Social media experts weigh in on this year’s Ramadan advertising trends

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Updated 25 April 2022
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Social media experts weigh in on this year’s Ramadan advertising trends

  • Senior leaders from Meta, Twitter, TikTok, Snap and Google on what matters to consumers during the holy month

DUBAI: Ramadan is a month of abstinence for many Muslims around the world as they fast through the day and embrace spirituality, charity and generosity. It is also one of the busiest shopping periods, especially in the MENA region, with online consumer spending valued at $6.2 billion this year, according to Statista. That figure is a 39 percent increase in online spending compared to last year.

With many consumers spending more time looking for entertainment and helpful content, such as cooking tips or spiritual guides, social media usage often increases during Ramadan. A survey by advertising platform AdColony and research company GlobalWebIndex found that 50 percent of respondents in Saudi Arabia spend one to three hours on their smartphones per day.

During Ramadan, most Saudi consumers use smartphones over other devices to shop online (65 percent), browse through social media apps (64 percent) and message family and friends (61 percent).

Arab News spoke to senior leaders from Meta, Twitter, TikTok, Snap and Google to learn more about Ramadan advertising.

 FARES AKKAD, REGIONAL DIRECTOR FOR MENA, META

What were the top trends during Ramadan last year?
Last year, we saw how many advertisers embraced a mobile-first strategy rather than just building for TV and then adapting or optimizing for all the other mediums later. We also saw a lot of brands do various augmented reality filters, Messenger Bots and mobile video ads that were not only innovative, but also impactful, too.

What are the top Ramadan trends this year?
With people’s openness to new things during Ramadan, discoveries are taking place across borders. Studies show that 69 percent of Ramadan shoppers get “excited about trying new brands and products from abroad” and nearly one in two Ramadan shoppers globally (47 percent) made at least one cross-border purchase.

The leading MENA streaming platform, Shahid VIP, wanted to reach a global audience with Ramadan-specific content. They leveraged mobile-first short-form videos on Facebook and Instagram to drive an uplift in subscriptions across the US and Canada, resulting in a 3.9 percent lift in action intent, 8.2 percent lift in sign-ups and 8.4 percent lift in brand awareness.

We are also seeing many campaigns utilizing content creators in interesting ways; creators often play a particularly important role during this period. These diverse voices drive greater levels of representation, with as many as 46 percent of shoppers using Meta technologies during Ramadan to watch live videos by creators.

How did the resurgence from the pandemic affect Ramadan advertising?
As we slowly emerge out of the COVID-19 pandemic, advertisers and marketers are steadily coming back on their feet. In 2020 and 2021, there was a lot of uncertainty and confusion; however, now we are seeing everyone getting used to the new normal.

With Ramadan being an annual festival, how can brands avoid becoming repetitive?
The spirit of Ramadan will never change, but technology does, and people’s needs do, too. Just like how the pandemic created a space for ideas that bring people closer together in times of physical distancing, something else will come along and brands will have to pivot and focus on what brings value to people.

The metaverse is not just a buzzword. While realizing this future might take five to 10 years and all of us working together, there are steps that we can take today to start planning for the future. It is important to continue to grow a brand and business in the digital space on our 2D apps — this will help brands imagine the opportunities and prepare them for the metaverse of tomorrow.

Lastly, brands can stay relevant by creating more interactive and immersive content, leveraging new AI capabilities and forging stronger audience relationships. The future is bright for the next era of creating.

 
ANTOINE CAIRONI, HEAD OF REVENUE — MENA, TWITTER

What were the top trends during Ramadan last year?
In a pre-Ramadan survey of Twitter users in the region (KSA, UAE and Egypt), 60 percent said that Twitter was their go-to platform to discover what is happening during the holy month. Their most sought-after content included entertainment, comedy, food and cooking, as well as health and wellness.

Despite the context of the pandemic, the general popular themes of Ramadan remained prevalent. Video continued to be a leading form of content consumption for people and video as an ad format performed strongly on the platform. A 2021 research study found that people on Twitter in the Kingdom and the UAE reinforced the increase in usage of video as a format for content discovery.

Watching videos during Ramadan remains within the top three activities on the platform.

