Chairman, CEO of Ermenegildo Zegna Group on company evolution, Saudi expansion plans

Zegna CEO Gildo Zegna (right) at the New York Stock Exchange in December 2021. (AFP)
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Updated 23 November 2022
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Chairman, CEO of Ermenegildo Zegna Group on company evolution, Saudi expansion plans

DUBAI: It has been quite a year for family firm Ermenegildo Zegna Group. The Italian company last week announced it had signed an agreement to enter into a long-term license for Tom Ford fashion with the Estee Lauder Companies.

The news came as Estee Lauder revealed its acquisition of Tom Ford for $2.8 billion.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

In December last year, the company went public on the New York Stock Exchange with a market cap of $2.4 billion. The luxury menswear label also significantly rebranded, adopting a singular name, Zegna, and a minimalist logo.

For the heritage brand, the future is as important as maintaining its Italian roots.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

And the group’s chairman and chief executive officer, Gildo Zegna, told Arab News about Zegna’s expansion plans for Saudi Arabia.

With the Middle East and Africa reporting recent quarterly growth of 86.4 percent year-on-year, the region is considered a key market for the company.

Zegna said: “Our Dubai Mall store has become the benchmark for our business – 30 different nationalities shop there daily – it’s just unbelievable.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

With Dubai expecting 1 million visitors for the FIFA World Cup in Qatar, he anticipated it would be a profitable month.

And following a trip to Saudi Arabia, Zegna revealed that expansion plans for the Middle East were in full swing.

“It was a very exciting trip – I am amazed to see the resources the people are putting into the country – they want to invest in the future and modernity.

“The key is to be there with good partners which we have (Al-Malki Group), and I think we’re going to get great locations and get super busy,” he added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

In 2023, Saudi Arabia will see the opening of two Zegna boutiques, with several more in the pipeline within the next three to five years in yet more expansion for the 112-year-old label.

It was in 1910 when Ermenegildo Zegna established Lanificio Zegna, a wool mill making the finest textiles from natural fibers, in his hometown of Trivero, Italy.

The business grew into a luxury group including menswear, Thom Browne, acquired in 2018, and one-of-a-kind Made in Italy Luxury Textile Laboratory Platform.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

On Dec. 20 last year, Zegna rang the bell at the New York Stock Exchange, making history as the firm became the first Italian fashion brand to list there.

“Going public was probably the biggest and hardest decision of my life – I was putting the firm and the family at stake,” he said.

After much research and planning, the deal went ahead in agreement with Investindustrial Acquisition Corp., a special-purpose acquisition corporation sponsored by investment subsidiaries of Investindustrial VII L.P.

“I also think that it was the best way to prepare the company for the next generation – with the right governance and resources,” Zegna added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

The founding family remains major shareholders with a 62 percent stake. And this year’s financial records would appear to confirm that Zenga’s move was the right one.

For the third quarter of this year, the group posted revenues of 357 million euros ($366 million), up 27.6 percent year-on-year, taking the revenues for the first nine months of 2022 to 1.09 billion euros.

Ahead of the initial public offering, the company rebranded itself by putting all three clothing lines under one umbrella.

Zegna said: “We decided to consolidate and have one brand – Zegna.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

Brand equity had always been a strong focus at Zegna, and the latest move has created a more streamlined identity for the label, as did its new logo featuring a double-stripe signifier.

Although known for its made-to-measure suits using top-quality fabrics, the brand has branched out into creating luxury leisure wear under the creative direction of Italian fashion designer Alessandro Sartori.

“Before the coronavirus pandemic hit, I called in the executive committee to launch a new project that changed the perception of Zegna from tailoring to luxury leisure wear – that was the beginning of a new era and probably one of the smartest decisions I made,” Zegna added.

Through focusing on category management and creating iconic products such as the triple stitch sneaker and knitwear, Zegna has become more accessible to different age groups.

Referring to the overshirt and casual pants he was wearing for the Arab News interview, the company boss said it was the new Zegna norm and an approach that appealed to loyalists and younger generations.

“It’s about creating excellent products with a contemporary style in innovative fabrics,” he added.

With its made-to-measure service, everything from sneakers to knitwear, outerwear and suits can be customized in various materials and colors.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

This year, Zegna also unveiled an exclusive partnership with Real Madrid as its official travel wear partner – a move capitalizing on football’s growing relationship with high fashion. Dior, Moncler, and Off-White are some of the other big brands that have signed deals with major football clubs.

Footballers make influential brand ambassadors. In the Zegna campaign, the Real Madrid players are seen wearing the brand’s signature overshirt and triple stitch sneakers, highlighting its timeless yet contemporary approach to design.

Italian-made menswear aside, its textiles division remains a global benchmark for luxury fabrics and one of the company’s most significant growth drivers.

Third-quarter financial results showed textile revenues hitting $31 million, up 33.3 percent year-on-year. The firm continues to supply its textiles to some of the most premium high-end brands, including Gucci and Tom Ford.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

With a vertically integrated supply chain, the brand has strong control over its suppliers. Last year, alongside Prada, it acquired an Italian cashmere producer.

