How tech is revolutionizing breast cancer diagnosis and treatment in Saudi Arabia

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Saudi Arabia formed the largest pink ribbon with 10,000 women. (AN file photo)
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Updated 07 October 2022
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How tech is revolutionizing breast cancer diagnosis and treatment in Saudi Arabia

  • Breast cancer diagnoses have increased fivefold over 17 years owing to improved screening
  • Breakthroughs in detection using artificial intelligence could help further improve cancer care

JEDDAH: Technological advancements in the early detection and treatment of breast cancer are radically improving the chances of survival, recovery, and quality of life for women in Saudi Arabia, according to health experts. 

Breast cancer is among the biggest challenges facing health systems worldwide. Studies have shown that a girl born today has a one-in-eight chance of developing breast cancer during the course of her lifetime. 

FASTFACT

2.3 million

Women diagnosed with breast cancer worldwide in 2020.

According to the World Health Organization, there were 2.3 million new breast cancer cases and 685,000 deaths in 2020. By the end of that year, 7.8 million women had been diagnosed within the past five years, making it the world’s most prevalent cancer.

Over the last three decades, the number of breast cancer diagnoses has risen, mainly due to the increased use of screening, early detection, and better overall public awareness of self-checking and reporting. 

In Saudi Arabia, breast cancer is the most common form of cancer among women aged over 40. However, more than 50 percent of cases are detected at a late stage, compared to 20 percent in Western countries, which means the Kingdom has a higher mortality rate. 




Riyadh’s Kingdom Centre skyscraper is lit pink every October. (Shutterstock)

In most cases, breast cancer does not develop clear symptoms in the early stages. Symptoms usually start to appear only after a tumor begins to grow. But, if detected early, the average recovery rate can be as high as 96 percent.

There are several factors associated with delayed diagnosis. These include age, poor awareness of self-examination and symptoms, social taboos, fear of stigma, and the effectiveness of public health campaigns.

According to a recent study, titled “Breast cancer stage migration in Saudi Arabia: Examining the influence of screening,” published in the Global Journal on Quality and Safety in Healthcare, 2,463 breast cancer cases were diagnosed in the Kingdom between January and December 2017. 

It found that breast cancer accounted for 17.7 percent of all cancers reported in Saudi citizens, and 30.9 percent of all cancers recorded among women of all ages.




A bus for an awareness walk from King Saud University in Riyadh to Diriyah Gate. (Supplied)

However, the study also showed that the diagnosis rate had increased fivefold over a period of 17 years, which could be attributed to an improvement in breast cancer awareness and screening programs in the Kingdom.

“A national screening program in the Kingdom was launched in 2012 and targeted women above the age of 40, ten years younger than those of western countries,” Dr. Timor Al-Alshee, a breast oncology consultant at the King Faisal Specialist Hospital and Research Center in Jeddah, told Arab News. 

“Though we don’t know the reasons behind early detection in the Kingdom per se, public health awareness campaigns have immensely changed the way the community sees and understands the disease, but we have a long way to go and efforts are being made to increase awareness every year. But it’s still not enough.” 




Dr. Timor Al-Alshee. (Supplied)

Al-Alshee said more women are getting regular mammograms, especially those with a family history of breast cancer.

“When it comes to breast cancer, it’s no secret about the implications of late detection and what makes people more comfortable today with their diagnosis is how advanced medicine has recognized there’s no ‘one size fits all’ approach,” said Al-Alshee. 

“Today, we have the tools to personalize a treatment plan and it all starts with getting a mammogram.”




Saudi Health Ministry info​​​graphic

Mammography is one of the greatest innovations in breast cancer care, as it is the only screening technology proven to decrease the breast cancer mortality rate and an essential tool for breast cancer detection.

Today, breakthroughs in the detection, diagnosis and treatment of breast cancer with the help of new technologies, particularly artificial intelligence (AI), are improving care even further. 

Nearly two years ago, the Saudi Data and AI Authority (SDAIA) began looking into the integration of AI into the breast-cancer screening pathway and has since created an AI system solution that can analyze mammography images and detect abnormalities in scans. 

