Coffin of Egyptian Pharaoh Ramses II to take centerstage at major Paris exhibition

Workers unveil the coffin of King Ramses II during a ceremony ahead of the opening of the exhibition ‘Ramses et l’or des pharaons’ at the Grande Halle de la Villette in Paris on April 3, 2023. (AFP)
Short Url
Updated 04 April 2023
Follow

Coffin of Egyptian Pharaoh Ramses II to take centerstage at major Paris exhibition

  • As part of an exceptional loan to the French, the ornate sarcophagus will be the star attraction among 180 items
  • While the coffin will be on show in the French capital from April 7 until Sept. 6, the king’s mummy will remain in the Egyptian Museum in Cairo

CAIRO: The coffin of one of ancient Egypt’s longest-ruling pharaohs, Ramses II, has been unveiled as the centerpiece of a major exhibition due to open in France.

As part of an exceptional loan to the French, the ornate sarcophagus will be the star attraction among 180 items — some of which have never left Egypt before — on display at the Grande Halle de la Villette in Paris.

Ramses II was the ruler of ancient Egypt between 1276 and 1213 B.C., during which time he established domination over Nubia and built the temple of Abu Simbel.

However, while the coffin will be on show in the French capital from April 7 until Sept. 6, the king’s mummy will remain in the Egyptian Museum in Cairo.

Egypt’s loan of the sarcophagus was made as a gesture of thanks for the work of French scientists in helping preserve Ramses II’s mummy by treating it against fungus when exhibited in Paris in 1976.

Egyptologist Benedicte Lhoyer, the exhibition’s scientific adviser, said: “From a historical point of view, this is a piece of inestimable value. It’s not the mummy but the coffin of Ramses II, a wooden case that has protected it for 2,900 years.

“So, this is a very intimate object and is, in fact, Ramses II’s last resting place.”

French Culture Minister Rima Abdul Malak said: “It is an extraordinary opportunity for children and the public of all ages. It’s completely different to see it in real life rather than seeing it in pictures or on the internet.”

Its latest stay in Paris will offer visitors a rare opportunity to study inscriptions on the sarcophagus’ sides detailing how Ramses II’s body was moved three times from 1070 B.C. after grave robbers raided his tomb.

In addition to the coffin, the exhibition, titled “Ramses the Great and the Gold of the Pharaohs,” will include an array of ancient Egyptian artefacts, including solid gold and silver jewelry, statues, amulets, masks, and other sarcophagi.

Ramses II was the longest-reigning and one of the most famous pharaohs, playing a key role in securing and expanding the Egyptian kingdom, and bringing peace and prosperity.

His cedar coffin was not originally designed for him. Thought to date from the end of the 18th dynasty, it was likely covered with gold and inlayed with gems or glass. Its surface was scraped and painted yellow, with some details enhanced with bright colors and the eyes underlined in black.

Alaa Youssef, Egypt’s ambassador to France, described the sarcophagus exhibit as “exceptional” and a culmination of the “distinguished historical relations” that bound the two countries in various fields.

The envoy said the exhibition would allow “fans of the pharaonic civilization to discover the temple of Abu Simbel and the tomb of (Egyptian queen) Nefertari through a virtual reality show.”

And he urged the people of France to visit Egypt, “to get acquainted with its rich civilization, the comprehensive development process it is witnessing, and its promising future.”

In January, Egypt’s Cabinet approved the transfer of the coffin to France following a request from the head of the Houston Museum of Natural Sciences, which is organizing the exhibition.

State-of-the-art multimedia reproductions will showcase the opulence and beauty of ancient Egyptian civilization and give visitors an insight into the life and accomplishments of Ramses II.

The traveling exhibition is being held in several major cities. It was inaugurated in Houston in November 2021 before moving to San Francisco in August last year.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
Follow

Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.