Journalists, citizens face uncertainty in Afghanistan

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Updated 26 August 2021
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Journalists, citizens face uncertainty in Afghanistan

  • The rapid withdrawal of US military forces from Afghanistan has left citizens and journalists concerned about their future, experts say
  • The Committee to Protect Journalists is receiving hundreds of appeals from journalists in Afghanistan every day

The rapid withdrawal of US military forces from Afghanistan, two decades after the conflict there began, has left citizens and journalists concerned about their future, journalism experts said Wednesday.

The Committee to Protect Journalists is receiving hundreds of appeals from journalists in Afghanistan every day, uncertain about their futures and worried about their safety, CPJ Asian Program Director Steven Butler said.

Veteran Arab News columnist Zahid Hussain said “chaos and uncertainty” had gripped the country, but that the situation could end well if the Taliban kept its promises.

But during an interview on “The Ray Hanania Radio Show,” broadcast on the US Arab Radio Network and sponsored by Arab News, Butler said his organization was being inundated with desperate appeals from journalists in fear for their lives.

 

“It has been in the thousands of requests for help … thousands. The media industry was one of the great successes of the last 20 years. You cannot say they created a successful democracy but there was a thriving media industry, and profitable too,” Butler said.

“In the morning I get up and we have this inbox, and it is filled with journalists saying ‘please help me, they are going to kill me if you don’t help me get out.’ It is really hard to read through it to be honest. We just hope and pray that it turns out the Taliban leaders mean what they say when they say they want to have a free press.”

The CPJ has brought in more staff to handle the daily appeals for help.

“This number is out of date but at least 50 news operations have been shut down across the country, in the provinces … some of the journalists see it coming and they flee. The Taliban has a history of brutality and many journalists have been assassinated over these past few years, and there is a high level of distrust,” said Butler, who worked throughout Asia including for the Financial Times and The Christian Science Monitor in the mid-1980s..

Hussain, who writes opinion commentary for Arab News and has published several books on the region, said that many people thought the transition would have taken far longer than the few weeks it did.

 

“It is a very chaotic situation. It is largely because of the way the Americans decided to leave Afghanistan, so that is one of the major reasons for the chaos. The other thing is that it was expected, or foretold, that the Taliban would be able to take over but no one expected things to move that fast,” he said.

“What happened is unimaginable … it caught everyone by surprise.”

Butler said that how the Taliban treats journalists during the coming months will define the country’s future. 

 

“It is a very uncertain environment right now, and we don’t really understand the degree to which there is coordination between the Taliban leadership, which says they are in favor of a free press — and whether they mean it — and the Taliban on the ground,” Butler said. 

“The Taliban have gone searching for certain journalists. They have gone through houses. We have had others, one incident where the Taliban knocked on the door and pushed their way in and the journalist escaped out the back and they were firing their weapons at him. It is very concerning. We just don’t know how far they are going to stay on this path, but it is very worrisome.

“Certainly, people who worked for foreign news outlets are in jeopardy. The people we are dealing with for the most part are Afghans working for Afghan news outlets who often made critical reports on the Taliban. They have been scrubbing their social media accounts trying to get rid of that, but people remember. People know the history of some of these people. They are well known in Afghanistan.”

Hussain said that “more of a fear of the unknown” was the biggest factor driving the growing concern.

“The Taliban are trying hard to assure them that they are not going back to that aggressive system. It will take time even if they show some sincerity. 

 

“It is very difficult for insurgents who have been fighting for 20 years, and suddenly they find themselves in this different role and go into this country which is basically so divided … obviously the fighters who have been there, the fighters on the ground, and that will be challenging for a Taliban government,” Hussain said, noting there seemed to be less concern in the north of Afghanistan, which has always been more liberal. “The situation is normal in many of the country’s other cities.” 

Butler and Hussain made their comments during an appearance on “The Ray Hanania Radio Show” sponsored by Arab News on the US Arab Radio Network, broadcast on live radio Wednesday morning in Detroit and in Washington DC.

For more information on the radio show visit Arab News at ArabNews.com.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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