Spectacular tale of Saudi culture wows crowds in Diriyah

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Updated 05 March 2023
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Spectacular tale of Saudi culture wows crowds in Diriyah

  • ‘Terhal’ melds traditional art, dance with acrobatics, special effects
  • ‘Saudi is an ascendant star,’ in world of theater, co-director says

DUBAI: Theatergoers in Diriyah are being treated to a spectacular celebration of Saudi Arabian culture thanks to a new production staged by the Ministry of Culture and Las Vegas-based theater show design company Dragone.

Created in partnership with Dragone, “Terhal” features acrobatics, stunts, aerial performances and dazzling special effects alongside traditional Saudi art and dance.

The show opened on Thursday and runs until March 19.

Dragone’s senior creative director and co-director of the show Filippo Ferraresi said the company got a call from the MOC in April asking if it could stage a “breathtaking show” in the Kingdom. The team immediately started researching Saudi culture.

“Wherever we go, we want to learn about the local culture and dig deep into it,” Ferraresi told Arab News.

“We started actively writing the show in June and it took us about two months and a half to come up with a concept, an idea, a stage design and a story.”

With the idea in place, the team then cast more than 60 Saudi artists and 60 international performers to lead audiences on an adventure that explores the role the Kingdom’s heritage and people play in shaping the future.

The company began building a new theater for the show in August.

“This is not a show that we brought to Saudi. We built a theater. We designed every little detail about this show,” Ferraresi said.

“I believe that this is the fastest show to ever be built, including the building of a theater.”

Even before the call from the MOC, Dragone was “waiting to jump” into the Saudi market, Ferraresi said.

“Saudi is an ascendant star. Saudi is the next protagonist of the scene. It is the country that is investing more in the entertainment field. What Saudi wants is to experience, to see and to learn. People in Saudi are eager to enjoy this experience,” he said.

“Terhal” tells the story of Riyadh student Saad as he travels across time and place. He encounters friends, danger and the intensity of nature, until he finally discovers that the key to the future lies in his country’s heritage.

Ferraresi said that when preparing for the show, the team always had a Saudi audience in mind.

“Each country has a different kind of audience. So, despite theater being universal, what works in Singapore is different than what works in Amsterdam. So, as creators, we have to know and consider the universality of the culture, but also its differences,” he said.

He said his favorite thing about the production was the “harmonic” blend of local and international talent from more than 20 different countries.

He also recalled a special moment with the troupe of 25 traditional dancers, known as shabab.

“I remember the first time they came, it was one of the very special moments in the life of a creator because … we immediately understood each other despite the differences.

“I have to say that with the shabab I had the most important time of creation because these guys weren’t used to a show like this. They came as traditional dancers, now they are artists,” he said.

“Our hope as creators is that the audience see in ‘Terhal’ all the different aspects of the culture. I hope that they enjoy the show because they can recognize themselves.

Ahead of the opening night, Fawzi Kabbara, Lebanon’s ambassador to Saudi Arabia, told Arab News that “Terhal” was “not just a captivating piece of theater, but a theatrical celebration of the beauty and talents contemporary Saudi Arabia shares with audiences for the first time ever.”

“Terhal” is the first Dragone creation to open since the death of the company’s founder and artistic director Franco Dragone. He was involved in the early stages of the show’s development and the team are keen to ensure it honors his legacy.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.