New Saudi music school is hitting all the right notes

Although the services provided by the center are currently limited to the Taif area, Anas bin Hussein said that there are plans to open centers in six cities across the Kingdom. (Supplied)
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Updated 06 January 2022
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New Saudi music school is hitting all the right notes

  • The Nahawand center in Taif has proven so popular in its first month that bosses have been forced to hire more teachers

TAIF: Nahawand, a new center for music in Taif that opened recently and offers a range of music classes and services in an effort to discover and develop new local talent, already has plans to expand to six other Saudi cities.

The center, named after a type of Arabic melody known as maqam that is often used in Saudi songs and odes, offers lessons in a mix of Eastern and Western instruments.

Anas bin Hussein, its founder, told Arab News that maqam is a romantic and passionate type of music popular with many Saudi singers, most notably Mohammed Abdu, Talal Maddah and Abadi Al-Jawhar.




Anas bin Hussein, Founder of Nahawand

“It is also an ode that can be performed on Western musical instruments,” he said. “This represents the approach of the center, which seeks to combine training on Eastern and Western instruments.”

He added that a number of students in Taif are already taking lessons at the center, which aims to act as a scout for emerging musical talent that can one day perform on a global stage.

“We look forward to establishing a Saudi orchestra to participate in international musical events,” said bin Hussein. “The basis of the center’s courses is to teach young people to be able to read and write music using a scientific approach, and to train them in musical rhythm skills.”

This more formal and technical approach is a departure from the common local practice of “learning by ear,” which involves listening to music and recreating it. Trainees at the center are taught to read music and play international tunes on instruments such as piano, violin and guitar.

They also learn to play the oud, an Arab instrument, but again through a formal teaching process based on an accredited curriculum. The center also aims to popularize a number of other instruments in the country.

“We are currently motivating talents to learn new instruments such as the clarinet, French horn and saxophone,” said bin Hussein.

The basis of the center’s courses is to teach young people to be able to read and write music using a scientific approach, and to train them in musical rhythm skills.

Anas bin Hussein, Founder of Nahawand

Trainees will eventually have the chance to sit for certified tests set by British institute APRSM, the exam board of the Royal Schools of Music, which offers a curriculum that includes the theories of Western music, solfege, instrumental practice and music appreciation.

Bin Hussein said that so many people have enrolled at the center during its first month of operation it has been forced to increase the number of teachers. He added that this response “demonstrated the willingness of Taif residents to train on sound skills such as solfege, vocalization and choir, prompting us to add new services to suit the size and requirements of the market.”

Although the services provided by the center are currently limited to the Taif area, bin Hussein said that there are plans to expand during the next two months and open centers in six cities across the Kingdom, including Riyadh, Jeddah and Dammam.

HIGHLIGHTS

  • The center, named after a type of Arabic melody known as maqam that is often used in Saudi songs and odes, offers lessons in a mix of Eastern and Western instruments.
  • Maqam is a romantic and passionate type of music popular with many Saudi singers, most notably Mohammed Abdu, Talal Maddah and Abadi Al-Jawhar. It is also an ode that can be performed on Western musical instruments.
  • Trainees will have the chance to sit for certified tests set by British institute APRSM, the exam board of the Royal Schools of Music, which offers a curriculum that includes the theories of Western music, solfege, instrumental practice and music appreciation.

Majid Al-Abboud, who is learning to play the violin at the center, said that the training provided by Nahawand is already achieving remarkable results among the trainees.

“It allows them to practice on various instruments to develop their skills after they have acquired the basics of performing on the instruments, thus enabling them to correct their mistakes themselves and quickly promoting their musical experience and knowledge,” he said.

He revealed that after mastering the violin he hopes one day to compose classical music and spread awareness of the culture of music in its classical form.

“In my opinion, society needs such efforts to fill the void of high-end music production, which unfortunately has become rare these days,” Al-Abboud added.

He said that he has not encountered any unexpected difficulties during his lessons but that learning anything new is a challenge, especially when the previous experience of learning music for many people often involves informal attempts to learn by playing by ear.

“But I am confident that these difficulties can be overcome thanks to academic supervision provided by the academy and its trainers,” he concluded.  

 


Children’s Theater Festival opens in Qassim region

Updated 4 sec ago
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Children’s Theater Festival opens in Qassim region

  • To develop future ‘cultural architects,’ says CEO Khaled Al-Baz
  • ‘Nurture creativity, aesthetic awareness and sense of belonging’

BURAIDAH: The Qassim Children’s Theater Festival opened on Tuesday bringing together professionals from across Saudi Arabia and the Gulf.

The event is being held under the patronage of Prince Dr. Faisal bin Mishaal bin Saud bin Abdulaziz, governor of Qassim, at the Science Center in Unaizah governorate.

It has been Organized by the Theater and Performing Arts Association and executed by the Unaizah Theater Association, the Saudi Press Agency reported.

Running until Jan. 31, it features shows, panel discussions, as well as training workshops to develop children’s theater and strengthen professional skills in the field.

Khaled Al-Baz, CEO of the Theater and Performing Arts Association, told the SPA the festival forms part of a broader strategy to position children’s theater as a distinct cultural sector.

“Children today constitute genuine audiences — tomorrow’s cultural architects,” Al-Baz said.

Ahmed Al-Humaimidi, president of the Unaizah Theater Association, said it was an investment in young people, noting that it extends beyond performances to include cultural and educational programming.

He said the initiative aims to nurture creativity, aesthetic awareness and a sense of belonging, while also identifying emerging talent and encouraging knowledge exchange among theater practitioners.

“Our association recognizes children’s theater as foundational to cultivating aware, creative character,” he said.

The festival serves as both an artistic showcase and a platform for professional dialogue, reflecting the Kingdom’s expanding cultural landscape and growing focus on children’s theater as an educational and cultural tool, the SPA noted.

This occurs alongside support for signature initiatives and performing arts promotion as quality-of-life enhancement.