Iconic Algeria record store’s fortunes revived by DJ Snake

DJ Snake’s summer hit Disco Maghreb has put the spotlight on the iconic Algerian record label with the same title, to which the song was named in tribute. (AFP)
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Updated 24 August 2022
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Iconic Algeria record store’s fortunes revived by DJ Snake

  • French-Algerian singer DJ Snake paid tribute to the genre in his song Disco Maghreb
  • The singer, whose real name is William Sami Grigahcine, has also published a video of himself visiting the famous shop on a street corner in Oran

ORAN, Algeria: Legendary Algerian music label Disco Maghreb, which launched the careers of some of the Rai folk-inspired genre’s most famous stars, has seen a revival thanks to a hit song by DJ Snake.

 

This week, the label’s miniature headquarters at a long-shuttered record store in the eastern city of Oran will receive another prominent guest: French President Emmanuel Macron, whose official visit will be focused on outreach to youth in the North African country.

Owner Boualem Benhaoua, 68, said he has “so many memories in the music, so many memories with Rai singers, they all came through here.”

Cheb Khaled, Cheb Mami, Cheb Hasni and Cheba Zahouania are among the most famous stars of the genre, which emerged in 1920s Oran but became a major world music genre in the 1980s, particularly popular in Algeria’s former colonial ruler France.

French-Algerian singer DJ Snake paid tribute to the genre in his song Disco Maghreb, which has been seen 78 million times on YouTube alone and prompted an influx of young Algerians to take selfies at the shop with its iconic model cassette tape hanging outside.

The singer, whose real name is William Sami Grigahcine, has also published a video of himself visiting the famous shop on a street corner in Oran.

“I imagined ‘Disco Maghreb’ as a bridge between different generations and origins, linking North Africa, the Arab world and beyond... This is a love letter to my people,” he wrote on Twitter in May.

Inside the shop, barely touched in years, cassettes pile up on the shelves, surrounded by vintage audio equipment that could be in an antiques museum.

Most of DJ Snake’s fans are from the era of YouTube and TikTok, but they queue up happily for photos with Benhaoua and his vinyl collection.

“It’s an emblematic place in Oran and DJ Snake’s latest track gave it more resonance,” said airline pilot Nawel, 36.

She said she was bringing her children for a visit and to take photos, as they live in France.

Despite the store being closed for years, Benhaoua said he wanted it to become “a place for artists to meet and for new talent to be discovered.”

Benhaoua said the young singer has also shone a spotlight on Oran, with his video clip young people on mopeds and dancing in the street shot in the city.

Many on social media have commented that the clip has done more to promote tourism in the city than official tourism agencies.

Benhaoua said DJ Snake had “the qualities of a great man.”

“He sympathizes with people with modest incomes, he himself grew up in these conditions,” he said.

“He’s not just a singer, but like part of the family.”


Art Cairo spotlights pioneering artist Inji Efflatoun

Updated 23 January 2026
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Art Cairo spotlights pioneering artist Inji Efflatoun

CAIRO: Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26, with visitors treated to gallery offerings from across the Middle East as well as a solo museum exhibition dedicated to pioneering Egyptian artist Inji Efflatoun.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989. (Supplied)

Efflatoun was a pivotal figure in modern Egyptian art and is as well known for her work as her Marxist and feminist activism.

“This is the third year there is this collaboration between Art Cairo and the Ministry of Culture,” Noor Al-Askar, director of Art Cairo, told Arab News.

“This year we said Inji because (she) has a lot of work.”

Born in 1924 to an affluent, Ottoman-descended family in Cairo, Efflatoun rebelled against her background and took part heavily in communist organizations, with her artwork reflecting her abhorrence of social inequalities and her anti-colonial sentiments.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series. (Supplied)

One untitled work on show is a barbed statement on social inequalities and motherhood, featuring a shrouded mother crouched low on the ground, working as she hugs and seemingly protects two infants between her legs.

The artist was a member of the influential Art et Liberte movement, a group of staunchly anti-imperialist artists and thinkers.

In 1959, Efflatoun was imprisoned under Gamal Abdel Nasser, the second president of Egypt. The artist served her sentence for four years across a number of women’s prisons in the deserts near Cairo — it was a period that heavily impacted her art, leading to her post-release “White Light” period, marked dynamic compositions and vibrant tones.

Grouped together, four of the exhibited works take inspiration from her time in prison, with powerful images of women stacked above each other in cell bunkbeds, with feminine bare legs at sharp odds with their surroundings.

Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26. (Supplied)

The bars of the prison cells obstruct the onlooker’s view, with harsh vertical bars juxtaposed against the monochrome stripes of the prison garb in some of her works on show.

“Modern art, Egyptian modern art, most people, they really don’t know it very well,” Al-Askar said, adding that there has been a recent uptick in interest across the Middle East, in the wake of a book on the artist by UAE art patron Sultan Sooud Al-Qassemi.

“So, without any reason, all the lights are now on Inji,” Al-Askar added.

Although it was not all-encompassing, Art Cairo’s spotlight on Efflatoun served as a powerful starting point for guests wishing to explore her artistic journey.