Recipes for success: Chef Jill Lee Okkers of Tashas Group talks new menu and shares a ‘fresh’ recipe

Tashas Group Culinary Director Jill Lee Okkers. (Supplied)
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Updated 02 January 2023
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Recipes for success: Chef Jill Lee Okkers of Tashas Group talks new menu and shares a ‘fresh’ recipe

DUBAI: Growing up in South Africa, Jill Lee Okkers almost gave up on her dream to work as a chef.

The face behind the flavors of the Tashas Group restaurants, which are making waves in the UAE and are soon coming to Saudi Arabia, was asked by her father to consider something a bit more stable.

“I wanted to become a chef — my parents told me that I couldn’t,” Okkers told Arab News. “This was 17 years ago, more or less. And at that time, it was still a very male-dominated industry. It still is on some levels. 

“It was just hard and tough as an industry and I think my dad was very protective and said: ‘Listen, I think maybe you should get an office job.’ 

“And so I studied journalism... I love food and I love cooking. But I was also not sure going into this industry if it was going to actually be my career.”

This fall, Avli by Tashas, the contemporary Athenian restaurant in DIFC Dubai, announced the launch of a new a la carte menu. With the addition of 15 new dishes, it is reflective of founder Natasha Sideris’ love of Greek cuisine, along with an eye for perfection and attention to detail.

“It’s very much Natasha’s vision that we tried to put on a plate,” said Okkers. “A lot of the time, she gives me keywords. For example, with Avli’s latest menu, she said, ‘I just want fresh things.’ And we literally took that and made everything that’s on the menu as fresh as possible.

“So we went completely different to what we’re currently doing at Avli which was very warm and cooked and baked. In comparison to that, we’re now obviously making it very fresh, airy and light. So, a lot of the time, it’s her direction.”

With a Diploma in Culinary Arts, Lee Okkers has been in the hospitality field for over 15 years, holding positions such as Head Chef and Development Chef. She has had the honor of serving the likes of Sir Elton John and Annie Lennox.

When asked about when her fascination with food began, Lee Okkers points to family dinners from her childhood. 

“I think we were a family that gathered around the table quite regularly. So, for us, food was always a gathering and almost like a safe space. 

“Even still, to this day, we as adults still gather at 6pm to have dinner around the table. So, for me, it was always about seeing how people came together to eat, and the enjoyment that came from that as a whole and the satisfaction that came from having a full tummy. 

“And I think also just the community of what was shared at a table; food definitely brings people together.”

Lee Okkers shares with Arab News her favorite dish, pet peeves … and the importance of salt.

What was the most common mistake you made when starting out?

Starting the heat too high, I think. So I tell my team, ‘always start low and slow,’ especially in a pan. If you start too high, it  burns or over-cooks, and you need to start over again.

What’s your top tip for amateur chefs?

Always a good knife and a good chopping board. A lot of people tend to neglect that.

What one ingredient can instantly improve any dish, and why?

Oh gosh, salt! Also, a very good salt. I swear by Maldon — I season, cook and finish everything with it. And it’s actually not a ‘salty’ salt, unlike (others) that are quite acidic and powerful in the mouth. The best way to sweat onions is adding salt to extract the water, and Maldon is perfect for that.




Octopus Carpaccio. (Supplied)

When you go out to eat, do you find yourself judging the food? And what’s the most common mistake or issue that you find?

I critique the service more than I do the food. I’m quite adaptable if anyone else is cooking for me, I’m super happy. I always tell people that I’m the easiest person to cook for. If someone offers to make me a toasted cheese sandwich, I’m like, ‘Oh, my God, thank you.’ But I think the biggest thing that I critique more than anything else is the service.

What is your favorite cuisine or dish when you go out?

Usually, I’m a big fan of a really good noodle or ramen bowl. And depending on where I am, I love a really good piece of fish. And just something that’s simple. It’s just garlic, olive oil, some lemon, nothing complicated. But again, it also takes a lot to get a piece of fish right.

What request or behavior by customers most annoys you?

I’m generally open to a lot of requests (but) we do get weird and wonderful ones. At one Tashas cafe, someone asks us to weigh all their food. 

