Reuters, New York Times win Pulitzers for coverage of racial injustice, COVID-19

The Pulitzer Prizes are the most prestigious awards in American journalism and have been handed out since 1917. (File/The New York Times)
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Updated 14 June 2021
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Reuters, New York Times win Pulitzers for coverage of racial injustice, COVID-19

  • Reuters wins Pulitzer Prize for journalism for covering racial inequalities in US policing, while the NYT wins a prize for covering COVID-19.
  • Many of the 2021 Pulitzer Prizes went for coverage of policing and the global protest movement that erupted after George Floyd’s murder.

NEW YORK: Reuters and the Minneapolis Star Tribune each won a Pulitzer Prize on Friday for journalism about racial inequities in US policing, while the New York Times and the Atlantic were honored for chronicling the COVID-19 pandemic, the two topics that dominated last year’s headlines.

The Star Tribune won the 2021 Pulitzer Prize for breaking news reporting for what the board called its “urgent, authoritative and nuanced” coverage of the murder of George Floyd at the hands of the police last May, while Reuters and the Atlantic shared the award for explanatory reporting.

The Pulitzer Prizes are the most prestigious awards in American journalism and have been handed out since 1917, when newspaper publisher Joseph Pulitzer established them in a bequest to New York’s Columbia University in his will.

In 2020, “the nation’s news organizations faced the complexity of sequentially covering a global pandemic, a racial reckoning and a bitterly contested presidential election,” Mindy Marques, co-chair of the Pulitzer Board, said at the announcement ceremony, which was broadcast online.

The board cited Reuters reporters Andrew Chung, Lawrence Hurley, Andrea Januta, Jaimi Dowdell and Jackie Botts for the “pioneering data analysis” of their ‘Shielded’ series, which showed how an obscure legal doctrine of ‘qualified immunity’ shielded police who use excessive force from prosecution.

Reuters Editor-in-Chief Alessandra Galloni said in a statement that the series shaped the debate over how to reform American policing.

“In a year of tumultuous protest over police killings of Black Americans, ‘Shielded’ was a work of tremendous moral force about the intractable problem facing the world’s most powerful democracy, the legacy of racial injustice,” her statement said.

The Pulitzer Prize for Reuters, a unit of Thomson Reuters , was the newsroom’s ninth since 2008, and sixth in the last four years.

The Reuters team shared the explanatory reporting award with The Atlantic’s Ed Yong, who was praised by the board for “a series of lucid, definitive pieces on the COVID-19 pandemic.”

Teenager who recorded the murder of George Floyd in a clear and unrelenting single shot with her cellphone was recognized on Friday by the arbiters of the highest honors in US journalism.
The Pulitzer Board awarded Darnella Frazier a special citation for a video she said has haunted her ever since, showing Floyd's death beneath the knee of Derek Chauvin, a white Minneapolis policeman. Chauvin was convicted of murdering Floyd in a trial during which Frazier's video was played repeatedly.

PULITZERS HONOR DARNELLA FRAZIER FOR CELLPHONE VIDEO OF GEORGE FLOYD MURDER

The citation at the 2021 Pulitzer Prize ceremony is a rare instance of the board recognizing the journalistic achievement of someone with no professional experience in the field, a striking distinction in the genre sometimes known as citizen journalism.


Frazier, 18, was recognized for recording a “transformative video that jolted viewers and spurred protests against police brutality around the world, Mindy Marques,” co-chair of the Pulitzer Board, said at Friday's online announcement ceremony.


Frazier's video shows Chauvin kneeling on the neck of Floyd, a 46-year-old Black man in handcuffs, for about 9 minutes while arresting him on suspicion of using a fake $20 bill on May 25, 2020. Floyd begs for his life before dying on the Minneapolis road.


Frazier has rarely discussed the video she made, but she testified for the prosecution at Chauvin's murder trial this year, where members of Floyd's family were sometimes seen averting their gaze each time her video was replayed.


She told jurors that she was taking her nine-year-old cousin to buy snacks when she saw “a man terrified, scared, begging for his life,” and so pulled out her cellphone and hit record. She uploaded the video to Facebook later that night, where it would be watched by millions of people around the world.

A SINGLE CASE

Reuters’ series of policing stories were sparked by a single case — and took a lengthy, complex data analysis to complete.

In April 2017, the US Supreme Court declined to revive an unarmed suspect’s lawsuit accusing a Houston officer of unconstitutional excessive force for shooting him in the back. Reuters Supreme Court reporters Chung and Hurley teamed up with data reporters Januta, Dowdell and Botts. They analyzed hundreds of cases and found that since 2005, the courts have shown an increasing tendency to grant immunity in excessive force cases. They then chronicled in detail the cases of a range of police-violence victims who had been denied justice even after courts found that officers had acted too violently.

The first Reuters story was published just a few weeks before the murder of Floyd, a 46-year-old Black man who died in handcuffs as a white Minneapolis police officer knelt on his neck. The reporting had broad impact on the national conversation about the problems of US policing.
“The data that we came up with was cited in almost every major news organization in the immediate aftermath of the George Floyd killing,” said Hurley, adding it has also been cited in court filings and informally by judges.

SPECIAL CITATION

Many of the 2021 Pulitzer Prizes went for coverage of policing and the global protest movement that erupted after Floyd’s murder: the Associated Press won the breaking news photography award for its images of the protests, while Robert Greene of the Los Angeles Times won for editorial writing for his work on bail reform and prisons.

The board also said it was awarding a “special citation” to Darnella Frazier, the teenaged bystander who recorded video of Floyd’s murder on her cellphone, which it said highlighted “the crucial role of citizens in journalists’ quest for truth and justice.”

The New York Times won the public service journalism honor, often seen as the most coveted of the 22 prizes, for its “prescient and sweeping coverage of the coronavirus pandemic.” The Boston Globe won for investigative reporting for uncovering a systematic failure by state governments to share information about dangerous truck drivers that could have kept them off the road.

Friday’s announcement of the prizes, most worth $15,000 each, had been postponed from April amid the pandemic. The awards luncheon, which normally takes place soon after at Columbia University, has been postponed until autumn.

The Pulitzer Board also recognizes achievements in seven categories in the arts, and awarded its fiction prize to Louise Erdrich for her novel “The Night Watchman” about an effort to displace Native American tribes in the 1950s.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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