What are the top Ramadan trends this year?
About 50 percent of people on Twitter in Saudi, UAE and Kuwait, and 60 percent of users in Egypt, spend more money during Ramadan. A significant amount of people are likely to explore new brands and products (41 percent in Saudi Arabia, 53 percent in the UAE, 42 percent in Egypt and 40 percent in Kuwait).

We also found that Twitter goes hand in hand with television in a multi-screen effect during Ramadan. People use the platform while watching TV to read about what others are watching, discover new shows and share their own opinions. People move from simply watching TV to sharing moments and emotions around the content that matters to them during the holy month.

Once again, video remains a prevalent form of content consumption for people on Twitter and continues to be one of the best ways to reach people and tell a story in a very meaningful way.

In addition, time spent on gaming increases during Ramadan, as 39 percent of people interested in gaming spend 35 percent more time on the activity during Ramadan.

How did the resurgence from the pandemic impact Ramadan advertising?
Ramadan advertising spend is prioritized by most organizations as it is a critical time for marketing in the region, but it has remained consistent with a focus on growing a brand’s Twitter presence throughout the pandemic.

In the region, restrictions have been gradually lifted since 2021, so from a creative content perspective, we are seeing a rise in advertising campaigns that show more examples of life as we knew it pre-pandemic.

Brands that do well on Twitter in terms of high viewership and engagement focus on ways to emotionally connect with target audiences during the month and aim to inspire, rather than focus on promotional tactics.

With Ramadan being an annual festival, how can brands avoid becoming repetitive?
It really comes down to how creative brands are willing to get with content, and how they connect with audiences in a memorable and emotional way. Most brands in our region prioritize Ramadan marketing campaigns, cluttering the online space. So, from a consumer perspective, the content from many brands might appear to have a lot of similar themes.

However, we have found that our audience is extremely receptive to brands that use Twitter for a new launch during Ramadan. People are two times more likely to talk about a brand within their own connections and their circle of friends and family, which makes them influential too.

 
FAHAD AL-MAGHRABI, HEAD OF BUSINESS PARTNERSHIPS — GLOBAL BUSINESS SOLUTIONS KSA, TIKTOK

What were the top trends during Ramadan last year?
About 74 percent of TikTok users focused on community activities related to Ramadan and 57 percent spent more time with family and friends.

Digital consumption patterns varied during the month, with users moving more towards watching content than creating it, and consumption increasing after iftar until midnight.

During Ramadan last year, people browsed more content than expected related to beauty (23 percent), fashion (23 percent), food and cooking (23 percent), sports (15 percent) and home decor (14 percent).

Video views grew by 21 percent and engagement increased by 22 percent. The entertainment category alone grew by 70 percent, creating an opportunity for brands to engage with a community that is seeking joyful distractions.

When it comes to shopping, preparations for Ramadan start in the weeks before the month. Consumers, who are seasonal shoppers, tend to buy more. But most importantly, they do that together. This community consumption trend is reflected in the high traction on the platform.

What are the top Ramadan trends this year?
There are specific seasonal spikes when people tend to buy more, and this is in the two weeks leading up to Ramadan and the two weeks before Eid, which is reflected on the platform.

This year, our overarching message for brands during Ramadan is encompassed in “Ramadan Uninterrupted.” Essentially, we want brands to understand the importance of being part of the community during this period, rather than disrupting it.

How did the resurgence from the pandemic affect Ramadan advertising?
Today, consumers are spending more time online than ever before and there has been an uptick in online shopping. Following the outbreak of the COVID-19 pandemic, we have witnessed unprecedented growth in people shopping online worldwide and in digital consumption. This is particularly relevant during key seasonal occasions such as Ramadan.

Advertisers are seeing greater benefit in investing in this key retail moment and using it not just to sell products and services, but also to connect with their audience on a deeper level and encourage longer-term brand loyalty. This is where TikTok’s Community Commerce model comes in, which is quickly helping retailers grow and go viral.

With Ramadan being an annual festival, how can brands avoid becoming repetitive?
This year, like any other, TikTok is the destination for people to share during Ramadan in the form of short videos. And when they do so, they do not want ads or disruption — they want content that seamlessly blends into their edutainment time.

Keeping the values of Ramadan in mind, brands must bring content that is familiar and relatable to the audience, which helps them gain affinity and advocacy. In fact, 61 percent of TikTok users perceive brands as part of the open community and 84 percent of users say they come across content they can relate to on TikTok.

