UK: 3 arrested over car explosion outside Liverpool hospital

Police officers stand near a cordon at Manchester Victoria Station, in Manchester on January 1, 2019. (AFP)
Short Url
Updated 15 November 2021

UK: 3 arrested over car explosion outside Liverpool hospital

  • The male passenger of the car died and the driver was being treated for non life-threatening injuries, police said

LONDON: British police arrested three men under terrorism laws Sunday after a car exploded outside a hospital in Liverpool, killing one man and injuring another.
Counter-terrorism police said the three men, whose ages ranged from 21 to 29, were detained in the Kensington area of the northwest England city under the Terrorism Act.
Police also cordoned off another residential street in the city. They did not disclose details of the operation.
Police were called to reports of a blast involving a taxi at Liverpool Women’s Hospital on Sunday morning. Photos showed a vehicle in flames near the hospital’s main entrance.
Merseyside Police said in a statement that the vehicle, a taxi, “pulled up at the hospital shortly before the explosion occurred. Work is still going on to establish what has happened and could take some time before we are in a position to confirm anything.”
The male passenger of the car died and the driver was being treated for non life-threatening injuries, police said.
The explosion occurred just before 11 a.m. on Remembrance Sunday, the time people across Britain pause in memory of those killed in wars.
Police said the explosion had not been declared a terrorist attack and they were keeping an open mind about the cause, but counter-terrorism police were leading the investigation.
Britain’s interior minister, Home Secretary Priti Patel, said she was “being kept regularly updated on the awful incident.”
The Liverpool Women’s Hospital said it immediately restricted visiting access until further notice and diverted patients to other hospitals “where possible.”
Fire services said they extinguished the car fire rapidly, and a person had left the car before the fire “developed to the extent that it did.”

Pakistani anchorman, recently released after four-month custody, rearrested over ‘anti-judiciary’ campaign 

Updated 1 min 22 sec ago

Pakistani anchorman, recently released after four-month custody, rearrested over ‘anti-judiciary’ campaign 

  • Imran Riaz Khan was arrested from his home in Lahore, his brother confirmed on X
  • The prominent journalist was last picked up in May and returned home in September

ISLAMABAD: Pakistani anchorman Imran Riaz Khan was arrested from his house in Lahore, his brother said on Friday, less than five months after the journalist returned home after a nearly four-month long incarceration in which his whereabouts had been unknown.

The prominent TV journalist turned promoter of jailed former Prime Minister Imran Khan’s political party was picked up from his home in the eastern Pakistani city of Lahore late on Thursday night. Footage of police vans outside his house were widely shared on social media. 

Riaz, who has more than 5.5 million followers on X, had taken on the Pakistani military and its intelligence agencies after ex-PM Khan was removed from power in April 2022 and blamed the army for his ouster. He was picked up in May and returned home in September, with authorities giving no indication of where he had been.

“They have picked up my brother, it’s been seven hours,” Riaz’s brother Usman Riaz Khan, who is also a journalist, said on X early on Friday morning. “A cloth was placed over his head and he was dragged away.”

He said he hoped Riaz would be presented before a court and due process followed. 

Earlier this week, the Federal Investigation Agency’s (FIA) Cybercrime Wing had summoned Riaz over his alleged involvement in an anti-judiciary campaign on social media platforms. The issue revolves around a controversial judgment given by Chief Justice Qazi Faez Isa that many political and religious leaders have viewed as insulting to Prophet Muhammad (pbuh) and blasphemous. 

Pakistan’s blasphemy laws, for which there is widespread acceptance, are often misused against Pakistan’s tiny minority religious groups and even sometimes against Muslims to settle personal scores, critics say. Although no one has ever been executed, blasphemy convictions are common in Pakistan. Most convictions are thrown out on appeal by higher courts, but mobs have lynched dozens of people in vigilante attacks even before a case is put on trial.

In an X post on Thursday following the FIA summons, Riaz’s lawyer Mian Ali Ashfaq said his client had responded to the agency’s notice. 

“Such notices have come to dozens of journalists across Pakistan and after answering the first notice, Imran Riaz Khan has also answered this second notice,” the lawyer said. 

“More than two dozen such cases have been dismissed, this one will also be dismissed.”

Human rights groups have widely accused Pakistani security agencies of being behind the disappearances of political workers, leaders and rights activists, allegations that authorities deny.

Chelsea’s Sterling eyes history against Liverpool in Carabao Cup final

Updated 2 min 41 sec ago

Chelsea’s Sterling eyes history against Liverpool in Carabao Cup final

  • England international is seeking a record 6th winner’s medal alongside former teammates Sergio Aguero and Fernandinho

Raheem Sterling is targeting a personal piece of history in Sunday’s Carabao Cup final.

