Saudi Film Commission to host discussion of role of film in documenting communities

The Saudi Film Commission is hosting an ongoing series of panel discussions. (SPA)
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Updated 27 April 2023
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Saudi Film Commission to host discussion of role of film in documenting communities

  • Event will examine issues such as the responsibilities of industry professionals, the ethics of film production and the role of media in shaping awareness of communities and culture
  • Forms part of an ongoing series of panel discussions hosted by the Saudi Film Commission designed to enhance communication within the film community

RIYADH: The Saudi Film Commission will host a panel discussion on April 30 about the documentation of individual and community experiences on film.

The virtual event, organized under the supervision of the Ministry of Culture, will cover a number of topics related to this role of film and the media in the Kingdom, organizers said, including the responsibilities that professionals within the film industry, such as directors, producers and screen writers, have in relation to their communities, the ethics of film production, and the role of media in shaping public understanding of communities and culture.

One of the aims is to emphasize the important role of media and the ways in which the identities of communities and societies can be preserved through cinema, by exploring the documented experiences of filmmakers and their personal views, and discussing the development of critical theories and practices of film documentation.

The event is part of an ongoing series of panel discussions hosted by the Saudi Film Commission designed to enhance communication within the film community in the Kingdom by creating spaces for dialogue and the sharing of opinions, while identifying and exploring proposals and views on developing the sector, and motivating industry professionals and others with an interest in filmmaking.

This month in Jeddah it hosted a workshop on “The Art of Stop Motion” to discuss the animation style with industry experts, in partnership with Sollywood.

In March, film critics gathered at the first Film Criticism Conference, held in Jeddah’s Al-Balad district and organized by the Saudi Film Commission in partnership with the city’s Islamic Arts Biennale, to discuss the future of Saudi cinema, with a focus on “Spirituality in Cinema.” It included workshops on media and cinematic awareness, that and the critical and objective reading of films.


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.