Fears over Iranian attacks on UK-based TV journalists

Rifle-armed security stood guard outside Iran International’s bureau in Chiswick, west London on November 19, 2022. (Supplied)
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Updated 24 November 2022
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Fears over Iranian attacks on UK-based TV journalists

  • Staff had recently received death threats from undercover agents of Iran’s guard corps in the UK capital
  • Baillie pointed out that despite “good security measures in place,” members of staff at Iran International are concerned

LONDON: Iran’s Islamic Revolutionary Guard Corps could be active inside Britain, UK-based journalists from television channel Iran International have warned.
Adam Baillie, a senior studio producer at the organization, told Arab News: “While threats in themselves aren’t new, it is worrying for our staff to know they could be targeted on British soil.”
Baillie said that staff had recently received death threats from undercover agents of Iran’s guard corps in the UK capital, according to London’s Metropolitan Police.
Baillie added: “From the information we have been given, the threats against us are not from freelance supporters of the Iranian government, but directly from the IRGC who, after all, have been explicit in their threats against us.
“Brig. Gen. (Hossein) Salami has said that they are coming for us.
“There is always the chance that freelancers could be tempted to act alone, as it were, but we are well prepared for this.”
Baillie pointed out that despite “good security measures in place,” members of staff at Iran International are concerned.
He added: “This is an added stress to what is such a stressful situation for Iranians everywhere.”
Baillie also said that police had deployed armed response vehicles around the TV studios in Chiswick Park to deter potential attacks on journalists.
He said: “The threats against us have increased in line with the spread of unrest within Iran.
“We are now the main source of uncensored news within Iran; we mirror back to Iran what is happening in Iran. That does not fit in with the Iranian government’s usual media policies.”


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.