In coordination with the Saudi Ministry of Health (MOH), the SDAIA launched the first phase of the AI system at the Global AI Summit in Riyadh this September. 

The system can triage routine mammography exams with a high degree of sensitivity, to support radiologists and oncologists by detecting positively malignant tumors.

With an all-Saudi team, 70 percent of whom are women, the SDAIA has cooperated with specialists to validate the results and to ensure that the AI system is integrable and can be quickly adopted across all systems. 

“In its initial phase, the AI system is used in cooperation and is limited to two entities: The National Program for Breast Cancer Detection under the MOH and the Seha-Virtual-Hospital,” the SDAIA told Arab News.




Saudi schoolchildren go pink as part of the Breast Cancer Awareness Month's activities. (AN photo by Huda Bashatah)

“We seek to make the system available on a national scale, which will require enhancements to scale it up and develop further through the help of local partners. The system is currently working on the screening phase and we’re working to add more features to help with the national efforts to screen 4 million women (above 40 years of age) in the Kingdom.” 

Mammograms acquired through population-based breast cancer screening programs, such as Saudi Arabia’s National Program for Breast Cancer Detection, can produce a significant workload for radiologists. 

Healthcare providers usually meet to discuss cancer cases and evaluate information to determine a diagnosis, the best treatment, and care plan for an individual patient. This process can take several weeks.

"We’re looking at an 80:20 ratio where 80 percent of the cases can be excluded by the same and the other 20 percent will be the main focus for physicians eventually,” the authority said.

With the AI model system, the screening time will be drastically reduced, and with further enhancements and developments provided by national developers, additional features can be added to the system to increase innovation.




Saudi Health Ministry info​​​graphic

“By coordinating with specialists, we’re training the algorithms to for example detect pathologically proven cancers by mimicking human behaviors and practices. We’re using screening data, diagnostic data, investigations, and more to train the system. The accuracy of AI should exceed the accuracy of radiologists in some cases.”

A common concern for screening efficacy  is tissue density. Women with dense tissue have a higher risk of breast cancer misdiagnosis, making it harder for radiologists to see cancer on mammograms. 

According to a 2020 paper published in the medical journal European Radiology, 22 percent of the screen-detected cancers are missed, based on a review of prior screening mammograms with diagnostic images. 




Shutterstock illustration image

“Breast density makes the screening test a little more challenging for radiologists and especially for women younger than 50. They may be called back for a follow up,” said Al-Alshee. “The difference between screening today and a decade ago is the advancement in technology that can interpret digital mammograms. 

“Advancements also include developing individual treatment plans with less aggressive side effects such as targeted therapies to block the growth of breast cancer cells, new therapeutic approaches in surgeries such as conservative mastectomies for the aesthetic satisfaction of breast cancer patients coupled with the oncological safety, and many more advancements thanks to modern medicine,” he added. 

Beyond detection, emerging technologies are also radically improving breast cancer care. The expansion of targeted therapies has increased treatment options for patients, as new areas of research ranging from immunotherapies, to vaccines, and recurrence prevention are being explored.

“Our vision is clear. We want to save lives,” said Al-Alshee. “Once a patient gets a confirmed diagnosis early, they will find the best treatment in the comfort of their home, surrounded by their loved ones, and with a very supportive ecosystem.

“The earlier the diagnosis, the better the prospects of beating the cancer. Coupled with today’s advancement in technology, the success rate will be even greater.”

 

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How resumption of movie screening provided a global platform for local Saudi talent

Updated 23 April 2024
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How resumption of movie screening provided a global platform for local Saudi talent

  • Since cinemas reopened six years ago across the Kingdom, cumulative box office revenues are approaching the $1 billion mark
  • The Red Sea Film Foundation and the Saudi Film Fund support homegrown talent through programs and partnerships

RIYADH: This month, Saudi Arabia marks six years of movie screenings after a 35-year gap. Back then, the idea of a flourishing domestic film industry seemed improbable. Today, it has become a reality.

Since cinemas reopened on April 18, 2018, multiplexes have prospered, with accumulative box office revenues hitting almost $1 billion. Even the closures of the pandemic years were not enough to halt the industry’s meteoric rise.

