Moroccan filmmaker Maryam Touzani and Egyptian director Tarik Saleh’s films shortlisted for Academy Awards 

A still from Moroccan filmmaker Maryam Touzani’s ‘The Blue Caftan.’ (Supplied)
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Updated 23 December 2022
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Moroccan filmmaker Maryam Touzani and Egyptian director Tarik Saleh’s films shortlisted for Academy Awards 

  • Iranian writer-director Ali Abbasi’s ‘Holy Spider’ also made the cut

DUBAI: One step closer to knowing the 2023 Oscar nominees, the Academy of Motion Picture Arts and Sciences released its shortlists for 10 categories on Wednesday, with three films by directors from the MENA region making the cut. 

Moroccan filmmaker Maryam Touzani's "The Blue Caftan" has been shortlisted for the Academy Award for Best International Feature Film, it was just announced. Starring Palestinian actor Saleh Bakri as well as Lubna Azabal and Ayoub Messioui, the film made a mark at this year’s Cannes Film Festival.

The film follows a husband and wife duo who run a handmade caftan shop in one of Morocco’s oldest medinas while their marriage hides a secret that neither wants to confront. 

Also making the cut in the same category is Egyptian-Swedish filmmaker Tarik Saleh’s "Cairo Conspiracy," submitted from Seden and the winner of Best Screenplay and the coveted François Chalais Prize at Cannes Film Festival 202.

The film, originally titled "Boy From Heaven," follows Adam, a fisherman's son, who is offered the ultimate privilege to study at the Al-Azhar University in Cairo. When the Grand Imam suddenly dies, Adam becomes a pawn in a ruthless power struggle between Eqypt's religious and political elites.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The third and final film to be selected from the region is Iranian writer-director Ali Abbasi’s “Holy Spider.” The films tells the true story of Saeed Hanaei, a construction worker and decorated veteran of the Iran-Iraq war who in the years 2000 and 2001 strangled 16 female sex workers in the Iranian city of Mashhad.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.