Ramadan is also known to be the month of inspiration and discovery, whereby 46 percent of MENAT digital users discover new tips, skills and content during Ramadan.

One approach is to explore the wide pool of creators who have built their own community and deliver their messages in an authentic and distinguished way. Creators do not just reach customers; they connect with them on a deeper level. Many brands cannot compete with creators’ storytelling abilities.

Additionally, today, the size of an influencer’s following is one of their least valuable assets. Brands have realized a big following does not equal big success. Micro-influencers have become so popular, as they have much more engaged followings, and so recommendations are more trusted.

 
ABDULLA AL-HAMMADI, REGIONAL BUSINESS LEAD, SNAP INC.

What were the top trends during Ramadan last year?
It is no surprise that the past few Ramadans were celebrated a little bit differently in the context of the pandemic. Embracing personal contemplation, purposefulness and even nostalgia, many people connected and celebrated virtually. Adapting to the changing times, behavior shifted, and new experiences came to life that bridged the digital and physical worlds.

During Ramadan 2021, Snapchatters opened the Snap Map in MENA 82 percent more often compared to Ramadan 2020. More than 1 billion Snaps were posted to Stories, and users in the Kingdom viewed AR Lenses more than 90 billion times.

Ramadan content continued to grow with users spending 33 percent more time on Ramadan content in 2021 than in the previous year.

What are the top Ramadan trends this year?
This year, communities across the MENA region are returning to togetherness. About 46 percent say that they plan to take part in more celebratory activities this year, and about 42 percent were actually planning to seek inspiration for Ramadan celebrations three weeks or earlier before Ramadan began.

We also found that 65 percent of our community will look to social and video apps for inspiration this Ramadan.

How did the resurgence from the pandemic affect Ramadan advertising?
We believe that media effectiveness, audience segmentation, authentic communication, and the ability to bridge the digital and physical worlds are essential considerations in planning 2022 Ramadan campaigns.

Digital platforms that help close friends and family stay connected, informed and express themselves are clearly influencing purchasing decisions. Technologies like AR have become an innovative way to have fun, create new traditions and connect.

With Ramadan being an annual festival, how can brands avoid becoming repetitive?
Communities have adapted to the changes of recent years, and their behaviors have evolved. Brands need to adapt to these preferences also. They must make sure they reach their audience at scale through immersive and impactful experiences across the entire consumer journey.

To achieve this, brands should be open to experimenting with new and creative technologies such as AR, providing consumers with an immersive experience that resonates with them, entertains them and informs them. Most importantly, brands should invest in innovative ways that can actually make a difference in consumer lives, while also tapping into their emotional and pleasurable aspects.

 
SOUHEIL SOUEID, HEAD OF ADVERTISING PRODUCTS & SOLUTIONS, GOOGLE MENA
What were the top trends during Ramadan last year?

In the last two years, it is obvious that many of our offline habits have moved to being online.

The top three trends of last year were:

1. The core values of Ramadan remain the same. On the first day of Ramadan last year, there were 17.5 million Qur’an livestream views on YouTube in MENA, and we saw a 100 percent increase in YouTube search interest for “donations” and “charitable giving” in Saudi Arabia during the four weeks of Ramadan in 2021 versus all other months of the year.

2. Optimism is rising and people are seeking a mood lift. Google Trends shows that searches around mental health increased during Ramadan last year with a 190 percent year-on-year increase in search interest for “psychological comfort” in the UAE.

3. Ads bring nostalgia to people in the MENA region, which is reflected in the fact that about 75 percent of the top-watched YouTube videos in the UAE, Saudi Arabia and Egypt were ads.

What are the top Ramadan trends this year?
We will wait to get the full analysis before sharing those findings with you.

How did the resurgence from the pandemic affect Ramadan advertising?
The pandemic has truly brought a level of uncertainty to businesses globally. This lack of clarity on what is next has added even more pressure on brands to drive concrete results.

Marketers and decision-makers at senior levels expect more transparency across all marketing channels. This is why we are seeing brands focusing more on full-funnel solutions to help them achieve their business objectives.

In this context, transparent and rigorous measurement becomes critical for brands to assess results and action timely decisions.