Cities across the Kingdom now boast their own world-class movie theaters, screening the latest international blockbusters, regional hits and domestic productions, while homegrown film-making capability is now routinely spotlighted at local film festivals.

Saudis gather at a cinema theatre in Riyadh on April 30, 2018. (AFP)

With the launch of the Red Sea Film Festival in December 2021 and the establishment in 2020 of the Saudi Film Commission under the Ministry of Culture, many Saudis who were working in production houses overseas are now relocating to the Kingdom.

“The year 2018 marked a significant turning point for Saudi filmmakers and audiences as well,” Saudi film producer Mohammed Al-Turki, who was named CEO of the Red Sea Film Festival in 2022, told Arab News.

“The Saudi box office is growing rapidly. These achievements reflect the filmmakers’ passion for crafting captivating stories that are deeply embedded in our culture and resonate with an engaged local audience.”

The launch of the Red Sea Film Festival in 2021 prompted many Saudis who were working in production houses overseas to relocate to the Kingdom. (Red Sea Film Festival)

Saudi filmmakers are making their mark both locally and internationally. Among them are Tawfiq Al-Zaidi, the Qudus brothers, Ali Al-Kalthami, and Mishal Al-Jasser, said Al-Turki. “All tirelessly striving to deliver their finest work.”

The Red Sea Film Foundation, which was created in 2019 after the cinema ban was lifted, has become a catalyst for the industry’s expansion, staging one of the Middle East’s biggest film festivals in partnership with other major gatherings in the world cinema calendar.

RSFF has developed a variety of programs and initiatives specifically tailored to filmmakers from the Arab world, Africa, and Asia, with a special focus on Saudi filmmakers.

“Our programs include the Red Sea Fund, which offers financial support to film projects at various stages from development through to post-production,” said Al-Turki. “The Red Sea Labs provide a range of training workshops and courses for filmmakers.”

Winners and jury members posing on stage at the end of the second RSFF’s awards ceremony on December 8, 2022. (AFP)

Additionally, the Red Sea Souk acts as a networking hub, providing numerous developmental programs.

“Among our recent successful initiatives is our collaboration with the Series Mania festival, which has enabled several promising Saudi filmmakers to advance their television projects and gain exposure at one of the world’s foremost television festivals,” said Al-Turki.

“We continue to launch many value-adding programs aimed at nurturing rising Saudi talent.”

The Kingdom has established several initiatives to support the industry. Most recently, a SR375 million ($100 million) Saudi Film Fund was unveiled by the government’s Cultural Development Fund in partnership with local investment firm MEFIC Capital and Roaa Media Ventures, a holding company that promotes local media projects and talent.

The fund will collaborate with major international studios to invest in film production that provides content reflecting Saudi culture and values.

Such government initiatives are also spurring the private sector. In 2023, Syed Ali launched 40Films KSA to work with local and international clients.

Ibraheem Alkhairallah on the set of Saudi film “Sattar,” where he portrayed the character of Abdulkhaleq, an undercover officer pretending to be a wrestling coach. (Supplied)

“This cinematic renaissance has made a positive impact on our business, fueling commitment to nurture more and meet the top standards being set daily in the market,” Ali, a Pakistani businessman based in Riyadh, told Arab News.

“The Kingdom is not just a consumer of global cinema; it is a creator, contributing its unique voice to the rich tapestry of world cinema. Saudi filmmakers are narrating stories that captivate audiences both at home and around the globe.” 

Saudi filmmaker Mujtaba Saeed, who is based between the Kingdom and Germany, says he has also benefited from the boom in the Saudi entertainment industry and will begin working on a film to be shot in the Eastern Province at the end of this year.

The film, titled “Drowning,” will be funded by the Red Sea Film Festival, the King Abdulaziz Center for World Culture, and the Saudi Film Commission. “Without this support I would not have been able to shoot the film,” Saeed told Arab News.

“The great developments in the Saudi film industry have greatly contributed to the growth of my work as a young director. Through increased opportunities for collaboration and greater support I have access to resources and support that were previously unavailable to me.”

