MOSCOW: A Russian court on Thursday fined messenger service WhatsApp $37,080 (3 million rubles) for not deleting banned content, its first fine in Russia for that offense.
Although WhatsApp’s parent company Meta Platforms Inc. was last year banned in Russia as an “extremist” organization, the messenger app — which is widely popular in Russia — has not previously faced penalties for failing to remove prohibited information.
Other Meta services, Facebook and Instagram — now banned in Russia — have been fined over content, as have the likes of Twitter and Alphabet’s Google.
WhatsApp, however, has previously been fined for its alleged refusal to comply with Russian data law and store Russian users’ data on servers in the country.
The RIA news agency reported that Thursday’s fine was due to WhatsApp’s refusal to remove information about the drug Lyrica, whose sale and manufacture are prohibited in Russia.
Meta did not immediately respond to a request for comment outside US business hours.
Moscow has for years clashed with Big Tech over content, censorship, data and local representation in disputes that escalated after Russia sent its armed forces into Ukraine on Feb. 24, 2022.
Russia fines WhatsApp for first time for not deleting banned content
https://arab.news/6v499
Russia fines WhatsApp for first time for not deleting banned content
- WhatsApp has previously been fined for its alleged refusal to comply with Russian data law and store Russian users’ data on servers in the country
Advanced Media to launch Arabic edition of CINE digital filmmaking workshops in Riyadh
- The event on Oct. 6-7 aims to give industry professionals, content creators and enthusiasts a chance to learn about the latest industry trends in digital cinema
LONDON: Advanced Media, a company that distributes video, photographic, broadcast and cinema equipment, will host an Arabic version of its biannual digital cinema community event, CINE, in Riyadh next month.
Titled CINESeason, the event on Oct. 6 and 7 aims to give industry professionals, content creators and enthusiasts a chance to learn about the latest industry trends in digital cinema. Organizers said the comprehensive program will teach participants about various aspects of cinematic filmmaking, including video acquisition, lighting for film and TV drama, shooting in high-resolution formats, workflow, and the post-production process.
Workshops will be led by leading industry experts in the region, they added, including cinematographer Fouad Aoun, editor Mostafa Salah, and renowned Egyptian director of photography Ayman Abou El-Makarem.
As the entertainment sector in Saudi Arabia has opened up in recent years as part of the Vision 2030 plan to develop and diversify the national economy, the country has emerged as a rapidly expanding market for filmmaking and content creation, which is driving demand for professional equipment and skilled operators.
Established in 2020 by UAE-based Advanced Media, CINESeason provides a unique opportunity for filmmakers in the Kingdom to gain hands-on experience with the latest equipment, and network with fellow professionals.
Iranian filmmakers protest official Oscar entry, call for new submission
- IIFMA said shortlist was not representative of Iran’s creative body of work
- Iran selected Reza Mirkarimi’s “The Night Guardian” as country submission to the 96th Academy Awards
LONDON: Dissident Iranian filmmakers have protested the country’s official Oscars entry for 2024 and called on the Academy of Motion Picture Arts and Sciences to consider an alternative film to represent Iran.
The Iranian government-controlled Farabi Cinema Foundation has selected Reza Mirkarimi’s “The Night Guardian” as Iran’s submission to the 96th Academy Awards.
However, the Iranian Independent Filmmaker Association has opposed the decision, arguing that Farabi maintains close ties with the Islamic Republic’s government and that “Iranian cinema’s representative at the Oscars” should not be announced by the state-controlled entity.
In a statement, the IIFMA accused the government of leveraging Farabi to put “terrifying pressure on Iranian artists” and that the Oscars entry shortlist is not reflective of the creative body of work this year by Iranian filmmakers.
It added that Farabi also excluded several Iranian films that were critically acclaimed internationally this year from consideration as Iran’s Oscars entry.
The IIFMA pointed out that Farabi admitted to working with Iranian intelligence agencies to choose the films for the shortlist, adding that the organization has been banned from several film festivals, such as Berlin and Cannes, because of its close ties to the regime.
The IIFMA was formed on the eve of the Berlin Film Festival last February, in the wake of the “Woman, Life, Freedom” protests, to represent filmmakers who are not affiliated with the Iranian government.
AMPAS has not yet commented on the IIFMA’s protest or on the calls for an alternative Oscars entry for Iran.
However, the academy has a history of supporting filmmakers working in repressive environments.
In 2021, exiled Iranian filmmaker Bahman Ghobadi wrote to it suggesting the creation of a special entry in the category representing exiled artists.
Tunisia frees cartoonist after his arrest over drawings mocking PM
- Tawfiq Omrane could face one year in prison if convicted
TUNIS: Tunisia’s public prosecutor on Friday released the cartoonist Tawfiq Omrane, after he was detained for hours over drawings mocking the prime minister, fueling concern among free speech advocates.
Omrane is well known for publishing satirical cartoons featuring President Kais Saied, who seized almost all powers two years ago after he shut down Tunisia’s elected parliament in a move that the opposition described as a coup.
“They interrogated me on suspicion of insulting the prime minister. They showed a drawing that they considered offensive,” Omrane told Diwan FM Tunisian radio.
Omrane pledged that he would continue his satirical drawings.
“The police interrogated him (Omrane) for hours without the presence of lawyers on suspicion of insulting through social networks ... over cartoons mocking the prime minister,” his lawyer, Anas Kadoussi, told Reuters. Kadoussi said the cartoonist could face one year in prison if convicted.
