Pakistan allows Oscar entry film Joyland to release in cinemas after temporary ban

A cyclist rides past a promotional hoarding banner of Pakistan-produced movie "Joyland" displaying outside a cinema in Lahore on November 16, 2022. (AFP)
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Updated 16 November 2022
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Pakistan allows Oscar entry film Joyland to release in cinemas after temporary ban

  • Censor board issued a clearance certificate in August to Pakistan’s official entry at Academy Awards 
  • Government last week called Joyland “repugnant to norms of decency” and unsuitable for release

KARACHI: Pakistan announced on Wednesday the country’s Oscar entry, “Joyland,” had been cleared by censors for release in cinemas, less than a week after it was banned by the government due to pressure from right-wing religious factions. 

Joyland, which celebrates “transgender culture” in Pakistan and tells the story of a family torn between modernity and tradition in contemporary Lahore, won the Cannes “Queer Palm” prize for best feminist-themed movie as well as the Jury Prize in the “Un Certain Regard” competition, a segment focusing on young, innovative cinema talent. 

The Central Board of Film Censors (CBFC) issued the movie a clearance certificate for release in August. But in a notification issued last week, the information ministry said the federal government had declared Joyland “repugnant to the norms of decency and morality” and ruled that it was an “uncertified film” for release in cinemas. 

After widespread uproar, the government set up a committee to review the ban. 

“The film #Joyland has been cleared for release by the Censor board review committee formed at the direction of PM @CMShehbaz,” Salman Sufi, the head of the PM’s reform unit, said on Twitter. 

“Freedom of speech is fundamental right & should be nourished within ambits of the law.” 

 

Sarwat Gilani, who plays a prominent role in the film, told Arab News: 

“We’ll be making a statement tomorrow [Friday] after we receive an official verdict. We’ll be reaching out to all the media who have stayed in touch. So much gratitude for all the help.” 

Joyland was due to release across Pakistan on November 18. 

The first-ever Pakistani competitive entry left Cannes audiences slack-jawed and admiring and got a nearly 10-minute-long standing ovation from the opening night’s crowd. 

Part of the surprise came from the discovery by many that Pakistan is one the first nations to have given legal protection against discrimination of transgender people. 

In 2018, Pakistan passed a landmark transgender rights bill that provides its trans citizens with fundamental rights including prohibiting discrimination and harassment against them educationally and socially, allowing them to obtain driving licenses and passports and to change their gender in the national database at their own discretion. 

But right-wing religious parties have been campaigning for months to amend the hard-won transgender rights legislation and say the attempts at recognizing and protecting their rights are signs of encroaching Western values. 


Walnut tree remains ‘under arrest’ for over a century, living symbol of colonial power in Pakistan

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Walnut tree remains ‘under arrest’ for over a century, living symbol of colonial power in Pakistan

  • British officer is said to have ordered chaining of the tree in 1898, a reminder of the absolute authority and psychological control enforced under colonial rule in Khyber Pass region
  • Locals and historians say the shackled tree survives as a physical memory of the Frontier Crimes Regulation era, when even nature could be punished to discipline subjects and display power

LANDI KOTAL, KHYBER: In the military cantonment of Landi Kotal, close to Pakistan’s Torkham border crossing with Afghanistan and the mouth of the historic Khyber Pass, a single walnut tree stands bound in heavy iron chains.

It has been this way for more than a century, a surreal, almost absurd monument to the power structures and punitive imagination of the British Empire’s rule in the tribal frontier.

Black shackles still brace parts of its branches, giving it the appearance of a theatrical installation. To locals, it is a wound that never fully healed, a reminder that even nature could be punished when authority wished to show dominance.

Local oral histories trace the origin of this bizarre imprisonment to 1898, when a British officer named James Squid, allegedly intoxicated, believed the tree was moving toward him and instantly ordered it arrested. Soldiers carried out the instruction and the walnut tree has never been freed since.

Muhammad Sardar, the caretaker who oversees the site today, recounted the story as it has been passed down for generations.

“This British military official at that time was drunk and thought this walnut tree was moving toward him to attack him,” he told Arab News. “The officer ordered to arrest this tree, hence the soldiers had to obey the order and arrest this tree.”

Whether the event unfolded exactly as described is impossible to verify, but historians and residents agree on what the continued chaining represented: the unquestionable authority of colonial power.

A LAW THAT COULD BIND PEOPLE — AND TREES

Landi Kotal was one of the most militarized points of the British-controlled frontier, a strategic chokepoint along the Khyber Pass, a route armies, traders and empires have used for thousands of years. To control the region, the British introduced the Frontier Crimes Regulation (FCR), a law that denied locals the right to appeal, hire lawyers or challenge government decisions. Entire tribes could be punished for the suspected action of one member.

The chained walnut tree is often interpreted as a physical embodiment of that era: a warning made visible.

Dr. Syed Waqar Ali Shah, Assistant Professor of History at the University of Peshawar, said the symbolism was deliberate.

“It was an assertion of their [British] authority, it was a symbol of their power. Right. It’s a funny thing as well, because it’s something which was under the influence of some intoxication,” he explained.

“The officer behaved or gave orders for the imprisonment of that particular tree under the influence of some intoxicants.”

Dr. Shah continued:

“It was something which was a symbol of colonial authority, assertion of their authority, of bureaucratic diplomacy, a symbol of their bureaucratic strength and power, and maybe some cultural encounter as well.”

He added that such displays endured because “it was a cultural link between the locals and the colonial power. So it was a reflection of that. But later on, they continued with it in the presence of FCR (Frontier Crimes Regulation) and regulations like this.”

Even once the officer sobered, the chains remained.

Dr. Shah believes that was intentional: psychological messaging meant to instill conformity and fear in people living under colonial law.

“Their objective and purpose was to make it a symbol of discipline for the masses. It was an exhibition of power, a sheer exhibition of power, a symbol that if we can do this to something which was inhuman … if they can deal with a tree like this, so the general public, they should be aware that discipline is very important.”

Landi Kotal’s older residents say their fathers and grandfathers retold the story long before Pakistan existed and long before independence movements dismantled the Raj.

Usman Khan Shinwari, a 26-year-old shopkeeper, said the story continues to live in households like a family inheritance.

“My grandfather would often narrate this story of the arrested tree,” he recalled. “My grandfather would say that it shows how the then rulers were treating the locals and what our ancestors had endured.”

Over a century later, long after the end of British rule and the formal abolition of the Frontier Crimes Regulation in 2018, the walnut tree remains exactly where it was chained, part spectacle, part scar.

Tourists sometimes come to photograph it. Others stand silently before it.

But for many in Khyber, it is neither attraction nor curiosity.

It is proof that power once flowed one way only. A tree could be punished, so people learned not to resist.