Two young Saudi film directors have been presented with trophies after winning the second edition of a 48-hour filmmaking challenge. (AN Photo/Ali Khameq)

During the Cannes Film Festival in 2022, the Saudi Film Commission announced an incentive program aimed at transforming the Kingdom into a global hub for film production. This included 40 percent returns for productions that hired local crews, among other initiatives.

The incentive program was announced a few months after the RSFF established the Red Sea Fund to support Arab and African filmmakers and directors. The $10 million fund has backed more than 250 projects since its launch.

It is through schemes such as these that the RSFF aims to foster “cultural connections,” providing a platform for up-and-coming film talent in the Kingdom, said Al-Turki.

The Saudi Film Commission is responsible for numerous initiatives that have helped bolster the Saudi industry at home and abroad by providing young Saudi filmmakers with opportunities.

One example is “Norah,” a Saudi production that will be screened at the 77th Cannes Film Festival this year in its “Un Certain Regard” section. It will be the first time a Saudi movie has been selected for the prestigious festival.

Directed by Saudi Tawfik Alzaidi and produced by American Paul Miller, formerly the head of finance at the Doha Film Institute, the film is the first Saudi movie shot entirely in the AlUla region.

Poster of Saudi movie “Norah.” (Supplied)

Supported by the Red Sea Fund, the film also clinched the top prize of a funding award from the Saudi Film Commission’s Daou Competition — an initiative launched by the Kingdom’s Ministry of Culture in September 2019 to bolster Saudi film production and nurture the country’s next generation of filmmakers.

Set in Saudi Arabia during the 1990s, the film follows Norah, a young Saudi woman who lives in a small village, who is introduced to Nader, an artist. Norah asks him to paint her portrait and soon an artistic relationship develops between them. 

The film, Alzaidi’s debut feature, explores the period of Saudi conservatism and the various forms of art that were banned. It examines how art can facilitate communication between people and foster social change.

In the run-up to the sixth anniversary of the lifting of the cinema ban, the Saudi Film Commission organized the fourth edition of the Gulf Cinema Festival, which ran from April 14 to 18.

This was the first time the festival was managed by a government agency, underlining the recognition of the socio-cultural and economic importance of the film industry for the Kingdom.

The Gulf Cinema Festival brought together several pioneers of Gulf cinema to share their visions and experiences in film production. (Supplied)

In a speech during the opening of the festival, the Film Commission’s CEO Abdullah bin Nasser Al-Qahtani said “this edition of the festival represents a crucial milestone in cultural cooperation among the Gulf Cooperation Council countries and embodies our wise leadership’s commitment to enhancing collaboration among us,” according to SPA.

“This festival, which brings us together today, reflects the strong connection between ambition and the cultural strategy of the GCC countries, which play a significant role in enhancing cultural exchange, expanding infrastructure, drawing inspiration from successful experiences, and encouraging Gulf talents to offer more,” he said.

The booming Saudi entertainment industry is also attracting directors from across the world to shoot and produce films in the Kingdom.

Over the last 18 months, the landscapes of NEOM in the Tabuk region have been featured in several international films, including Ruper Wyatt’s “Desert Warrior,” starring Anthony Mackie and Sir Ben Kingsley; “Dunki” directed by Indian filmmaker Rajkumar Hirani starring Shahrukh Khan; the first regional reality TV show “Million Dollar Island;” and the “Rise of the Witches,” the region’s largest-ever budget TV show. 

As deals continue to be made and incentives offered for making movies in Saudi Arabia, the future looks bright not only for domestic movie theaters but also for local, regional and international filmmakers and producers intending to work and collaborate in the Kingdom.

“Despite these accomplishments, this is merely the start,” said Al-Turki. “Saudi cinema has much more to accomplish.”


Saudi FM receives Bahraini counterpart in Riyadh

Saudi Foreign Minister Prince Faisal bin Farhan receives his Bahraini counterpart Abdullatif bin Rashid Al-Zayani in Riyadh.
Updated 23 April 2024
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Saudi FM receives Bahraini counterpart in Riyadh

  • During the meeting, the close relations between Saudi Arabia and Bahrain and ways to strengthen them in various fields were reviewed

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received his Bahraini counterpart Abdullatif bin Rashid Al-Zayani in Riyadh on Tuesday.