When someone wants to completely change a dish to suit a dietary requirement I’m just like, order something else or don’t leave your home. You’re going to eat something that I know you’re not going to enjoy, because it’s not what it should be. So there’s a fine line because I don’t mind requests. But I also don’t want people changing the full vision of what we want to present just because they don’t eat cheese or something.

What’s your favorite dish to cook and why?

I think my go-to dish at home is always a good robust steak, because it’s something that just comes together really easy. And you know, I put the potatoes in the oven, garlic in the pan with butter, do the steak. And then in another pan, just a quick sauce happening on the side. It’s the easiest thing to put together, and it happens in just 15-20 minutes, if not less.




Dakos Sald. (Supplied)

RECIPE: Dakos Salad

Serves 4

Herby Vinaigrette:
90 mL of olive oil
45 mL of red wine vinegar
60 g of caster sugar
1 tablespoon of fresh oregano, chopped
1 tablespoon of fresh parsley, chopped
Salt and pepper to season

Seasoned Tomato Dressing:
250 g of beef tomatoes, grated
50 mL olive oil
1 teaspoon of fresh oregano, chopped fine
Salt and pepper to season

Whipped Feta:
250 g of feta
70 mL of cream

Using a handheld electric whisk, whip the cream and feta until combined and smooth.

To plate:
300 g of carob rusks
20 mL of balsamic reduction
Seasoned tomato dressing
400 g of heirloom cherry tomatoes, halved
100 g of kalamata olives, green and black, halved
Herby vinaigrette
Whipped feta
Salt and pepper to season

Garnish:
Olive oil
10 g of chopped dill
10 g of torn basil

Procedure:
Add the carob rusks, balsamic reduction and seasoned tomato dressing to a bowl. Mix well, allowing the carob rusks to soak up some of the dressing.
In another bowl, add the Heirloom cherry tomatoes, olives and the herb vinaigrette. Season well.
On a big plate, add the carob rusk mix and top with dollops of the creamed feta. Top the feta with the tomatoes and olives. Drizzle the top with any of the left-over dressing in the bowls.
Garnish with olive oil, chopped dill and torn basil leaves.

Notes:
Dehydrated tomatoes or olives add extra texture to the salad.
Maldon salt is preferred.
 


Music ‘haven of freedom’ Tangiers hosts global jazz festival

Updated 5 sec ago
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Music ‘haven of freedom’ Tangiers hosts global jazz festival

  • This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers

TANGIERS, Morocco: The Moroccan city of Tangiers, which has a long history as a haven of inspiration for American jazz musicians, will host UNESCO’s International Jazz Day for the first time on Tuesday.
Over the last century, jazz greats such as Randy Weston, Idrees Sulieman and Max Roach all crossed the Atlantic to play and record music in the North African port city, perched on the edge of the Strait of Gibraltar.
“The city has had a fascinating power of attraction on a wave of intellectuals and musicians,” Philippe Lorin, the founder of an annual Tangiers jazz festival, told AFP.
“It’s not for nothing that a writer once said there was always a cruise liner in New York preparing to sail for Tangiers.”
This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers.
The festivities will culminate in an “All-Star Global Concert” on Tuesday led by jazz icon Herbie Hancock, also featuring bassists Marcus Miller and Richard Bona, as well as guitarist Romero Lubambo.
The city’s cosmopolitan artistic reputation stems from its location between Africa and Europe as well as its history, having been administered by several colonial powers from 1923 to 1956, the year Morocco gained independence.
This melting pot of influences prompted visits from international writers and poets, notably from the Beat Generation movement, as well as African American musicians seeking to find “their African roots,” Moroccan historian Farid Bahri told AFP.
Lorin said that Tangiers “was a haven of freedom — just like jazz music.”

A pivotal moment in the city’s musical history came in 1959, when Tangiers jazz promoter Jacques Muyal — then just a teenager — recorded a session with trumpeter Idrees Sulieman, pianist Oscar Dennard, bassist Jamil Nasser and drummer Buster Smith at the Radio Tanger International studio.
The recording gained renown in jazz circles decades before its distribution as “The 4 American Jazzmen In Tangier” album in 2017.
Bahri, the author of “Tangiers, a world history of Morocco,” said “the presence of American musicians in Tangiers was also linked to a very active American diplomacy.”
Famous US pianist Randy Weston settled in Tangiers for five years after visiting 14 African countries in 1967 during a tour organized by the US State Department.
The Brooklynite virtuoso would play a key role in building the musical reputation of the city, to which he dedicated his 1973 album “Tanjah.”
“Randy was an exceptional, kind and respectful man,” said Abdellah El Gourd, a 77-year-old Moroccan legend of gnawa music, a centuries-old style played with a three-stringed lute and steel castanets, rooted in West African rituals and Sufi traditions.
“He gave a lot to the city and its musicians,” added the friend and collaborator of Weston, who died in 2018.