The England forward won the competition five times in seven years at Manchester City before he joined Chelsea for $63 million (£50 million) in 2022.

And if he can help the London side overcome former club Liverpool at Wembley, he will join former City teammates Sergio Aguero and Fernandinho with a record tally for most wins at six.

“It would be a massive achievement to do that,” said the 29-year-old, who spent five years at Anfield. “But I think you have to always keep going. Once it comes, you have to try to get another one.

“When you’ve had that taste for it, you always want more, and this game will be the exact same thing.

“We’ve got a great test this week against Liverpool. It’s a good challenge against one of the most dominant teams in the last few years. For sure, it would mean a lot to win that trophy again. But competing for it, I think that’s the most important thing.”

It has been struggle to get to this stage for Sterling and Chelsea since he became the club’s first signing following the takeover by a consortium led by US businessman Todd Boehly.

Chelsea were Champions League and Club World Cup winners only three years ago, and lost both the FA Cup and Carabao Cup finals to Liverpool in 2022 on penalties, but this will be their first chance of silverware under the new ownership.

Mauricio Pochettino’s side will be underdogs against the side that beat them 4-1 at Anfield last month and have a record nine League Cup wins compared with Chelsea’s five.

But despite inconsistent performances this season, the Blues are in the FA Cup quarterfinals, and also have gained an impressive 4-1 league win at Tottenham and drawn with title hopefuls Liverpool and Arsenal at home, and twice held defending champions Manchester City.

Sterling scored his eighth goal of the campaign in the 1-1 draw at City last weekend and believes his side can upset the leading teams.

“I wanted to show myself against City and we were unlucky we couldn’t get the win against them,” he told Arab News exclusively.

“We’re a young group and that performance will build confidence going forward.

“But I’ve always said these are the challenges that we need to step up to. Against some of the top-four teams this season we have shown ourselves.

“Liverpool away was obviously a disappointing one, but against Tottenham, Arsenal and City we have shown ourselves — and we have to keep building.

Sterling admitted the defeat at Anfield “hurt,” and said the players are looking to redeem themselves in the final.

“I think that first trophy would definitely build the belief for the group. If you win that one trophy, it gives you that sniff, that feeling and you want more.

“I think we’re getting stronger and the most important thing is to try to compete — and this week we have a great opportunity to do that and I’m looking forward to it.”

Reports suggested Sterling rejected a move to a Saudi Arabian club last summer, and he is determined to stay and prove his worth.

The iconic venue would be the perfect stage for him to do that after having grown up near Wembley and won 82 caps for his country.

“That’s my home,” said Sterling with a smile. “I’m really looking forward to it. When I go to Wembley, I get a different feeling; I can’t wait to get on the field.”

Ngannou to take on winner of PFL v. Bellator Champions fight between Ferreira and Bader

Updated 4 min 59 sec ago

Ngannou to take on winner of PFL v. Bellator Champions fight between Ferreira and Bader

  • The 37-year-old is set to challenge Anthony Joshua in the boxing ring on March 8, before making his PFL debut

RIYADH: The Professional Fighters League has announced combat sports superstar Francis “The Predator” Ngannou will make his debut for the world’s second-biggest MMA organization against the winner of the Heavyweight Superfight between Renan Ferreira and Ryan Bader in Riyadh on Saturday.

Ngannou shook up the combat sports world by signing with PFL in May, becoming the first active fighter to serve on the league’s Global Advisory Board, and an equity owner and chairman of the coming PFL Africa regional league.

He recently stepped into the boxing ring for the first time, losing a razor-thin split decision to Tyson Fury, the lineal heavyweight champion. Ngannou is currently in Riyadh, preparing to fight top heavyweight boxing contender Anthony Joshua on March 8.

Ngannou will then turn his attention back to MMA, where he will make his PFL SmartCage debut against the winner of the Ferreira and Bader, who clash in the main event the PFL Champions versus Bellator Champions at the Kingdom Arena.

“The PFL is excited to announce Francis Ngannou’s return to MMA in the PFL PPV Division will be against the winner of the PFL Champion versus Bellator Champion Heavyweight Superfight between Renan Ferreira and Ryan Bader,” said Peter Murray, PFL CEO.

“Francis is a true combat sports icon with a global fan base and appeal. We, along with the rest of the MMA world, will be watching to see who his first opponent will be, Ferreira or Bader.”

Ngannou will also attend the historic event in Riyadh.

Currently, he is preparing for his second professional boxing bout, when he will take on former two-time unified world heavyweight champion and world No.2 heavyweight Joshua in two weeks.

PFL is the only organization in MMA with a sports-season format, where individual fighters compete in a regular season, playoffs, and championship each year.

