SRMG announced as official media partner for Diriyah Contemporary Art Biennale in JAX Riyadh

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Through the Looking Glass in Murano glass and steel, 2021, by Bricklab and Mammafotogramma. (Courtesy Canvas and Diriyah Biennale Foundation)
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Han Mengyun, The Pavilion of Three Mirrors, 2021. (Courtesy Canvas and Diriyah Biennale Foundation)
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Marwa AlMugait, This Sea is Mine, performance shot. (Courtesy Canvas and Diriyah Biennale Foundation)
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Maha Malluh, Food for Thought WORLD MAP, 2021. (Courtesy Canvas and Diriyah Biennale Foundation)
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Updated 15 December 2021
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SRMG announced as official media partner for Diriyah Contemporary Art Biennale in JAX Riyadh

  • Partnership showcases the socio-cultural impact of the first Biennale hosted by Saudi Arabia and organized by the Diriyah Biennale Foundation
  • Reflects Saudi media group’s commitment to enhancing the cultural, artistic and societal aspects of the Biennale

RIYADH: The Saudi Research and Media Group (SRMG) announced today its partnership with the first edition of the Diriyah Contemporary Art Biennale – in the capacity of Official Media Partner, for this unique cultural, artistic and creative event in Saudi Arabia, organized by the Diriyah Biennale Foundation, a catalyst for global dialogue between the growing, diverse art communities in Saudi and across the world.

The Diriyah Contemporary Art Biennale – which hosts its discerning public from 11 December 2021 to 11 March 2022 in the JAX District Riyadh – is gaining momentum as the first international biennale exhibition in Saudi Arabia that reveals the essence of contemporary art in its various forms. The exhibition offers a creative platform that contributes to raising the awareness and keeping pace with the flourishing cultural scene in the Kingdom. It also celebrates the historical moment around the cultural-artistic dialogue – thus reinforcing the bonds between the cultural and creative communities in the Kingdom, on one hand; and the international art world, on the other.

Developed by a team of international curators, led by Philip Tinari, Director and CEO of the UCCA Center for Contemporary Art (UCCA) in Beijing, the Diriyah Biennale includes six sections rich with artworks created by nearly 60 global and local artists. These sections fall under the inaugural theme: Feeling the Stones, as part of a dialogue revolving around contemporary arts with a group of artists and visitors.

This partnership seeks to enhance the media exposure and impact of the first Biennale in the Kingdom. It also reflects the keenness of SRMG to highlight the cultural, artistic and societal aspects of this unique event. The extensive coverage – which will last for three months, until March 11, 2022 - targets a wide audience of nearly 165 million individuals across the MENA region and the world, through the group's media outlets, digital platforms and social media networks, namely: Asharq Al-Awsat, Arab News, Asharq News network, Hia magazine, Sayidaty, and others.

In this context, Jomana Alrashid, SRMG CEO, said: “The Diriyah Contemporary Art Biennale emphasizes Riyadh’s position as a prominent capital in the global cultural scene. SRMG has a proven track record of highlighting major cultural, artistic and creative events, regionally and globally. We’re proud of our partnership with this pioneering event in order to showcase the innovative and inspiring work of local and international artists; and creators.” Alrashid further added: “The cultural and creative industries provide tremendous socio-economic and knowledge-based opportunities, especially in terms of building bridges between different cultures and peoples in the region and around the world; in addition to their contribution to creating new job opportunities for the young, talented and creative generation of Saudi and Arab youth.”

On her part, Aya Al-Bakri, Diriyah Biennale Foundation CEO, said: “We are delighted with our partnership with SRMG, the most capable of introducing this historical moment in the development and growth of the artistic and cultural scenes in Saudi Arabia to a new, large and diverse audience. The Diriyah Contemporary Art Biennale is the embodiment of our commitment to fostering the local talent in the Kingdom - thus encouraging it to provide more artistic value to the public.”

It’s worth noting that the Diriyah Biennale Foundation was established in 2020 by the Saudi Ministry of Culture; it plays a pivotal role in supporting all forms of creative practices, as well as contributing to instilling the values ​​of culture and arts, while emphasizing their role in the development and prosperity of our societies. For the first time in the Kingdom, the Foundation is organizing two Biennale exhibitions, namely: the Diriyah Contemporary Art Biennale, currently underway until March 11, 2022; and the Diriyah Islamic Arts Biennale in 2022.


UAE outlines approach to AI governance amid regulation debate at World Economic Forum

Updated 22 January 2026
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UAE outlines approach to AI governance amid regulation debate at World Economic Forum

  • Minister of State Maryam Al-Hammadi highlights importance of a robust regulatory framework to complement implementation of AI technology
  • Other experts in panel discussion say regulators should address problems as they arise, rather than trying to solve problems that do not yet exist

DUBAI: The UAE has made changes to 90 percent of its laws in the past four years, Maryam Al-Hammadi, minister of state and the secretary-general of the Emirati Cabinet, told the World Economic Forum in Davos on Wednesday.

Speaking during a panel discussion titled “Regulating at the Speed of Code,” she highlighted the importance of having a robust regulatory framework in place to complement the implementation of artificial intelligence technology in the public and private sectors.

The process of this updating and repealing of laws has driven the UAE’s efforts to develop an AI model that can assist in the drafting of legislation, along with collecting feedback from stakeholders on proposed laws and suggesting improvements, she said.

Although AI might be more agile at shaping regulation, “there are some principles that we put in the model that we are developing that we cannot compromise,” Al-Hammadi added. These include rules for human accountability, transparency, privacy and data protection, along with constitutional safeguards and a thorough understanding of the law.

At this stage, “we believe AI can advise but still (the) human is in command,” she said.

Authorities in the UAE are aiming to develop, within a two-year timeline, a shareable model to help other nations learn and benefit from its experiences, Al-Hammadi added.

Argentina’s minister of deregulation and state transformation, Federico Sturzenegger, warned against overregulation at the cost of innovation.

Politicians often react to a “salient event” by overreacting, he said, describing most regulators as “very imaginative of all the terrible things that will happen to people if they’re free.”

He said that “we have to take more risk,” and regulators should wait to address problems as they arise rather than trying to create solutions for problems that do not yet exist.

This sentiment was echoed by Joel Kaplan, Meta’s chief global affairs officer, who said “imaginative policymakers” often focus more on risks and potential harms than on the economic and growth benefits of innovation.

He pointed to Europe as an example of this, arguing that an excessive focus on “all the possible harms” of new technologies has, over time, reduced competitiveness and risks leaving the region behind in what he described as a “new technological revolution.”