With Ramadan being an annual festival, how can brands avoid becoming repetitive?
The core of Ramadan remains the same, but people’s behaviors are changing with time. Therefore, it is imperative for brands to understand timely trends to adapt their communication and engage with people in a meaningful way.

It is critical for brands to leverage their first-party data in a privacy-centric way to help them adjust their media strategy, as well as guide their narrative and creative approach.

It is also important for brands to explore new formats and be present where their consumers are. As an example, YouTube Shorts hit more than 5 trillion views in its first year. With this new offering, brands are reviewing their content strategy to take part in this new online experience by creating video content and ads that are adapted for a vertical viewing experience.


Authors withdraw from PEN America Literary Awards in protest against stance on Gaza

Updated 19 April 2024
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Authors withdraw from PEN America Literary Awards in protest against stance on Gaza

  • 30 writers sign open letter criticizing organization for its ‘failure to confront the genocide of the Palestinian people and defend our fellow writers in Gaza’
  • They call on its CEO, Suzanne Nossel, its president, Jennifer Finney Boylan, and the entire executive committee to resign

DUBAI: Thirty authors and translators have signed an open letter to PEN America in which they declined, or withdrew their work from consideration for, the organization’s 2024 Literary Awards, in protest against its “failure to confront the genocide of the Palestinian people and defend our fellow writers in Gaza.”

In the letter, sent to the board of trustees this week, the writers said they “wholeheartedly reject PEN America and its failure to confront the genocide in Gaza” and demanded the resignations of the organization’s CEO, Suzanne Nossel, its president, Jennifer Finney Boylan, and its entire executive committee.

The signatories include the co-founder of the PEN World Voices Festival, Esther Allen, as well as Joseph Earl Thomas, Kelly X. Hui, Nick Mandernach, Alejandro Varela, Maya Binyam and Julia Sanches.

Allen this month said she had declined the PEN/Ralph Manheim Award for Translation. She posted a message on social media platform X on April 5 in which she said she had done so in solidarity with more than 1,300 writers who had criticized PEN America for its silence “on the genocidal murder of Palestinians,” and “in celebration and memory of, and in mourning for, all the Palestinians silenced forever by US-backed Israeli forces.”

Similarly, Binyam recently withdrew her debut novel “Hangman” from consideration for the PEN/Jean Stein and PEN/Hemingway awards.

In an email to PEN America, a copy of which she posted on X on April 11, she said she considered it “shameful that this recognition (of her work) should exist under the banner of PEN America, whose leadership has been steadfast in its dismissal of the ongoing genocide, and of the historic struggle for Palestinian liberation.”

In their open letter this week, the signatories said: “Writers have a responsibility to be good stewards of history in order to be good stewards of our communities.”

They added that they “stand in solidarity with a free Palestine,” and refuse “to be honored by an organization that acts as a cultural front for American imperialism” or “take part in celebrations that will serve to overshadow PEN’s complicity in normalizing genocide.”

In response, PEN America said: “Words matter and this letter deserves close scrutiny for its alarming language and characterizations.

“The current war in Gaza is horrific. But we cannot agree that the answer to its wrenching dilemmas and consequences lies in a shutting down of conversation and the closing down of viewpoints.

“We respect all writers for acting out of their consciences and will continue in our mission to defend their freedom to express themselves.”

The awards are due to be handed out during a ceremony on April 29 in Manhattan.


US congressional committee releases sealed Brazil court orders to Musk’s X, shedding light on account suspensions

Updated 19 April 2024
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US congressional committee releases sealed Brazil court orders to Musk’s X, shedding light on account suspensions