Zegna said: “Filati Biagioli Modesto is a company I bought with Mr. Bertelli of Prada to make sure we have a good supply of traceable cashmere that is becoming very scarce. From sheep to shop, we are the only luxury company that is fully integrated.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ZEGNA (@zegnaofficial)

Elsewhere, from its Achill farm in New South Wales, Australia comes the finest merino wool, shipped to the firm’s Italian mills and then onto shops.

He pointed out that through its supply chain, the company was stronger in terms of sustainability with traceable fiber.

Zegna noted that the firm had always attempted to give back to the environment, whether through its Oasi Zegna forest reserve in Italy, or upcycling.

“Our #UseTheExisting project utilizes leftovers of existing fibers and fabrics to minimize waste,” Zegna added.

Items from the eco-conscious collection can be purchased online and in store.


OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

Updated 12 February 2026
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OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

  • The director of arts & creative industries at the Royal Commission for AlUla writes about the Kingdom’s cultural growth

AlUla: Saudi Arabia’s relationship with culture isa long and rich. It doesn’t begin with modern museums or contemporary installations, but in the woven textiles of nomadic encampments, traditional jewellery and ceramics, and of course palm‑frond weaving traditions. For centuries, Saudi artisans have worked with materials drawn directly from their environment creating objects that are functional, but also expressions of identity and artistry.

Many of these traditions have been recognised internationally, with crafts such as Al-Sadu weaving inscribed on UNESCO’s Intangible Cultural Heritage list.

Sadu weaving. (Getty Images)

This grounding in landscapes, resources, and collective history means Saudi Arabia’s current cultural momentum is not sudden, but the natural result of decades — even centuries — of groundwork. From the preservation of heritage sites and, areas, some of which have been transformed into world-renowned art districts, to, the creation of institutions devoted to craft, the stage has been set for a moment where contemporary creativity can move forward with confidence, because it is deeply rooted.

AlUla, with its 7,000 years of human history, offers one of the clearest views into this continuum. Millennia-old inscriptions at Dadan and Jabal Ikmah stand alongside restored mudbrick homes in Old Town and UNESCO-listed Hegra. In the present, initiatives like Madrasat Addeera carry forward AlUla’s craft traditions through design residencies and material research. And, each winter, the AlUla Arts Festival knots these threads together, creating a season in which heritage and contemporary practice meet.

Hamad Alhomiedan, the director of arts & creative industries at the Royal Commission for AlUla. (Supplied)

This year, that dialogue began in the open desert with Desert X AlUla 2026. Now in its fourth edition, the exhibition feels like the pinnacle of the current moment where contemporary art, heritage, and forward-thinking meet without boundaries. The theme of Desert X AlUla 2026 was “Space Without Measure,” inspired by the work of Lebanese-American artist and writer Kahlil Gibran[HA1] [MJ2] . The theme invited artists to respond to the horizons of AlUla’s landscape and interpret its wonder through their perspective.

Works by Saudi and international figures converse directly with nature: Mohammed Al-Saleem’s modernist sculptures bring in celestial-inspired geometry; Maria Magdalena Campos-Pons translates the colour of AlUla’s sunsets; Agnes Denes “Living Pyramid” turns the oasis into a vertical landscape of indigenous plants, . The 11 artists of this year’s edition were able to capture AlUla’s essence while creating monumental works that speak directly to our relationship with the environment. 

Artist Performance at Desert X AlUla 2026 by Maria Magdelena Compos Pons and Kamaal Malak. (Courtesy of Arts AlUla and AlUla Moments)

In AlJadidah Arts District, “Material Witness: Celebrating Design From Within,” features heritage craft and material research from Madrasat Addeera alongside work by regional and international designers, showing how they translate heritage materials into contemporary forms.[HA3] [MJ4] 

Music adds another element of vitality, filling the streets of AlJadidah Arts District, with performances supported by AlUla Music Hub, featuring local musicians.

The opening of “Arduna,” the first exhibition presented byof the AlUla Contemporary Art Museum, co-curated with France’s Centre Pompidou, adds another layer to this conversation. Featuring Saudi, regional, and international artists, from Picasso and Kandinsky to Etel Adnan, Ayman Zedani and Manal AlDowayan, the [HA5] [MJ6] exhibition signals the emergence of a global institution rooted in the heritage and environment of AlUla, placing local voices in context with world masters.

Each activation in this year’s AlUla Arts Festival is part of the same Saudi cultural continuum, . This is why the Kingdom’s cultural rise feels different from rapid developments elsewhere. The scale of cultural infrastructure investment is extraordinary, but its deeper strength lies in how that investment connects to living traditions and landscapes.

The journey is only accelerating. Rooted in heritage yet open to the world, the Kingdom’s cultural future is being shaped not by sudden inspiration, but by our traditions and history meeting the imagination and creative voices of our present.