Exploring the architecture of the UAE’s Abrahamic Family House — a mosque, church and synagogue

The Abrahamic Family House. (Supplied)
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Updated 22 February 2023
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Exploring the architecture of the UAE’s Abrahamic Family House — a mosque, church and synagogue

ABU DHABI: For the first time in the UAE, a mosque, church and synagogue are standing side-by-side in an elevated complex called the Abrahamic Family House.

Located in Abu Dhabi’s Saadiyat Cultural District, the complex’s neighbors are the Louvre Abu Dhabi, Guggenheim Abu Dhabi and Zayed National Museum — with the latter two under construction.




The Imam Al-Tayeb Mosque. (Supplied)

Entering the Abrahamic Family House is free of charge, with the exception of guided tours. It is currently only accessible to worshipers but will open to the general public on March 1.

Upon entering the welcoming center, visitors encounter an important object that started it all — a large foundation stone, signed by UAE president Sheikh Mohammed bin Zayed Al-Nahyan, Dubai ruler Sheikh Mohammed bin Rashid, Pope Francis and Grand Imam of Al Azhar Mosque in Cairo Ahmed El-Tayeb.

This architectural project arose as a result of the UAE declaring 2019 as the Year of Tolerance. “The Abrahamic Family House is a space to learn and to get together,” a representative told invited journalists at a press preview this week.




The interior of the Moses Ben Maimon Synagogue. (Supplied)

The airy and sun-washed venue was designed by Ghanaian-UK architect Sir David Adjaye. “As an architect I want to create something that enhances the richness of human life,” he said in a statement.

“Our hope is that through these buildings, people of all faiths and from across society can learn and engage in a mission of peaceful coexistence for generations to come.”

The thoughtfully executed complex features three modernistic and cube-like houses of worship, sharing the same scale of 30 meters high, wide and deep. All facilities are labeled in Arabic, English and Hebrew. Aside from the houses of prayer, the landmark has a baptistery, a purifying bath in Judaism called mikvah and ablution areas.




The interior of His Holiness Francis Church. (Supplied)

Made of regionally sourced limestone, the buildings reveal facades that are lined with pillars. Each exterior design has its own meaning, depending on its corresponding faith. The Catholic church, called His Holiness Francis Church, can seat up to 300 people. Inside, a large cross looms over the podium and a sea of wooden beams fall from its ceiling.

Throughout the venue, there are small calming pools of water, a symbolic element of purity, designed in the shape of a triangle, denoting the three religions on site. The houses also share a common garden of regional trees.

Meanwhile, His Eminence Ahmed El-Tayeb Mosque has seven arches, a significant number in Islam, on its facade. Under a high ceiling, its exterior and interior walls are embellished with bedazzling patterns, welcoming natural light inside.




An exterior shot of His Holiness Francis Church. (Supplied)

Its style is a nod to an architectural element known as the mashrabiya — detailed wooden latticework commonly found in North Africa. Within the mosque, which can seat up to 322 people shoulder to shoulder, there is a smaller space dedicated to female worshipers.

And finally, the country’s first purpose-built synagogue is named after Moses Ben Maimon, a Jewish philosopher who was born in 12th century Cordoba, Andalusia. The synagogue, showing on its walls Judaism’s Ten Commandments, heavily features triangles in its architecture, referring to Prophet Abraham's tent, an emblem of security and hospitality.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.