The combined roster of PFL and Bellator boasts 30 percent of its fighters independently world-ranked in the top 25 of their respective weight class, the same percentage as UFC.

PFL has an expansive global vision for the sport, and is building the “Champions League of MMA” with PFL Europe, PFL MENA, and more international leagues in development.

AlUla’s Wadi AlFann celebrates Saudi contemporary artist Manal AlDowayan 

Updated 16 min 10 sec ago

AlUla’s Wadi AlFann celebrates Saudi contemporary artist Manal AlDowayan 

  • Two exhibitions of the influential Saudi artist’s work mark the pre-opening program of a new cultural destination  

ALULA: The work of Manal AlDowayan, one of Saudi Arabia’s leading contemporary artists, is often focused on cultural metamorphosis, collective narratives and the representation of women, particularly from her home country. 

AlDowayan, who will represent the Kingdom at this year’s Venice Biennale, is currently the subject of two exhibitions in AlUla as part of the pre-opening program of Wadi AlFann, a major new cultural destination for art, design and performance.  

The first exhibition, “Oasis of Stories,” features hundreds of drawings and tales from local communities across AlUla. It will run in the AlJadidah Arts District as part of the AlUla Arts Festival 2024 until March 23.  

Part of the exhibition 'Their Love Is Like All Loves, Their Death Is Like All Deaths’ by Manal AlDowayan. (Supplied)

“AlUla is a library of stories,” AlDowayan said in a statement. “This land holds an archive of narratives and identities that numerous civilizations engraved into its rocks for centuries, telling us about the tools they used, the animals they farmed and the lives they led.” 

The detailed drawings of daily personal and collective life in AlUla were created during workshops AlDowayan held that attracted 700 participants from AlUla, including farmers, cooks, teachers, tour guides, rangers, artists, students, craftspeople, junior football teams and a disability association. AlDowayan asked them to draw their personal stories on paper. The results are poignant and endearing renderings that detail the realities, hopes and dreams of AlUla’s residents as well as the beauty of the region’s natural landscape. 

“I want to give the contemporary inhabitants of AlUla a space for their narrative, allowing it to live permanently in a public artwork for future generations to contemplate,” AlDowayan said. 

Part of the exhibition 'Their Love Is Like All Loves, Their Death Is Like All Deaths’ by Manal AlDowayan. (Supplied)

The exhibition marks a turning point in the development of AlDowayan’s permanent large-scale desert installation for Wadi AlFann, which will also be titled “Oasis of Stories,” and is expected to be completed in 2026. That work takes inspiration from the labyrinth-like passages and walls of AlUla’s Old Town. The drawings and stories from the workshhops will be inscribed into its walls, meaning that AlUla’s residents will leave their mark on a major piece of art in the region they call home.  

“I decided to speak with the AlUla residents to learn about their old town,” AlDowayan told Arab News. “I realized that the story of the people of AlUla has not been documented. (And I thought they needed to) inscribe their story onto something in the surrounding landscape. 

“I visited women’s homes and asked them to document their recipes; I attended weddings and danced and also asked eldery women to tell their stories,” she continued. “Me and my studio manager, Carla, were constantly trying to build a relationship of love and trust with the people from AlUla.” 

One of the pieces in the 'Oasis of Stories' exhibition. (Supplied)

Wadi AlFann is a 65-kilometer “Valley of the Arts” in the desert of AlUla. It will include large-scale art installations set against the natural desert landscape and alluring rock formations. The first five commissions will be by AlDowayan, her fellow Saudi artist Ahmed Mater, and the US-based artists Agnes Denes, Michael Heizer, and James Turrell.  

“There is no desert quite like the AlUla desert,” Wadi AlFann’s lead curator Iwona Blazwick said during the press tour. “This was once a large plateau that was underwater over millennia. The cliffs have been eroded. They’re made of sandstone. There are 7,000 years of human presence in this area, and we find it through rock art markings, petroglyphs, pictograms and hieroglyphs. They’re everywhere you look. But we want to find an expression of the 21st century that we can also add to the landscape.”  

Wadi AlFann, AlUla. (Supplied)

AlDowayan’s second exhibition, presented in collaboration with Madrid-based Sabrina Amrani Gallery, is “Their Love Is Like All Loves, Their Death Is Like All Deaths,” a solo exhibition that delves further into her artistic practice. Sculptural works and drawings in a range of mediums explore the idea of ruin — all inspired by the engravings and architecture of the ancient tombs of AlUla. 

In several rooms of the exhibition, there are soft desert rose-shaped sculptures made from tussar silk, on which are printed subtle images reflective of AlUla’s heritage. Elsewhere, AlDowayan’s labyrinth-like drawings bring to mind the winding passages of AlUla’s Old Town.  

