Review: Apple TV+ drama ‘City on Fire’ sags in parts but is gripping overall

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Updated 25 May 2023
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Review: Apple TV+ drama ‘City on Fire’ sags in parts but is gripping overall

CHENNAI: Apple TV+’s latest drama, “City on Fire,” ticks all the right boxes of a gripping thriller. “Gossip Girl” creators Josh Schwartz and Stephanie Savage have dextrously carved eight episodes from Garth Risk Hallberg’s laboriously long novel of the same name.

The production is slick and superbly mounted, and the only big change the creators have gone in for is the timeline.

While the novel is set around the Christmas of 1976 (just before the great blackout in July 1977 and the looting that followed), the television series has been pushed to roughly 18 months after 9/11, and we can feel the eerie jitteriness of the terror attack in New York. 

chwartz and Savage pepper the segments with an attempted murder in New York’s Central Park, detectives furiously figuring out the leads and characters from different sections of the city’s society. 

The victim is young Samantha Yeung (brilliantly conveying her performance arc from a dream girl in the early scenes to something far more complex).

Her home front has been shattered after her mother left and father sank into alcoholism. She is a photographer and spends a lot of her time with underground rock bands and, yes, her camera.

When she is not into these, she holds hands with her former fellow high school student, Charlie (Wyatt Oleff), and gets involved with a married man, Keith (Ashley Zukerman), whose wife, Regan ( Jemima Kirke), begins to get mysterious notes about the infidelity. 

Her brother William (Nico Tortorella rises to the challenge of a miserable part) is the black sheep of the family and an addict.  

“City of Fire,” while being a compelling watch, could have been more prudent about its selections from the book.

There is too much of Samantha-Charlie’s mooning, some of this playtime could have been diverted to the actual Central Park crime. The script is variable and sags in parts. And, yes, the series gets most exciting at the end, which seems to defeat the mission of attempting to reel in viewers.  


‘The Rip’ — Damon and Affleck reunite for slick action thriller

Updated 23 January 2026
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‘The Rip’ — Damon and Affleck reunite for slick action thriller

DUBAI: Hollywood’s greatest bromance (no, Pitt and Clooney’s Noughties’ partnership doesn’t come close) is in the spotlight again in Netflix action thriller “The Rip,” in which Matt Damon and Ben Affleck star as — what else — best friends, Dane Dumars and JD Byrne.

They are cops. Specifically, officers in the Tactical Narcotics Unit of the Miami police force, so not your run-of-the-mill street cops. These guys are mavericks, as are their crew, Numa Baptiste (Teyana Taylor), Lolo Salazar (Catalina Sandino Moreno) and Mike Ro (Steven Yeun). We know they’re mavericks because they do things like put their feet on tables, drink beer, and have nose rings and tattoos.

TNT captain Jackie Velez has just been murdered, and rumors abound of dirty cops robbing large amounts of money from drug houses. Suspicion for both these crimes falls on TNT — now headed by Dane.

When Dane receives a tip about a house where a stash of drug money might be, the team head there and discover $20 million of drug cartel cash in the attic. They know that they have to count the money on site (as per regulations) but also know they’re likely to be attacked by the cartel at any minute. Rather than calling the haul in, as protocol dictates, Dane demands his team hand over their phones. Is this because he knows they’re in a high-risk situation and doesn’t want them to attract attention from the rumored dirty cops? Or does he have something more nefarious in mind? His team aren’t sure (not even JD). And director and co-writer Joe Carnahan cleverly keeps the audience guessing for a good while. As the clock ticks, trust between the TNT members starts to fray.

Carnahan adeptly ratchets up the tension and maintains the tricky balance between revealing too much and removing the stakes entirely, and revealing too little and frustrating viewers. The chemistry between Affleck and Damon is — as you’d expect from a pair who’ve been friends since they were 10 — entirely convincing and central to the film’s believability. The rest of the cast hold their own, credibly portraying the camaraderie between colleagues constantly required to have each other’s back.

The plot twists (and there are many) work well —surprising without being too far-fetched — and Carnahan’s slick direction, and the Affleck-Damon special sauce, make “The Rip” an enjoyable distraction.