French Algerian model Loli Bahia lands her first Chanel campaign

The half-Algerian rising star is making her mark on the modeling world. File/ Getty Images
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Updated 07 June 2022
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French Algerian model Loli Bahia lands her first Chanel campaign

DUBAI: Shortly after opening Chanel’s Grand Prix-inspired resort 2023 show in Monte Carlo, Monaco, last month, French Algerian model Loli Bahia has landed her first-ever campaign for the storied luxury maison.

The 19-year-old rising star features in Chanel’s Metiers d’Art spring 2022 campaign, shot by fashion photographer Mikael Jansson.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by @lolibahiaa

Initiated by Gabrielle “Coco” Chanel herself, Chanel’s Métiers d’Art show is an annual celebration of creatives — such as embroiderers, feather workers, goldsmiths and milliners — offering a platform for the design talents to showcase their unique craftsmanship and the breadth of their work.

In the campaign, Bahia displays the exceptional savoir faire of artisans via tailored jackets, logo-emblazoned leather gloves, wide-brimmed hats, embellished mini-dresses and ornate bangles, necklaces and earrings.

For the 2022 show, which took place in December, Artistic Director Virginie Viard chose to show the collection at the Le19M building in the 19th arrondissement in Paris.

The new campaign was unveiled just before the fashion house’s repeat showcase of the Metiers d’Art spring 2022 collection in Florence, Italy, on June 7.

At just 19, the half-Algerian catwalker is quickly shaping up to be one of the most in-demand models in the industry, becoming a runway fixture in just a couple of months after a breakthrough spring 2022 fashion month, where she walked in 65 shows.

Bahia, who is signed to Women Management Paris and Modern Paris, made her runway debut in 2020 at Louis Vuitton’s fall 2021 show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by @lolibahiaa

She has gone on to strut down the catwalks of a host of prestigious labels that most models can only dream of, including Chanel, Schiaparelli, Fendi, Givenchy, Versace, Lanvin and Valentino, to name but a few.

She has also featured in campaigns for Louis Vuitton, Saint Laurent, Courreges and Max Mara in addition to starring on the cover of Vogue Italia.

The model opened Chanel’s resort 2023 show wearing a red-and-white tweed blazer and trousers paired with a metallic silver shirt and embroidered tweed dad cap – the look, sans cap, was later spotted on Hollywood star Kristen Stewart on the Cannes Film Festival red carpet.

“Such an honor to have opened this show,” wrote Bahia on Instagram after the runway presentation.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.