During the meeting, the close relations between their countries and ways to strengthen them in various fields were reviewed.

The ministers also discussed the latest regional and international developments and efforts made with regard to them. 


Outer Edge Summit in Riyadh explores AI, digital futures

Updated 24 April 2024
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Outer Edge Summit in Riyadh explores AI, digital futures

  • Experts highlight issues in data ownership and the revolutionary Web3

RIYADH: By owning our data, we will be empowered and safe, says Krista Kim at Outer Edge Innovation Summit on April 23 at The Garage in Riyadh.

Kim spoke in one of the summit’s panel discussions, titled “Web3 and AI for business and smart cities,” which included guest speakers Naif Al-Rabeah, director of Web3 and spatial reality portfolio at NEOM; Eric Pulier, founder & CEO at Vatom Corporation; and Kamal Youssefi, president at the Hashgraph Association.

Outer Edge Innovation Summit brought together some of the biggest names in the blockchain, AI, and gaming ecosystems from all over the world. (AN photos by Abdulrhman Bin Shalhoub)

The Korean Canadian artist has a goal to raise awareness of the importance of each person owning their data: “I believe that data is power. You need to allow people to be empowered by owning their own data and to give them a choice of what projects they want to be involved in.”

Kim highlighted that data ownership “is one of the greatest human rights issues in the 21st century.

HIGHLIGHTS

• Topics at the Outer Edge Innovation Summit in Riyadh include smart cities, gaming, esports, art, culture, and more.

• The panel discussion titled ‘Web3 and AI for business and smart cities’ included guest speaker Naif Al-Rabeah, the director of Web3 and spatial reality portfolio at NEOM.

• Last month, Krista Kim presented ‘Heart Space,’ the first collaborative generative AI biometric artwork in history, commissioned by Julius Baer at Art Dubai.

“Right now, in the Web2 system, our data is taken for free. The companies practice surveillance capitalism and they take your data and they monetize on your free data.”

Scott Lawin, CEO of Candy Digital, a gaming and fan engagement company focused on sports and entertainment, attended the summit to support Web3: “Web3 really gives people that opportunity to authenticate their data and share it in a selective way where necessary. And also benefit from the contribution of that data.”

Krista Kim, Contemporary artist

Lawin attended the panel discussion highlighting the importance of the harmony of web3 and smart cities. Web3 is a term used to describe an idea for the next stage of internet development, which incorporates concepts such as decentralization, blockchain technologies, and token-based economics.

"I’m really excited about the Kingdom’s push forward and support for Web3. And I wanted to come and sort of see it here at first hand and meet the community here."

(Data ownership) is one of the greatest human rights issues in the 21st century.

Krista Kim, Contemporary artist

“As it relates to smart cities, (they) are designed and built around data. And understanding how the personalization of that data can help improve citizens’ lives,” he explained. “But ownership of that data and giving each individual the ability to sort of turn on and turn off the way that data is utilized is also quite important. From a privacy perspective and just a self-determination perspective.”

Meanwhile, Kim hopes to raise awareness of the global issue through personal projects and artistic efforts.

Last month, she presented “Heart Space,” the first collaborative generative AI biometric artwork in history, commissioned by Julius Baer at Art Dubai.

Within the exhibition, visitors take their heartbeat measurements with an app that will create a heart signature to be used an artwork in the immersive space.

“So, you are contributing through your heartbeat to the experience of the artwork, and you have the opportunity to create the NFT of your heart signature on the app,” the artist explained. “This is a project that I'm creating for people to take the first step to create your heart signature and then from that first step, you can start the movement toward that privacy and identity on the chain.”

The line between real and fake is being blurred further, creating ramifications in various fields. “AI can now create fake articles and they can fake your identity ... in three years, AGI (artificial general intelligence) is going to automatically just create stories,” Kim said. “So, we need to differentiate between what is real and what is fake, and also what is made by a human being versus what is made by the machine.”

Technology can be used to its advantage. Blockchain provides a solution of creating verification for newspapers, journalists and online media outlets, Kim says.

