During iftars in Pakistan, a roadside samosa shop is like a prayer answered

A vendor prepares a bag of samosa for customers during the holy month of Ramadan in Islamabad on April 6, 2023. (AN Photo)
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Updated 11 April 2023
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During iftars in Pakistan, a roadside samosa shop is like a prayer answered

  • Crispy and spicy, samosas are savory, triangular pastry filled with vegetables, meat, cheese or sweet centres
  • Traditional samosa sellers expand businesses in Ramadan, seasonal vendors open makeshift stalls to meet demand

ISLAMABAD: For Pakistanis, no iftar table, or in fact the holy month of Ramadan, is complete without samosas.

Though the savory, triangular pastry is eaten year-round as the perfect tea-time snack in Pakistan, samosas may just taste most delicious at iftar. After a long day of fasting, they’re just the crunchy, spicy nibble you need.

Most people keep a frozen stash at home, made from scratch or store bought, to fry up as a quick snack at iftar. In Ramadan, traditional samosa vendors have to hire more employees and new seasonal stalls emerge to meet rising demand. And if the sun sets while you are late on your way to an iftar party, you can always be sure that a roadside samosa shop will be there like a prayer answered.

The deep-fried pastry, which usually doesn’t cost more than ten cents a piece, is made with fillings of vegetables like potatoes, onions and peas, or meats like beef and chicken mince or, in its more modern varieties, with cheese, tofu or even Nutella for a sweet twist. It is served hot, often with fresh green mint, coriander, or tamarind chutney.

Although the snack has a rich historical background in the Indian subcontinent - it was introduced to this region in the 13th or 14th centuries by chefs from the Middle East and Central Asia who cooked in the royal kitchens for the rulers of the Delhi Sultanate - the popularity of samosas surges during the month of Ramadan.

“Samosa is a very important part of Ramadan in Pakistan and it holds a sentimental value when we break the fast during Ramadan,” Raja Feroz Khan Janjua, a customer at the famous Siddique Samosa shop in Islamabad’s upscale Rana Market, told Arab News.

“It is part of our culture, tradition, that is why, it is very important that when we open our fast on the table we see samosas.”

Another customer, Muhammad Asif Kakar, said no iftar was complete without samosas:

“Samosa is considered an essential part of iftar. After a long day of fasting, the taste of a samosa is so good it just touches the heart.”

Imran Farooq, a worker at the Bengali Samosa stall, perhaps Islamabad’s most popular place to buy the snack, told Arab News the establishment offered a diverse range of samosas, including vegetarian and meat-based options.

“We offer five types of samosas, including mixed vegetable, chicken, beef, and potato, as well as kachori and pakoras,” he told Arab News, referring to two other types of deep-fried snacks popular in Ramadan.

With a long-standing history and loyal customer base, Bengali Samosa sees a significant increase in demand during Ramadan, prompting the food stall to hire more workers.

“During Ramadan, there is a significant increase in public demand, so we adjust [our] number of workers accordingly,” Farooq said.

However, with inflation at a multi-decade high in Pakistan this year, even samosas have suffered.

“The sale of our samosas and pakoras is going well, but due to the current situation [inflation], sales are a bit slower than previous years,” Asghar Ali, owner of the Siddique Samosa shop, said.

“Sales are closer to what they are in our daily routine [non-Ramadan times].”


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.