Ministry of Culture calligraphy exhibition gathers artists in Riyadh

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Lara Assouad is participating in the exhibition with a collection of calligraphic letters that she designed digitally first. (AN photos by Huda Bashatah)
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Azza Fahmy, Egyptian jewelry designer. (AN photo by Huda Bashatah)
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(AN photo by Huda Bashatah)
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An artwork by Bayan Barboud, a Saudi calligrapher and a visual designer, symbolizing the Kabaa and the aura surrounding it. (AN photo by Huda Bashatah)
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Updated 13 June 2023
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Ministry of Culture calligraphy exhibition gathers artists in Riyadh

  • Lara Assouad, a Lebanese type and graphic designer, is participating in the exhibition with a collection of calligraphic letters

RIYADH: The second “Scripts and Calligraphy: Paths of the Soul” exhibition is being held at Irqah Hospital in Riyadh until Sept. 2, highlighting the spiritual dimensions of the art form through historical and contemporary works.

Organized by the Ministry of Culture, the exhibition includes art by Saudi calligrapher and visual artist Bayan Barboud and Egyptian jewelry designer Azza Fahmy.

Acclaimed architects and scenographers Jean-Paul Boulanger, Margo Renisio, and Tang Tu designed the exhibition, while 34 calligraphers from 11 countries, as well as 19 artists from 12 countries, are participating under four themes: light, letters, space, and poetry.

The exhibition will give visitors the opportunity to explore the history of Arabic calligraphy through the ages, highlighting its aesthetic and functional dimensions as an art form and a symbol of identity and heritage.




The ‘Scripts and Calligraphy: Paths of the Soul’ exhibition is being held at Irqah Hospital in Riyadh until Sept. 2. (AN photo by Huda Bashatah)

Speaking on the inspiration behind her designs, Fahmy said: “We always do culture-specific collections inspired by either important books, civilizations, persons or writers. We take quotes from them, and we design them in our jewelry.”

FASTFACTS

• Saudi Arabia led a successful collaboration with 15 Arab countries to include Arabic calligraphy on UNESCO’s list of Intangible Cultural Heritage, consolidating its status as a global symbol of Arab culture.

• Organized by the Ministry of Culture, acclaimed architects and scenographers Jean-Paul Boulanger, Margo Renisio, and Tang Tu designed the ‘Scripts and Calligraphy: Paths of the Soul’ exhibition.

• 34 calligraphers from 11 countries, as well as 19 artists from 12 countries, are participating under four themes: light, letters, space, and poetry.

Lara Assouad, a Lebanese type and graphic designer, is participating in the exhibition with a collection of calligraphic letters.

On the spiritual dimension of her work, Assouad commented that the letters "represent values or the name of somebody we love, or some word that we want to keep being reminded of."




The ‘Scripts and Calligraphy: Paths of the Soul’ exhibition is being held at Irqah Hospital in Riyadh until Sept. 2. (AN photo by Huda Bashatah)

Explaining the creative process behind her pieces, she added: “When it comes to the actual size of the letters in the scale, they are supposed to be small intimate letters. But you have to design, and when you design, you design big — you design on a screen. It doesn’t matter if you print the letters to be small or large.”

She digitally designs the type, which is then printed, fashioned into a decorative item or used in a variety of other ways.

“One is made to be embroidered. This one is made to be cast like an object. And the other one is made to be engraved, as on a copperplate.”

(The letters) represent values or the name of somebody we love, or some word that we want to keep being reminded of.

Lara Assouad, Lebanese graphic designer

Mei Ling, a teacher from Shanghai visiting the exhibition, said that the calligraphy displays had given her new insight into the attention to detail that goes into designing Arabic letters with the correct proportions.

The event opens its doors daily, from 11 a.m. to 11 p.m., except on Sundays, and from 2 p.m. to 11 p.m. on Fridays.

In 2021, the Ministry of Culture organized the first edition of the exhibition titled: “Scripts and Calligraphy: A Timeless Journey” at the National Museum in Riyadh.




Some of Azza Fahmy’s designs at the exhibition. (AN photo by Huda Bashatah)

In recognition of the distinctive tradition, the ministry has launched several programs and initiatives to celebrate its significance, such as the designation of 2020 as the Year of Arabic Calligraphy.

Saudi Arabia also led a successful collaboration with 15 Arab countries to include Arabic calligraphy on UNESCO’s list of Intangible Cultural Heritage, consolidating its status as a global symbol of Arab culture.

 


Saudi Arabia, Estonia strengthen cyber defense cooperation

Updated 09 February 2026
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Saudi Arabia, Estonia strengthen cyber defense cooperation

  • Renowned for its leadership in digital governance, Estonia sees cybersecurity as central to its partnership potential with Saudi Arabia, building on years of regional engagement through its technology firms

RIYADH: Estonia aims to deepen defense, cybersecurity, and artificial intelligence cooperation with Saudi Arabia as both nations look to advance technology‑driven defense and cybersecurity capabilities.

Hanno Pevkur, Estonia’s minister of defense, told Arab News at the World Defense Show in Riyadh on Monday that Estonia’s defense industry is eager to contribute to the Kingdom’s fast‑growing defense ecosystem.

“In the modern world, cooperation built on trust and technology is the best defense,” he said. “It is important for us to be here because we clearly see there is a possibility to increase cooperation, not only bilaterally between Saudi Arabia and Estonia, but across the region.”

At Estonia’s pavilion, a cooperation agreement was signed between an Estonian company and a Saudi firm during the show, he noted.

Pevkur also said Estonia’s defense sector has expanded rapidly in recent years, driven by technological innovation and partnership.

“Our defense industry is growing very rapidly, and we continue to see strong momentum,” he said.

He said Estonia’s strengths lie in digital and smart‑system integration rather than large‑scale weapons production.

“We will not build airplanes or tanks, but what we can do is integrate robotics, automation and drones to make existing systems smarter,” he said.

The minister said effective defense collaboration must link businesses and governments to achieve meaningful results.

“When we want to have real cooperation, we need it on all levels,” he said. “The biggest client for any defense company is the government, so we must treat this as one ecosystem where the public and private sectors work hand in hand.”

Renowned for its leadership in digital governance, Estonia sees cybersecurity as central to its partnership potential with Saudi Arabia, building on years of regional engagement through its technology firms.

Pevkur said several Estonian companies, including Nortal, have already assisted Gulf governments in developing open IT and digital‑service systems.

“As the most digitalized nation in the world, almost every service in Estonia can be done online, except getting married,” he said. “But with such digitalization, we also need strong cyberdefense.”

He said data protection and digital resilience are treated as matters of national sovereignty in Tallinn, the capital of Estonia.

“Data is what we own. When someone steals that data, it becomes a serious threat,” he added. “That is why cyberdefense is not just about technology, it is about trust, sovereignty and protection.”

Pevkur said Saudi Arabia’s advances in AI offer promising opportunities for collaboration.

“I know that Saudi Arabia is doing great work when it comes to AI,” he said. “For us, as a small country with limited human resources, AI is essential not just for defense but for everyday life.”

Pevkur added that Estonia has launched a national AI strategy to promote responsible development and closer coordination between government and industry. One Estonian company, he said, has developed a system that allows a single operator to control hundreds of drones through AI.

“It is quite easy to put a weapon into the hands of a robot, but we also need to define who is accountable for its actions,” he said.

“The big question for the future is whether we can allow a war to be fought entirely by AI, or if humans must always make the final ethical decisions.”

He said in his conclusion that governments must reach a common understanding on how AI will be used and regulated on the battlefield.