Feminists slam Israeli tourism minister’s 007-style advert as too ‘masculine’

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Updated 16 October 2022
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Feminists slam Israeli tourism minister’s 007-style advert as too ‘masculine’

LONDON: Feminists across social media have slammed the Israeli Tourism Ministry’s latest advert as too masculine and one that sets a double standard.
The minute-long video sees Tourism Minister Yoel Razvozov playing a James Bond figure as he goes around famous cities and landmarks in Israel.
He showcased his mild resemblance to Bond actor Daniel Craig, even taking a shot of himself shirtless in the sea. However, this sparked widespread criticism from feminists.

“This Israeli Ministry of Tourism ad is wild. It features the Minister of Tourism as James Bond-esque and the music choice is just wow. Ok masculinity, ok double standard because a woman minister could NEVER,” tweeted Dr. Noa Balf, a visiting assistant professor at the University of Kansas and a member of the Haifa Feminist Institute.

 

 


Another tweet, translated from Hebrew, read: “Election period. Use of the ministry’s needs for propaganda purposes. If Miri Regev (former minister of culture and sport and minister of transportation) made a video of the office where she sings, there would be shock and astonishment at the cynical use.”
However, others pointed out that former Justice Minister Ayelet Shaked posed as a fashion model in an ad where she sprays “eau de fascism” on herself. “A woman minister did worse — and got away with it,” reporter Noga Tarnopolsky tweeted.

 

Balf replied to Tarnopolsky saying: “I do think a woman politician could not get away with eroticizing her job in this way. Shaked’s eroticism was allegedly a critique of perceptions of her. He is using masculine sex appeal for self promotion and she used it to highlight her claim of bias.”
In a tongue-in-cheek play on the famous Bond catchphrase, Razvozov tweeted: “The name is Israel. State of Israel.”
He added: “I thought about how I can personally help the marketing of Israel and in spreading the good and beauty that we have here in Israel to the world.” It is unclear whether the video was state- or self-funded.

 

 


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.