RIO DE JANEIRO: A US congressional committee released confidential Brazilian court orders to suspend accounts on the social media platform X, offering a glimpse into decisions that have spurred complaints of alleged censorship from the company and its billionaire owner Elon Musk.
The Republican-controlled House Judiciary Committee late Wednesday published a staff report disclosing dozens of decisions by Brazilian Supreme Court Justice Alexandre de Moraes ordering X to suspend or remove around 150 user profiles from its platform in recent years.
The 541-page report is the product of committee subpoenas directed at X. In his orders, de Moraes had prohibited X from making them public.
“To comply with its obligations under US law, X Corp. has responded to the Committee,” the company said in a statement on X on April 15.
The disclosure comes amid a battle Musk has waged against de Moraes.
Musk, a self-proclaimed free-speech absolutist, had vowed to publish de Moraes’ orders, which he equated to censorship. His crusade has been cheered on by supporters of far-right former President Jair Bolsonaro, who allege they are being targeted by political persecution, and have found common cause with their ideological allies in the US
De Moraes has overseen a five-year probe of so-called “digital militias,” who allegedly spread defamatory fake news and threats to Supreme Court justices. The investigation expanded to include those inciting demonstrations across the country, seeking to overturn Bolsonaro’s 2022 election loss. Those protests culminated in the Jan. 8 uprising in Brazil’s capital, with Bolsonaro supporters storming government buildings, including the Supreme Court, in an attempt to oust President Luiz Inácio Lula da Silva from office.
De Moraes’ critics claim he has abused his powers and shouldn’t be allowed to unilaterally ban social media accounts, including those of democratically elected legislators. But most legal experts see his brash tactics as legally sound and furthermore justified by extraordinary circumstances of democracy imperiled. They note his decisions have been either upheld by his fellow justices or gone unchallenged.
The secret orders disclosed by the congressional committee had been issued both by Brazil’s Supreme Court and its top electoral court, over which de Moraes currently presides.
The press office of the Supreme Court declined to comment on the potential ramifications of their release when contacted by The Associated Press.
“Musk is indeed a very innovative businessman; he innovated with electric cars, he innovated with rockets and now he invented a new form of non-compliance of a court order, through an intermediary,” said Carlos Affonso, director of the nonprofit Institute of Technology and Society. “He said he would reveal the documents and he found someone to do this for him.”
Affonso, also a professor of civil rights at the State University of Rio de Janeiro, said that the orders are legal but do merit debate, given users were not informed why their accounts were suspended and whether the action was taken by the platform or at the behest of a court. The orders to X included in the report rarely provide justification, either.
The Supreme Court’s press office said in a statement Thursday afternoon that the orders do not contain justifications, but said the company and people with suspended accounts can gain access by requesting the decisions from the court.
While Musk has repeatedly decried de Moraes’ orders as suppressing “free speech” principles and amounting to “aggressive censorship,” the company under his ownership has bowed to government requests from around the world.
Last year, for instance, X blocked posts critical of Turkish President Recep Tayyip Erdogan and, in February, it blocked accounts and posts in India at the behest of the country’s government.
“The Indian government has issued executive orders requiring X to act on specific accounts and posts, subject to potential penalties including significant fines and imprisonment,” X’s global affairs account posted on Feb. 21. “In compliance with the orders, we will withhold these accounts and posts in India alone; however, we disagree with these actions and maintain that freedom of expression should extend to these posts.”
Brazil is a key market for X and other social media platforms. About 40 million Brazilians, or about 18 percent of the population, access X at least once per month, according to market research group eMarketer.
X has followed suspension orders under threat of hefty fines. De Moraes typically required compliance within two hours, and established a daily fine of 100,000-reais ($20,000) for noncompliance.
It isn’t clear whether the 150 suspended accounts represent the entirety of those de Moraes ordered suspended. Until the committee report, it wasn’t known whether the total was a handful, a few dozen or more. Some of the suspended accounts in the report have since been reactivated.
On April 6, Musk took to X to challenge de Moraes, questioning why he was “demanding so much censorship in Brazil”. The following day, the tech mogul said he would cease to comply with court orders to block accounts — and that de Moraes should either resign or be impeached. Predicting that X could be shut down in Brazil, he instructed Brazilians to use a VPN to retain their access.
De Moraes swiftly included Musk in the ongoing investigation of digital militias, and launched a separate investigation into whether Musk engaged in obstruction, criminal organization and incitement. On April 13, X’s legal representative in Brazil wrote to de Moraes that it will comply with all court orders, according to the letter, seen by the AP.
Affonso said the committee’s release of de Moraes’ orders were aimed less at Brazil than at the administration of US President Joe Biden. The report cites Brazil “as a stark warning to Americans about the threats posed by government censorship here at home.”
Terms like “censorship” and “free speech” have turned into political rallying cries for US conservatives since at least the 2016 presidential election, frustrated at seeing right-leaning commentators and high-profile Republican officials booted off Facebook and Twitter in its pre-Musk version for violating rules.
“The reason why the far-right needs him (Musk) is because they need a platform, they need a place to promote themselves. And Elon Musk needs far-right politicians because they will keep his platform protected from regulations,” said David Nemer, a Brazil native and University of Virginia professor who studies social media.
In the US, free speech is a constitutional right that’s much more permissive than in other countries, including Brazil. Still, the report’s release seemed to invigorate Bolsonaro and his far-right supporters.
Late Wednesday, soon after the court orders were released, Bolsonaro capped off a speech at a public event by calling for a round of applause for Musk.
His audience eagerly complied.
 


