Iraqi rapper Narcy to teach course on Kanye West at Concordia

Narcy will be teaching the first-ever course about Ye. AFP
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Updated 22 March 2022
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Iraqi rapper Narcy to teach course on Kanye West at Concordia

DUBAI: Iraqi-Canadian rapper and professor Narcy, who was born Yassin Al-Salman, will be teaching the first-ever course about US rapper and designer Ye (formerly known as Kanye West) at Montreal’s University of Concordia, where he has been teaching for nearly a decade.

Ye is inarguably one of the most influential, controversial (he was just suspended from Instagram for 24-hours) and complex celebrities of our generation, so it makes sense that the university is set to offer an entire class on his life and work.

The news comes fresh off the heels of Netflix’s three-part Kanye West documentary “Jeen-Yuhs.”

The rapper and full-time educator took to his Instagram account to announce the news, writing: “I will be teaching the first all @kanyewest class on a university level. Listen, in 2013 I was given the opportunity and blessing to teach at @concordiauniversity.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by IRAQAFELLA (@narcynarce)

“Over the course of years, I grew the class from 40 students to 200 a semester, moved us into an auditorium. I taught classes on ATCQ, Lauryn hill, @blackstarkeepshining … it became a huge part of my life and a responsibility.

“Post-pandemic, Inshallah, I want to bring something new and fresh to students. An opportunity to bring more amazing guests to the university and to discuss the world through the lens of one of the most influential artists of our generation.”

The course is titled “Kanye vs. Ye: Genius by Design” and will delve into the rapper’s work and the media.

It is limited to 200 students.

Narcy also stated: “This class isn’t only about Kanye. It’s about community, creativity, responsibility, accountability, fame and mental health, dreams and nightmares — and more importantly, self-actualization.”

West joins a long list of celebrities who have had entire college courses dedicated to them, including Beyoncé, Frank Ocean and Taylor Swift.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.