Interior Ministry officials declined to comment immediately.
Ahmed Hachani is the prime minister, appointed last month to replace Najla Bouden.
Many Tunisians see free speech as a principal reform won after the 2011 revolution that toppled dictatorial President Zine El Abidine Ben Ali. Activists, journalists and politicians have warned this freedom is under threat.
“Omrane’s arrest reinforces authorities’ efforts to suppress critical voices of the president,” said Amira Mohamed, a senior official at the country’s Journalists’ Syndicate.
Kais Saied strongly criticized state TV in a speech this week, including the arrangement of headlines in a bulletin, in a move that the Journalists Syndicate said was “blatant interference.”
Saied rejects accusations of targeting freedoms and has said he will never be a dictator.
Police have detained more than 20 political figures this year, including opposition leader Rached Ghannouchi, head of the Ennahda party, accusing some of plotting against state security.
YouTube announces AI-powered tools to enhance content
- Dream Screen enables users to generate backgrounds and videos
- YouTube Studio to use generative AI to help users produce ideas based on audience viewing habits
DUBAI: YouTube has unveiled several AI-powered tools, to be rolled out over the next year, to help creators enhance their content with videos or images.
The tools were showcased at the platform’s annual event “Made on YouTube” on Thursday.
“The creativity of content creators on YouTube across the Middle East and North Africa is truly inspiring and we’re excited to see how they will leverage YouTube’s new AI-powered features to continue pushing the boundaries of creative expression,” Tarek Amin, director of YouTube in MENA, told Arab News.
Since the launch of Shorts in 2020, the short-form content format has been capturing audiences’ attention, garnering over 70 billion daily views globally.
To make Shorts even more appealing for creators, YouTube announced the launch of Dream Screen, an experimental feature that allows creators to add AI-generated video or image backgrounds to their Shorts simply by typing an idea into a prompt.
“Given the mobile-first creator and audience for Shorts, it made sense for Dream Screen to start there,” a YouTube spokesperson told Arab News, adding that the feature would be developed further based on community feedback.
YouTube Studio will use generative AI to help creators brainstorm and come up with ideas based on audiences’ viewing habits and content interests. The insights will be personalized for each channel or creator, YouTube said.
The company has been testing early versions of AI-powered tools in YouTube Studio with creators, and more than 70 percent of those surveyed said it has helped them develop and test ideas for videos.
For now, the feature will be deployed experimentally in the US later this year, and will be expanded to other creators next year, the spokesperson said.
YouTube also launched YouTube Create, a production and editing mobile app for creators. Early tests were conducted in India and Singapore, and the app is currently in beta for creators in the US, UK, France, Germany, South Korea and Indonesia.
It is currently available only on Android devices but is expected to launch on iOS next year.
The company also announced other products and features including an AI-powered music recommendation system that will take a written description of a creator’s video and suggest which soundtrack matches best, as well as an AI dubbing feature that will allow creators to dub their videos into other languages.
The latter is powered by Aloud, which is part of Area 120, Google’s in-house incubator for experimental projects.
It currently supports dubbing from English to Portuguese and Spanish.
The YouTube spokesperson told Arab News: “Translation and transcription quality is different across languages; we will increase language coverage — including starting from a non-English source — as we gain higher confidence over the translation and transcription accuracy of the dubs.”
StarzPlay reveals most-watched content in Saudi Arabia
- Viewers in the Kingdom account for 30% of the service’s sports audience, 45% of its entertainment audience, and 50% of those who watch StarzPlay Originals
- Number of people in the country watching Arabic content has doubled since February, after addition of Arabic Originals and content from Egyptian streaming service Watch It
DUBAI: Football, StarzPlay Originals and Turkish programs are among the most-watched content on StarzPlay in Saudi Arabia, according to newly released statistics from the streaming service.
Audiences in the Kingdom are clearly big sports fans, with Saudi viewers accounting for 30 percent of the StarzPlay Sports audience. In addition to football, Ultimate Fighting Championship and rugby are among the most popular sports, the viewing figures reveal.
“The appeal of sports in Saudi (Arabia) has been truly remarkable for us and it’s fantastic that we can appeal to such a diverse range of sports enthusiasts with our wide array of sports programming, spanning football, rugby, cricket and more,” said Tony Saab, senior vice president of content and programming.
The figures also reveal that viewers in Saudi Arabia make up 45 percent of StarzPlay’s audience for entertainment programming, with the streaming service’s Originals, Turkish and Arabic titles, and comedy boxsets racking up the most views.
Arabic Originals such as the films “Harley,” “Big Lie” and “Wala Ghalta,” and TV series “Kaboos” and “The Chamber” are particularly popular among Saudis, who represent about half of the total audience for Originals content.
The number of users in the Kingdom that watch Arabic content has doubled since February, following the launch of Arabic Original titles and the addition of content from Egyptian video-on-demand service Watch It, StarzPlay said.
The popularity of Originals “underlines the importance of our commitment to consistently delivering high-quality content for our audiences and we remain dedicated to bringing the finest entertainment to our Saudi viewers,” said Saab.
“Saudi Arabia is one of our key markets and we are delighted to witness the ongoing expansion in viewership.”
The statistics also reveal that the majority of Saudi StarzPlay viewers use their TVs or mobile phones to stream content, and three times as many people use iOS devices compared with those powered by Android.
