Riz Ahmed brings personal fears to screen in ‘The Long Goodbye’

Set in suburban Britain, the film follows a south Asian family as its members prepare for a wedding. (AFP)
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Updated 01 February 2022
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Riz Ahmed brings personal fears to screen in ‘The Long Goodbye’

LONDON: British actor and rapper Riz Ahmed and director Aneil Karia take viewers on a disturbing dystopian journey in their short film “The Long Goodbye,” inspired by personal fears about rising intolerance and discrimination in the world.

Set in suburban Britain, the film follows a south Asian family as its members prepare for a wedding. Their world is turned upside down when a group of white armed men violently bursts into their home.

“I understand that for a lot of people, they can watch a film like this and say: ‘...you're trying to make a political statement,’ but I think it’s really a position of privilege to be able to look at someone like this and say: ‘Oh, that’s political. That’s something that just lives in the headlines,” Ahmed told Reuters in an interview.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Riz Ahmed (@rizahmed)

“For many of us, this is very personal. Smaller versions of this really impinge on daily lives ... The bigger nightmare that this film portrays is one that really keeps us up at night.”

The 12-minute film shares it name with the 2020 album by Ahmed, who was born in London to Pakistani parents. The record also addresses racism.

“The larger concept of the film is ... something that plays on our minds and I think plays on the minds of millions of people around the world who may feel like they are in danger in the context of the rising tide of intolerance we're seeing around the world,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Riz Ahmed (@rizahmed)

Karia said he and Ahmed, the first Muslim to get a best actor Oscar nomination, embarked on the project after some heartfelt talks.

“We began a series of conversations about how we felt in that particular moment in life and what it was that was charging us both creatively and as human beings,” he said.

“And through two or three kind of long conversations, we began to find this idea and start owning it.”

“The Long Goodbye” was named in the Oscar shortlist for the best live action short film category. Official nominations will be announced on Feb 8.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."