ThePlace: Al-Okhdood, telling the story of human settlements in Najran

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Updated 02 May 2022
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ThePlace: Al-Okhdood, telling the story of human settlements in Najran

Al-Okhdood, the historical landmarks of Al-Okhdood in the city of Najran tell the story of human settlements in the region from the first millennium B.C. to the end of the fourth century A.D.

The period led to a flourishing civilization in Southern Arabia in the most important stop along the ancient incense trade route.

Al-Okhdood’s 5-kilometer archeological area falls in the middle of residential neighborhoods located in Najran. The square castle has two main gates connected by a corridor, on both sides of which are rooms and sub-corridors. Many symbols, writings and rock drawings are engraved throughout the castle. In the northeastern part of the site is a large granite millstone that was used for grinding food grains within the market and mosque area. It was discovered in 1996.

Excavations began at Al-Okhdood at the end of the 20th century. Archeologists discovered many artifacts and graves, some of which date back to B.C. Some artifacts found in the site’s southern side date back to early Islamic periods.

The main fortress, Al-Hosn, contained inscriptions, animal and human drawings, and names of people engraved on the walls. Excavators also discovered a mosque dating back to the first Hijri century on the northern side of the site, in addition to stone tools that were used by humans since the Stone Age. Pottery, glass, and jewelry made from silver, copper and gold were also discovered.


Riyadh exhibition brings Saudi and Chinese contemporary art into dialogue

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Riyadh exhibition brings Saudi and Chinese contemporary art into dialogue

RIYADH: Saudi Arabia’s Ministry of Culture has announced that the Common Ground Festival, produced by Benchmark, will take place from Dec. 24, 2025 to Jan. 6, 2026 at Misk City, Riyadh.

The exhibition celebrates the Saudi-Chinese Cultural Year 2025 and 35 years of diplomatic relations between the two countries.

The Sigg Art Foundation presents “When the Wind Turns East,” a landmark exhibition as part of the festival, featuring works by more than 60 contemporary artists from Saudi Arabia and China.

Among the works on display are significant pieces from the Uli Sigg Collection composed of Chinese contemporary art and the Pierre Sigg Collection of Saudi contemporary art, alongside works from other important collections and directly from artists’ studios.

The Uli Sigg Collection, one of the most comprehensive assemblages of Chinese contemporary art in the world, chronicles the evolution of Chinese artistic practice from the late 20th century to the present.

Uli Sigg, former Swiss ambassador to China, began collecting in the 1980s, with much of his collection donated to Hong Kong’s M+ museum.

The Pierre Sigg Collection encompasses a large body of works, from Modern Art and Post War work to very young artists.

It also documents the dynamic evolution of Saudi artistic practice, capturing a generation of Saudi artists engaging with heritage, innovation, and contemporary identity.

Founded by Pierre Sigg, the collection represents a commitment to preserving and promoting Saudi contemporary art.

“For these two collections to contribute to this exhibition in Riyadh, at a moment celebrating Saudi-Chinese cultural exchange, feels like a natural evolution of what we have always believed: that art transcends borders and speaks a universal language,” Pierre Sigg said.

Among the 60-plus artists presented in “When the Wind Turns East,” these works from the Uli Sigg and Pierre Sigg collections exemplify the exhibition’s dialogue between Saudi and Chinese contemporary art:

From the Pierre Sigg Collection (Saudi artists): Nabila Abuljadayel — The Kiswa, Threads of Faith Crafted in Silk; Manal Al-Dowayan — The Emerging VIII, acrylic on natural linen; Lulwah Al-Homoud — The Language of Existence Series – Al Qudous, mixed media archival paper; and Rashed Al-Shashai — Brand 5, lightbox and mixed media.

From the Uli Sigg Collection (Chinese artists): Gao Weigang — Mountainside, oil on canvas; and Xue Feng — Domains, oil on canvas.

These works, alongside pieces by more than 55 other artists, span painting, textile, photography, sculpture, mixed media, and light-based installation, reflecting the extraordinary diversity of contemporary practice in both artistic communities.

“When the Wind Turns East” is the art centerpiece of the Common Ground Festival, a multidisciplinary cultural celebration exploring Saudi-Chinese exchange through visual arts, performing arts, culinary traditions, and craft demonstrations.