Several Google employees fired, arrested after ‘Googlers Against Genocide’ sit-in protests

Updated 18 April 2024
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Several Google employees fired, arrested after ‘Googlers Against Genocide’ sit-in protests

  • Outrage over tech giant’s $1.2bn Project Nimbus contract with the Israeli military
  • Affiliated group No Tech for Apartheid condemns decision as a flagrant act of retaliation

LONDON: A number of Google employees have lost their jobs and nine have been arrested following protests against the tech giant’s $1.2bn Project Nimbus contract with the Israeli military.

The demonstrations, organized by Googlers Against Genocide and associated with the group No Tech for Apartheid, involved a 10-hour sit-in at Google’s sites in New York City and Sunnyvale, California.

The protesters occupied the office of Google Cloud CEO Thomas Kurian in California, prompting police intervention. 

“Physically impeding other employees’ work and preventing them from accessing our facilities is a clear violation of our policies and completely unacceptable behavior,” the company said in a statement.

It added the decision to terminate the employees’ contracts was taken following individual case investigations and that the company would continue to take action as necessary.

In a statement on Medium, Google workers affiliated with the No Tech for Apartheid campaign called the decision to terminate the 28 employees a “flagrant act of retaliation” and said staff members who did not directly participate in Tuesday’s protests were among those who lost their jobs.

“Despite Google’s attempts to silence us and disregard our concerns, we will persist,” said Jane Chung, spokesperson for the protesters.

Announced by Google and Amazon in 2021, Project Nimbus has faced criticism for providing advanced AI and machine-learning capabilities to Israel’s government.

Amid the ongoing conflict, No Tech for Apartheid launched a petition urging both companies to cancel the project, alleging complicity in Gaza’s ethnic cleansing.

Google’s statement said the Nimbus contract was “not directed at highly sensitive, classified or military workloads relevant to weapons or intelligence services.” 

Sources have also indicated that both Google and Amazon are bound by stringent contractual obligations that prevent them yielding to boycott pressure, effectively trapping them in the current situation.

The protests come in the wake of allegations that Google is silencing pro-Palestinian voices.

One of the fired workers protested during a presentation by Google’s Israel managing director in New York City.

Employees have demanded that the company stop “the harassment, intimidation, bullying, silencing, and censorship of Palestinian, Arab, and Muslim Googlers.”

They have also demanded that Google address “health and safety issues” in the workplace, which arose from the “mental health consequences of working at a company that is using their labor to enable a genocide.”


Palestinian photojournalist Motaz Azaiza joins Time Magazine’s list of 100 most influential people

Updated 18 April 2024
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Palestinian photojournalist Motaz Azaiza joins Time Magazine’s list of 100 most influential people

  • Azaiza honored in “Icons” category for his work documenting the conflict in Gaza

LONDON: Palestinian photojournalist Motaz Azaiza has been named one of the “100 Most Influential People of 2024” by Time Magazine.

Azaiza was recognized in the “Icons” category for his work documenting the conflict in Gaza, with his photographs offering a rare insight into the realities faced by those living in the enclave.

“For 108 days, Motaz Azaiza acted as the world’s eyes and ears in his native Gaza. Armed with a camera and a flak jacket marked ‘Press,’ the 25-year-old Palestinian photographer spent nearly four months documenting life under Israeli bombardment,” the magazine’s entry description said.

Azaiza’s images offer a perspective rarely seen in international media, given Israel’s ban on foreign journalists entering Gaza.

The photographer took to social media after the announcement, saying the honor symbolizes more than just his individual achievements.

“I am really blessed to share my country name with me wherever I go or whatever I achieve,” he wrote on X.

During his time in Gaza, Azaiza captured images showing the destruction wrought by the conflict, and the resilience of its people.

