Saudi experts discover and document 58 archaeological sites at Kingdom’s royal reserves
The Imam Abdulaziz bin Mohammed Royal Reserve Development Authority is working with the Heritage Commission to protect, preserve, develop and raise awareness of national heritage
The discoveries includes the remains of stone settlements covered by sand, workshops in which stone tools were manufactured, water installations, ancient inscriptions, and rock art
Updated 17 May 2023
Arab News
RIYADH: Saudi Arabia’s Imam Abdulaziz bin Mohammed Royal Reserve Development Authority has completed a research and documentation project designed to help protect and restore historical and archaeological sites and develop the Kingdom’s heritage, the Saudi Press Agency reported on Tuesday.
During the month-long project at King Khalid Royal Reserve and parts of Imam Abdulaziz bin Mohammed Royal Reserve, 58 historical and archaeological sites were discovered and documented.
The research at the sites was part of the work the authority carries out to protect, preserve, develop and raise awareness of national heritage, in cooperation with the Heritage Commission.
The joint efforts of the organizations, which have signed a memorandum of understanding for cooperation, included the monitoring of archaeological sites in the royal reserves by satellite and the use of other technologies, which revealed 58 archaeological sites, including the remains of stone settlements that had been covered by sand, workshops in which stone tools were made, water installations, ancient inscriptions dating back to the late Thamudic era more than 1,500 years ago, and rock art.
The teams also visited King Khalid Palace, which is considered one of the jewels of contemporary Saudi architectural heritage. Built during the reign of King Khalid between 1936 and 1938 outside of Riyadh, the two-story palace is made of reinforced concrete, covers an area of 2,700 square meters, stands 12.58 meters tall, and has a 180-square-meter swimming pool.
The palace is included in the National Architectural Heritage Register, and most of the available information about its history and architecture has been collected and preserved. The Heritage Commission and the reserve are working together on the restoration and development of the site.
Balad Beast brings global beats to historic streets
‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash
Updated 31 January 2026
Afshan Aziz
JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.
The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.
French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)
Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”
Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.
HIGHLIGHT
Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.
“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”
Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)
Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.
Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.
As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.
Ahmad Al-Ammary, MDLBEAST chief creative officer
“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”
Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”
Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)
Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.
“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.
“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”
Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”
As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.
“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”