continued participation in the contest over the war in Gaza.
Nemo, the non-binary singer who won in 2024 with “The Code,” a drum-and-bass, opera, rap and rock song, said Israel’s continued participation went against the contest’s ideals of inclusion and dignity for all people. The comments are the latest protest against the European Broadcasting Union, the Eurovision Organizer that has seen five countries pull out after it cleared Israel last week to take part in next year’s event in Austria.
“Eurovision says it stands for unity, for inclusion, and dignity for all people. And these are the values that make this contest so meaningful for me,” Nemo said in a post on Instagram.
“But Israel’s continued participation, during what the UN’s Independent International Commission of Inquiry (on the Occupied Palestinian Territory, including East Jerusalem, and Israel) has concluded to be a genocide, shows there’s a clear conflict between those ideals and the decisions the EBU is making.”




VÆB, representing Iceland, perform "ROA", during the first semi-final of the 2025 Eurovision Song Contest, in Basel, Switzerland, on May 13, 2025. (REUTERS/File Photo)

Israel has repeatedly rejected any accusation of genocide, saying it has respected international law and has a right to defend itself after the cross-border Hamas-led attack from Gaza on October 7, 2023 that precipitated the war. Iceland will not take part in the 2026 Eurovision Song Contest, the country’s public broadcaster RUV said on Wednesday, joining Spain, the Netherlands, Ireland and Slovenia who have also pulled out, citing Israel’s conduct in the war in Gaza.
Nemo said it was clear something was deeply wrong when countries pulled out of the contest, adding they would send their Eurovision trophy back to the EBU’s headquarters in Geneva.
“This is not about individuals or artists. It’s about the fact that the contest was repeatedly used to soften the image of a state accused of severe wrongdoing, all while the EBU insists that this contest is non-political,” Nemo said.
The singer said they had a clear message for the EBU, which organizes the contest that reaches around 160 million viewers.
“Live what you claim. If the values we celebrate on stage aren’t lived off stage, then even the most beautiful songs become meaningless,” Nemo said.
“I’m waiting for the moment those words and actions align. Until then, this trophy is yours.” 


‘Carmen’ ignites passion as it concludes three days at Ithra

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied
Updated 17 January 2026
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‘Carmen’ ignites passion as it concludes three days at Ithra

  • Dance, live music and storytelling converged for a bold flamenco adaptation

DHAHRAN: As part of King Abdulaziz Center for World Culture’s “Ithra Cultural Days: Spain,” held until Jan. 31, the theater was ignited with fiery passion this week when “Carmen: A Spanish Flamenco Experience” concluded its three-night run.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on.

When the singing began, subtitles in Arabic and English could be seen at the very top of the stage.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

“‘Carmen: A Spanish Flamenco Experience’ is a captivating flamenco ballet that combines the intensity and passion of flamenco with the power of Bizet’s iconic opera,” the brochure given out at the performance reads.

Taking place in 19th-century Seville, Spain, a dynamic ensemble of dancers brought to life the legendary characters of an independent factory worker, Carmen, and Don Jose, a soldier, through powerful and expressive flamenco choreography.

Supported by a live orchestra, choir and a number of soloists, the performance immersed the audience in the dramatic and vibrant spirit of the era.

HIGHLIGHTS

• Flamenco combines dance, live music and singing, but the flamboyant and visual aspect is perhaps the most striking.

• Supported by a live orchestra, choir and a number of soloists, the ‘Carmen’ performance immersed the audience in the dramatic and vibrant spirit of the era.

This new adaptation of Bizet’s score introduces innovative flamenco elements that were previously untapped.

It transcends the traditional interpretations often associated with Carmen and reimagines the story within the realities of a more contemporary society.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

“Carmen” seamlessly merged fiery flamenco music and classical ballet, shaped by the signature style of David Gutierrez, offering a modern take on the classic narrative.

Gutierrez, who gave some of the most powerful renditions on stage, is the director of the Barcelona Flamenco Ballet, established in 2017 and now known as one of Spain’s foremost flamenco dance companies on the international scene. Gutierrez is also the CEO of Barcelona Flamenco Events.

Ithra was in for a treat with Gutierrez dynamic and striking as Escamilo, the bullfighter; Carmen Orts playing the charming Carmen; and the vivacious Carlos Ruiz as Don Jose.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

The corps de ballet consisted of Natalia Marina, Isabel Ponce, Carla Martinez, Maria Garcia, Yeray Fonseca, Mar Sanchez and Alicia Gutierrez.

Guitarists Perez and Jordi Centeno, singer Joel de Pepa, and percussion by Raul Manchon offered the sonic sounds that carried the narrative to newer heights.

Maestro Vicente Arino was on hand as well as producer Jaime Trancoso to ensure that the flamenco elements were not lost in translation.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

They spoke to the audience following the performance, alongside Energy Radio’s Danyah Al-Natour, who hosts “Mornings with Danny.”

“A lot of us experienced flamenco for the very first time tonight,” Al-Natour said.

“I think flamenco, as you saw, is a very passionate, powerful art. And with flamenco, you can express all the main feelings of humans,” Arino said.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

Flamenco combines dance, live music and singing, but the flamboyant and visual aspect is perhaps the most striking.

Since audiences at Ithra merely had a glimpse of what flamenco culture can be, the Spanish group encouraged Saudi audiences to go to Spain themselves to see it up-close.

“Obviously, the dancing is the most visual and attractive maybe but if you want to learn flamenco, please come to my museum,” Trancoso said.