Together, El Gourd and Weston blurred the lines of their respective genres, creating the beginnings of jazz-gnawa fusion, which remains a key part of Tangiers’ musical legacy.
“The language barrier was never a problem because our communication was through (musical) scales,” El Gourd recalled in a rehearsal room lined with old photos and memorabilia from the years he toured with Weston and jazz saxophonist Archie Shepp.
“Our language was music.”
The two men’s collaborative work would years later yield the acclaimed 1992 album “The Splendid Master Gnawa Musicians of Morocco.”
Two years after settling in the city, Weston opened the African Rhythms jazz club, above the iconic Cinema Mauritania in downtown Tangiers.
“We used to rehearse there,” El Gourd recalled. “Randy would invite his musician friends. It was a beautiful time.”
With El Gourd’s help, Weston launched Tangiers’ first-ever jazz festival in 1972, featuring big names such as drummer Max Roach, flautist Hubert Laws, double-bassist Ahmed Abdul-Malik, and saxophonist Dexter Gordon.
“It was quite a unique experience, because it was the first time we played in front of such a large audience,” said El Gourd, who was then used to small crowds for gnawa performances.
Weston and El Gourd’s festival was only held once.
But three decades later it inspired Lorin to create the Tanjazz festival, which is held in the port city every September.


Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

Updated 27 April 2024
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Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

DUBAI: Ann-Caroline Prazan, the director of art, culture, and heritage at French luxury beauty brand Guerlain, shared her affection for the Middle East and shed light on why she is so keen to mesh together cultures when creating new products.

“The Guerlain family is totally in love with the region. I am in love with this region because it is like a paradise,” she told Arab News. “People here love fragrances and they are such experts. When Guerlain creates a fragrance for the Middle East, it is always with a French touch.”

Prazan and Diala Makki at the Dubai event. (Supplied)

For Prazan, who joined the Guerlain team in 2000, understanding the brand’s story has been pivotal, motivating her to craft fragrances over her 24-year tenure, prioritizing longevity over trends.

“It is important to understand the past to create a future,” Prazan said. “You know, a house is like a big tree. You need to know the roots to create the leaves and to create new flowers. Without roots, you cannot do anything if you do not understand the brand.”

“Innovation is our obsession,” she added. “Guerlain created the first lipsticks, the first lip liners, the first modern perfume, the first moisturizing Nivea cream was by Guerlain.”

Guerlain has collaborated with regional creatives before. (Supplied)

Her regional knowledge shapes Guerlain’s tailored fragrances for its customers.

“You have the best perfumers here, local perfumers. What was interesting is to mix the roots with the leaves to mix different cultures. And for me, when you mix different cultures, when you mix traditions and modernity, you can create beautiful products,” she explained.

Guerlain has collaborated with regional creatives before. In 2023, the brand worked with Lebanese artist Nadine Kanso to design a fragrance bottle for the label, making her the first Arab designer to collaborate with the LVMH-owned perfume and beauty house.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. (Supplied)

She designed 30 limited edition bee-inspired bottles, decorated with 1,720 crystals, with Arabic calligraphy that read “Love.”

At an event in Dubai last week, the label chose to work with contemporary Tunisian artist Nja Mahdaoui, who showcased his abstract Arabic calligraphy with engraved Cherry Oud bottles serving as place cards for the invitees.

Balqees performed at the DUbai event. (Supplied)

The brand also created a number of bottles, showcased at the event in Dubai, that celebrate Arab design elements.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. Unveiled to mark Eid Al-Fitr this year, the bottle features hand-placed mother-of-pearl beads and moonstones, designed by the Parisian atelier as a tribute to the “wonders of Arab architectural art,” according to a released statement.


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 27 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.