The 'Oasis of Stories' exhibition in Wadi AlFann. (Supplied)

There are also intricate works created by Sadu weaving, a technique traditionally used by Bedouin women, mounted on the wall. Once again, AlDowayan engaged the larger AlUla community, and its imprint powerfully resonates throughout.  

“I want to be sure that everyone enjoys art,” AlDowayan told Arab News. “Saudi Arabia is going through a huge transformative moment and public art is being commissioned across the Kingdom. This is part of a vision that art will be ingrained in our communities.” 

Saudi director Khalid Fahad discusses his Netflix hit ‘From the Ashes’ 

Updated 28 min 36 sec ago

Saudi director Khalid Fahad discusses his Netflix hit ‘From the Ashes’ 

  • ‘It’s a great time to be a Saudi filmmaker,’ said Khalid Fahad


DUBAI: When Saudi filmmaker Khalid Fahad received the script for his latest project — the Netflix movie “From the Ashes” — it didn’t take him long to sign up. 

“I got attached to the characters, I got attached to the ‘villains,’ I got attached to the idea that we, as a society, make a villain, then we judge him or her for their badness,” Fahad tells Arab News. “I related to the idea that parental pressure can make someone make a mistake. And I wanted to tell people that what happens in a school can be because of what we do in our homes. The school is responsible for educating children, but kids learn a lot from each other, and kids can be aggressive or very kind depending on their parents’ guidance.” 

The film garnered attention ahead of its January release in part because of the real-life events that inspired it. It is set on the campus of an all-girls’ school in Saudi Arabia in which a fire breaks out, resulting in several deaths — echoing the 2002 fire at a school for girls in Makkah that left 15 students dead and many more injured. 


However, Fahad is quick to stress that “From the Ashes” is not a retelling of that incident.  

“The writers went with their own — different — story,” he says. “The film’s not really about the fire; it’s about the relationship between the schoolgirls and the teachers and the parents. Some of the girls get bullied, and if we don’t address bullying in schools, then bad things can happen. That’s the real message that we wanted to deliver. These incidents — bullying, or arson, or vandalism — we wanted to show that they happen because of relationships between people and to look at why they’re doing this to each other. What’s the real reason for harming other people?” 

There are several such reasons raised in the film — from parental pressure to outperform one’s peers to institutionalized tendencies to label kids as ‘good’ or ‘bad’ without really trying to understand their circumstances or the underlying causes of their behavior. 

Fahad on the set of 'From the Ashes.' (Supplied)

For a film dealing with such nuanced topics, and so many strong emotions, Fahad knew the casting, particularly for the students, would be crucial. 

“For the teachers, it wasn’t hard because we have some expert actresses,” he says. “But for the students, it was very hard to find new people who fit these roles. It took five or six days of auditioning to find the right people.”  

When they did find them, Fahad’s experience of working with young actors (as he did in his debut feature, last year’s fantasy adventure “Valley Road”) came to the fore.  

Saudi actress Shaima Al Tayeb in 'From the Ashes.' (Supplied)

“My previous project taught me a lot about how to work with kids, which was very hard for me at first. It taught me what they need from me: I need to be their best friend, to tell them what I need and they’ll do their best to give that to me, in terms of emotion. All of them were very talented and I think this film will open the door for them to enter the industry.” 

The Kingdom’s still-nascent movie industry can only benefit from the younger generation picking up valuable experience on well-funded projects such as “From the Ashes,” which — despite the rapid growth — are still relatively thin on the ground.  

“Our industry is still young,” Fahad says. “It’s hard enough just making one film. In terms of capacity, I think it’s very hard to do, like, 10 movies in one year in Saudi Arabia.” 

Despite that, Fahad is only optimistic about the near future. 


A post shared by Khalid Fahad (@khalidf11)

“It’s a great time to be a Saudi filmmaker,” he says. “Everything is open, everything is new. And it’s OK to make mistakes. If you go into the industry in any other country — say, Egypt or Bollywood — there’s no way you can make mistakes, because there’s history there. But for us, mistakes are OK; we’ve just started and we want to learn from our mistakes.  

“But we also have to respect those companies that want to invest in our country and tell our stories,” he adds. “So there’s a balance necessary — we have to take those projects very seriously and deal with them respectfully and professionally.” 

That was clearly the case with “From the Ashes,” and Netflix has been well rewarded for its faith in the film. It made the list of the Top 10 non-English movies on Netflix in 37 countries, accumulating more than 7 million views in a little over a fortnight. 

“I’ve had comments from Mexico, from Spain, talking about bullies and how girls get into fights in schools — it’s similar to their schools,” says Fahad. “And this tells me that we’ve so much in common with other societies. It’s relatable for other people, which is very good. The message that we wanted to deliver is delivered.”