His photographs, shared with over 18 million followers on Instagram, served as a crucial source of information, despite the risks involved.

Since leaving Gaza in January and relocating to Doha, Azaiza has continued to call for greater awareness of the crisis, and international intervention to halt the conflict.

“What is happening in Gaza is not content for you,” he was quoted as saying by the magazine. “We are not telling you what is happening … for your likes or views or shares. No, we are waiting for you to act. We need to stop this war.”

Since 1999, Time Magazine has published its annual Time 100 list, recognizing influential individuals in various fields.

Others who made this year’s list include singer Dua Lipa, Japanese animator Hayao Miyazaki, American footballer Patrick Mahomes, Formula One driver Max Verstappen and Qatar’s Prime Minister Mohammed bin Abdulrahman Al-Thani.

In November 2023, GQ Middle East named Azaiza as its Man of the Year, underscoring his role in inspiring positive change.

Azaiza’s nomination for the Time 100 list was submitted by Yasmeen Serhan, a staff writer at Time Magazine.


Gaza’s Mohammed Salem wins World Press Photo of the Year award with haunting image of woman cradling dead niece

Updated 18 April 2024
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Gaza’s Mohammed Salem wins World Press Photo of the Year award with haunting image of woman cradling dead niece

  • Picture was taken on Oct. 17, at Nasser hospital in southern Gaza, where families searched for relatives killed during Isralei bombing
  • ‘I hope photo makes world more conscious of the human impact of war, especially on children,’ Salem said

AMSTERDAM: Reuters photographer Mohammed Salem won the prestigious 2024 World Press Photo of the Year award on Thursday for his image of a Palestinian woman cradling the body of her five-year-old niece in the Gaza Strip.
The picture was taken on Oct. 17, 2023, at Nasser hospital in Khan Younis in southern Gaza, where families were searching for relatives killed during Israeli bombing of the Palestinian enclave.
Salem’s winning image portrays Inas Abu Maamar, 36, sobbing while holding Saly’s sheet-clad body in the hospital morgue.
“Mohammed received the news of his WPP award with humility, saying that this is not a photo to celebrate but that he appreciates its recognition and the opportunity to publish it to a wider audience,” Reuters’ Global Editor for Pictures and Video, Rickey Rogers, said at a ceremony in Amsterdam.
“He hopes with this award that the world will become even more conscious of the human impact of war, especially on children,” Rogers said, standing in front of the photo at the Nieuwe Kerk in the Dutch capital.
Announcing its annual awards, the Amsterdam-based World Press Photo Foundation said it was important to recognize the dangers facing journalists covering conflicts.
It said 99 journalists and media employees had been killed covering the war between Israel and Hamas since the Palestinian militant group attacked southern Israel on Oct. 7 and Israel responded by launching a military offensive in Gaza.
“The work of press and documentary photographers around the world is often done at high risk,” said Joumana El Zein Khoury, the organization’s executive director.
“This past year, the death toll in Gaza pushed the number of journalists killed to a near-record high. It is important to recognize the trauma they have experienced to show the world the humanitarian impact of the war.”
Salem, a Palestinian aged 39, has worked for Reuters since 2003. He also won an award in the 2010 World Press Photo competition.
The jury said Salem’s 2024 winning image was “composed with care and respect, offering at once a metaphorical and literal glimpse into unimaginable loss.”
“I felt the picture sums up the broader sense of what was happening in the Gaza Strip,” Salem said when the image was first published in November.
“People were confused, running from one place to another, anxious to know the fate of their loved ones, and this woman caught my eye as she was holding the body of the little girl and refused to let go.”



’PROFOUNDLY AFFECTING’
Salem’s wife had given birth to their child days before he took the shot.
The photograph is “profoundly affecting,” said jury member Fiona Shields, head of photography at Guardian News & Media.
The jury selected the winning photos from 61,062 entries by 3,851 photographers from 130 countries.
GEO photographer Lee-Ann Olwage of South Africa won the story of the year category with images documenting dementia in Madagascar.
The long-term projects category was won by Alejandro Cegarra of Venezuela for the series “The Two Walls” for The New York Times/Bloomberg.
Ukrainian photographer Julia Kochetova won the open format award with “War is Personal,” which documented the war in her country by weaving together pictures, poetry, audio and music in documentary style.