Speaking about how it works, she added: “On-chain media is very important, so that you can see the verification of this story on the blockchain. To bring it a step further — biometrics. So, your heart signature that I spoke about, as a journalist, you can use your heart signature to sign your story online.”

Outer Edge Innovation Summit brought together some of the biggest names in the blockchain, AI, and gaming ecosystems from all over the world.

In partnership with Animoca Brands and King Abdulaziz City for Science and Technology, the summit highlights advances in Web3 and the gaming ecosystem development in Saudi Arabia.

Topics at the summit will include smart cities, gaming, esports, art, culture, and more.

For more information about the Outer Edge Innovation Summit in Riyadh, visit outeredge.live/riyadh.

 

 


Saudi Arabia condemns Israeli war crimes in Gaza

Updated 23 April 2024
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Saudi Arabia condemns Israeli war crimes in Gaza

  • Palestinian authorities reported finding hundreds of bodies in mass graves at Nasser hospital in Khan Younis this week after it was abandoned by Israeli troops
  • Ministry renewed Kingdom’s demand that international community assume its responsibility toward stopping Israeli attacks on civilians in the Gaza Strip

RIYADH: Saudi Arabia condemned Israeli war crimes being committed in the Gaza Strip without deterrence, Saudi Press Agency reported on Tuesday.

The condemnation comes after Palestinian authorities reported finding hundreds of bodies in mass graves at Nasser hospital in Khan Younis this week after it was abandoned by Israeli troops.

Bodies were also reported at the Al-Shifa medical site following an Israeli special forces operation.

The Kingdom’s Foreign Ministry stressed that the failure of the international community to hold Israel accountable for violating international law will only result in more violations and the exacerbation of human tragedies and destruction.

It renewed the Kingdom’s demand that the international community assume its responsibility toward stopping Israeli attacks on civilians in the Gaza Strip and holding it accountable for the massacres that it has committed there.

UN rights chief Volker Turk said earlier on Tuesday he was “horrified” by the mass grave reports at Gaza hospitals.


Hima forum concludes following conservation discussions in Riyadh

Updated 23 April 2024
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Hima forum concludes following conservation discussions in Riyadh

  • Local and international experts shared their expertise at event

RIYADH: Local and foreign companies said their farewells following the Hima protected areas forum.

The forum, which was organized by the National Center for Wildlife, took place in Riyadh from April 21-24.

The event showcased topics related to efforts made by the Kingdom in the conservation field, and included various discussions, workshops, and presentations.

The concept of protecting and preserving natural habitats and wildlife dates back to the pre-Islamic era, when Bedouins in the Arabian Peninsula would cultivate land and claim ownership.

Those who cultivated plants on a specific piece of land could eventually claim ownership of that land.

Hasan Nasser Salman Al-Nasser, an agricultural specialist at the Environment Agency, said: “It is an area of special interest, designated by a legislature to be used for agriculture. This concept dates back to the pre-Islamic era.”

Al-Nasser explained the concept of “hima,” which means a protected area, and how it evolved over time, ultimately reaching its current understanding in Saudi Arabia.

He said: “The first hima protected during the time of Islam by the Prophet was a natural reserve used for horses.

“During the time of Khalifah Omar, there were the hima of Al-Sur and Alrabathah. After that, each tribe was responsible for protecting their natural reserves.”

The forum featured the participation of several official entities and projects, including NEOM, Red Sea Global, and Catmosphere. A community-led organization, the Northern Rangelands Trust, was also present.

Issa Ismail Gedi, chief programs officer at the Kenya-based Northern Rangelands Trust, said: “When I was in primary school, I used to help my family. Wildlife has been thriving on our land, alongside our livestock.”

The organization focuses on building resilient community conservation regions that transform lives and help the natural environment.

The body has safeguarded a number of areas, including national parks in Kenya. Gedi said the organization is also supporting 50 to 60 percent of wildlife located outside protected areas.

The forum was the first of its kind, and hosted by the National Center for Wildlife and supported by the Ministry of Environment, Water and Agriculture.

The event provided an opportunity for local and international experts to share their expertise, with the aim of exchanging information and discussing outcomes to develop strategies for better preserving and protecting Saudi Arabia’s nature and wildlife.