SRMG hosts interactive panels and virtual experience at the Cannes Lions International Festival of Creativity

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CEO of SRMG, Jomana Al-Rashid, presented and explained SRMG’s strategy and hosted a series of interactive panel discussions. (Supplied)
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CEO of SRMG, Jomana Al-Rashid, presented and explained SRMG’s strategy and hosted a series of interactive panel discussions. (Supplied)
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CEO of SRMG, Jomana Al-Rashid, presented and explained SRMG’s strategy and hosted a series of interactive panel discussions. (Supplied)
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Updated 23 June 2022
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SRMG hosts interactive panels and virtual experience at the Cannes Lions International Festival of Creativity

  • SRMG CEO Jomana Al-Rashid leads thought-provoking discussion on the future of the advertising industry among other panels

CANNES: Saudi Research and Media Group (SRMG) is hosting off a series of interactive panel discussions and a virtual experience at a dedicated pavilion at the Cannes Lions International Festival of Creativity. 

SRMG was the host of a unique virtual experience at the festival. Nestled between Warner Bros and Meta, SRMG was among the biggest media conglomerates in the world providing a unique experience for festival attendees.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SRMG (@srmghq)

 

The virtual experience provides an integrated interactive session, which takes participants to 6 different destinations, before taking them on a tour of Al Sharq Bloomberg channel’s studios. It also presents the group’s activities across its political, sports, cultural and artistic news platforms via interactive screens.

In addition to the experience, SRMG is also hosting several thought-provoking and interactive panels and discussions.

“New technologies, innovative talent, and creative models are changing the media landscape as we know it,” SRMG CEO Jomana Al-Rashid said in a tweet. She added that for the first time at Cannes Lions, SRMG is celebrating the “industry’s vibrancy” shining a light on MENA’s media landscape.

 

 

Led by Al-Rashid, “Advertising Reimagined” saw her spotlight SRMG’s digital transformation strategy and its vision to transform from one of the largest and most influential media groups in the MENA region into an integrated global media giant.

She discussed the future of advertising with Sir Martin Sorrell, co-founder of S4S Ventures, bringing up questions such as has the advertising industry recovered from the repercussions of the pandemic? How does it keep up with the rapid advances in technology? Will it succeed in achieving the sustainable goals through digitalization to maintain its competitiveness in the future?

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SRMG (@srmghq)

 

 

 

Al-Rashid presented and explained SRMG’s strategy, which includes 5 key pillars: SRMG Media, which will develop and digitize platforms, produce and distribute qualitative, distinctive and exclusive content; SRMG International to enhance investments and expand international partnerships and opportunities for regional and global cooperation; SRMG Think to develop in-depth research and studies based on facts; SRMG X for developing and expanding events, conferences and exhibitions; and SRMG Labs for developing the media sector, keeping pace with the global accelerating technical development and embracing innovative ideas in the content and technology industry.

 

 

The wider Middle East region is gaining increased prominence on the global advertising map — a trend Sorrell expects to continue. He praised the changes that Saudi Arabia has undergone during the last few years making Riyadh a regional hub.

He added: “I don’t think that in the West, we are aware of the size of the shift (the world is witnessing) in terms of wealth, with the rise in energy and commodity prices. The Middle East is a key area in (this shift), and I think what we have seen over the past month or two in terms of a big shift in activity, will continue.”

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SRMG (@srmghq)

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SRMG (@srmghq)

 

In addition to “Advertising Reimagined,” SRMG is hosting several engaging panels and riveting conversations to address the prominent and influential topics in the media industry. For example, the “Local Voices, Global Thoughts: Podcasting in MENA” panel discussed podcasting in the region; “Digital Wellbeing: A Global Imperative” discussed the impact of technology on our health and wellbeing; and “Towards a More Inclusive Creative Industry: Women in Power” looked at diversity, equity, and inclusion initiatives in the creative industries.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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