Music and Web3: An intro to the state of the industry in the metaverse 

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At the XP Music Futures conference, industry leaders and experts explored the various ways musicians, managers and record labels can use the platform to transform the music industry. (Supplied)
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Updated 01 December 2022
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Music and Web3: An intro to the state of the industry in the metaverse 

RIYADH: Artists and industry professionals have an essential role to play in manifesting and entering the new dimension of the metaverse and Web3, a version of the internet based on blockchain. 

From full-fledged concerts and music scenes to audio-visual art, the metaverse is slowly becoming the newest music market to tap into. 

At the XP Music Futures conference, industry leaders and experts explored the various ways musicians, managers and record labels can use the platform to transform the music industry. With Saudi Arabia’s commitment to developing immersive and artificial intelligence technologies under Vision 2030, it is slowly becoming one of the fastest-growing markets globally. 

“We have all the new and human resources needed to create the city of the future,” Noor Said, A&R and product manager at MDLBEAST, said. 

“I believe what’s driving this big investment in the metaverse and AI is…the current situation of the country…We are already very connected to online content.”

The AI-driven metaverse provides infinite opportunities for creators to elevate music and create unprecedented immersive experiences through emerging technologies, such as non-fungible token concerts, music videos, brands, marketplaces and fan royalties. 

Sensorium’s Art Director and Deputy CEO Sasha Tityanko said: “The road to (virtual reality) adoption, as you might know, has been notoriously bumpy. Headsets have been clunky, heavy and uncomfortable to use, and entering a virtual reality game, for example, was the sort of thing we could not do. 

Fortunately, the hardware and software are evolving every day, and the concept is becoming more sophisticated and engaging…in particular, innovations in smartphone hardware coupled with state-of-the-art VR-compatible headsets. I expect (it) to be a significant market driver in the next decade.”

There are also massive advancements with 5G networks, with benefits in VR to reduced latency, delivering a smoother, richer and more engrossing user experience. 

Artists are given endless possibilities to manage their digital presence and performances; creators can generate a photorealistic avatar that mimics real-life goals and can adapt to different stages of their creative journey. 

Companies like Sensorium work to help artists and creators realize the most ambitious artist distributions with the help of this emerging technology. 

Since gravity and real-life limitations are nonexistent in the metaverse, designers can experiment with thousands of 3D architectural assets and elements, including virtual infrastructures, colors and lighting effects, to create limitless stages and concert venues.

For fans within cyber-physical distance, fans can have exclusive opportunities to engage in meet-and-greets, create stronger connections with the fandom communities, and experience a performance through the artists’ perspectives. 

While the concept sounds intriguing, the reality can play out very differently. One of the key challenges is that many of the biggest players in Web3 are intermediaries. Power is far from equitable, making ownership over blockchain networks unequally distributed and concentrated in the hands of early adopters and venture capitalists.

While legitimate actionable laws, rules and regulations have not been set around NFT and Web3 usage globally, there are few ways outside of the platform by which musicians can secure their rights.

However, creators and brands can use existing commercial rights and copyrights. For example, Gucci recently designed a virtual Roblox purse, which sold for over 25 percent of the retail price. The same can apply to music artists in terms of album covers, streams and track releases. 

In a more innovative approach, Dutch DJ Don Diablo made history by selling the first feature-length concert NFT film for $1.2 million last year. 

“The metaverse is innovative…Intellectual property in the metaverse world is very deep and has a very clear presence. We just need to unlock it,” Dr. Al-Hanoof Al-Debasi, executive director for copyright at the Saudi Authority for Intellectual Property, told Arab News. 

“There are no laws in the metaverse…It’s a new technology, and the whole world is still unsure how to deal with it because they need to understand it first, as well as where the boundaries for one country end and where another begins.”

Her advice for aspiring artists looking to venture into the metaverse is to create their innovations in the physical world and file for registration, patents and copyrights, making sure to have physical documentation. 

After establishing concrete rights, they can then take their innovations to an emerging world. 


‘Cake not hate’ campaign becomes ‘Dates not hate’ in Madinah

“The Joshie-Man” and his father Dan Harris in the courtyard of the Prophet’s Mosque in Madinah. (Supplied)
Updated 02 February 2026
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‘Cake not hate’ campaign becomes ‘Dates not hate’ in Madinah

  • Dan said he was very impressed by Saudi hospitality and that his family was warmly welcomed
  • He said being in Madinah exposed him to the true diversity of Islam

LONDON: A British autistic and non-verbal boy who has been visiting UK mosques and distributing cakes to promote solidarity amid an increase in far-right support in the country has taken his message of love to Madinah.

Joshua Harris, or “The Joshie-Man” as the 12-year-old is known to his social media fans, has handed out hundreds of his baked goods to worshipers at mosques in major British cities over the last few months.

The “Cake not hate” campaign came about after an Islamophobic attack on a mosque in his home city of Peterborough in October 2025.

Harris and his father visited Masjid Darassalaam, the mosque that was targeted, with cakes that the boy had baked and distributed them to the congregation soon after the attack. Since then, Harris has visited dozens of mosques in the UK.

On a recent trip to the Middle East, he and his father visited Madinah. In a local twist that pays tribute to the holy city’s famous date varieties including ajwa and ambar, Harris handed out dates to people in the courtyard of the Prophet’s Mosque. The “Cake not hate” campaign became “Dates not hate” for Saudi Arabia.

“He was greeted really, really warmly. There were some really touching moments where people were kissing his hands and his head. It was really lovely,” his father, Dan Harris, said.

Dan, the founder of global charity Neurodiversity in Business, said being in Madinah exposed him to the true diversity of Islam.

“We met people from all around the world. It was amazing. It’s like the United Nations there, you get people from different countries and it just goes to show you that the Muslim community, or the Ummah more generally, is not a homogeneous group,” he said.

“We saw people from Tajikistan and Uzbekistan and it was really interesting for us.”

Dan said his visit to Madinah, considered the second holiest city in Islam after Makkah for Muslims, was “profound and life-changing.”

He added: “I would say it’s my favourite city in the world due to the peace and tranquillity I felt there.”

Dan added that he was very impressed by Saudi hospitality: “Everywhere we went, people were taking down my number and insisting that we come for dinner, insisting they pick us up from the location. They were extremely attentive to Joshie as well, making sure his needs were met. We felt a great sense of welcome, something Saudi Arabia is known for.”