Waking the sleeping giants above Saudi Arabia’s deserts

1 / 4
Milky Way core rising above Wahba Crater. (Credit: Huda Alerwy)
2 / 4
Earthshine, a phenomenon from which a dull glow overwhelms the moon as sunlight reflects off the Earth's surface and back onto the moon. (Credit: Mohammed Jan.)
3 / 4
The Veil Nebula. (Credit: Anas Almajed)
4 / 4
Photo credit: Anas Almajed
Short Url
Updated 26 October 2020
Follow

Waking the sleeping giants above Saudi Arabia’s deserts

  • Saudi stargazers are fusing ancient traditions with cutting-edge technology

JEDDAH: Saudis have for years wandered off to explore the country’s varied landscapes, with excursions that focus on stargazing and meteor watching.

The Kingdom’s vast, open lands provide one of the most optimal views of space in the region, a hidden secret has not been fully discovered yet, and which feeds curious minds and wakes the sleeping giants above.

For thousands of years, Arabs traveling across the region’s lands used stars to navigate through rough terrain and vast deserts. Indigenous tribes inherited their navigation skills on land and sea from those who traveled from one end of Arabia to the other.

Today, satellites and navigation apps do the job instead, but people’s curiosity has remained, and many still look up at blue or red dots of glowing planets, star systems, and constellations in a bid to understand their historical significance and beauty.

Photographers in the Kingdom have advanced the field of nature photography, with some branching out to become astrophotographers, documenting celestial events such as eclipses and meteor showers. The keenest have gone even further and captured nebulas and star clusters.

Many medieval Muslim scholars made huge contributions to astronomy — from Ibn Yunus’ successful attempts in correcting historic Greek calculations of planetary movements to Abd Al-Rahman Al-Sufi, who was the first astronomer to observe the Andromeda Galaxy and Large Magellanic Cloud.

Anas Al-Majed, an avid astrophotographer based in Riyadh, bought his first telescope seven years ago and was able to view the moon’s mountains and craters as well as neighboring gas giants, Jupiter and Saturn, in fine detail.

“I was awestruck with how detailed everything was, like Saturn’s rings and Jupiter’s gaseous bands. With time, I upgraded from a simple telescope to a Dobsonian 8-inch, where I delved into discovering deep-sky objects, starting with the Andromeda Galaxy and Orion’s Nebula,” Al-Majed told Arab News. “As a photographer, I wanted to know more and continue discovering, and again, upgraded to a refractor with an equatorial mount for my camera, which brought simple results.”

But the photographer still needed more, as he wanted to capture images of the sleeping giants in bright detail, and he soon bought a camera with features that suited deep astrophotography. The result was surprising and magnificent.

“The refractor’s lens is the closest to a camera lens, my first love. Maintaining the refractor telescope doesn’t take much effort and it can handle the tough terrain unlike other telescopes,” he said.

Although an expensive hobby, turning to international sites means cheaper prices for proper equipment and telescopes, which many say are expensive in the Kingdom.

Al-Majed said the field is still young and there is more room for exploration, but warned that it takes time, practice, and patience to achieve optimal results.

With seven years of experience, he is still keen to find more deep space objects to photograph. “It’s the challenge that’s exciting. The Bubble Nebula is very difficult to photograph due to its distance and the Veil Nebula is a strange and beautiful object. There are still many deep space objects to find and I can head out of Riyadh and search.”

FASTFACTS

• Some of the constellations that can be viewed with the naked eye during autumn above the Saudi deserts include Cassiopeia, Ursa Major, and Minor, Crux, and Draco.

• Planets such as Venus, Saturn, Jupiter also shine bright, but it is Mars in opposition that steals the show this time of year.

The Kingdom is ideal for stargazers and astrophotographers, but few know where or how to watch one of nature’s most striking sights in all its glory — the Milky Way Galaxy.

With proper research and by selecting the right time and place, the Milky Way’s core can be seen rising during the country’s summer months and disappearing toward the Southern Equatorial Belt.

Huda Alerwy, a Jeddah-based photographer, went on a hiking trip in April 2019 and camped off the edge of the Wahba Crater, a volcanic crater located 250 km from Taif. There she witnessed the Milky Way galaxy’s rise above the horizon for the first time in her life.

Fortunately, there are apps that people can use to reach areas with relatively clean and stable air to make the viewing of stars sharp and clear.

Mohammed Jan

“The scene was mesmerizing. We started to see the glow of the belt at 2 a.m. and I had the chance to capture the moment,” Alerwy told Arab News. “We spent more than an hour photographing its rise and if I get the chance to relive that experience again, I’ll do it with no hesitation.”

With her tripod in tow, she was able to ensure that her camera was stable enough to withstand any wind gusts and stabilize it for a clear shot.

Some of the constellations that can be viewed with the naked eye during autumn above the Saudi deserts include Cassiopeia, Ursa Major, and Minor, Crux, and Draco. Planets such as Venus, Saturn, Jupiter also shine bright, but it is Mars in opposition that steals the show this time of year.

For casual stargazers in many parts of the Kingdom, the stars have been further away, photographer Mohammed Jan told Arab News. “Many Saudis can’t see the Milky Way where they live, or many stars for that matter, due to light pollution. They’d have to drive for hundreds of miles outside city limits to get away from it.

“Fortunately, there are apps that people can use to reach areas with relatively clean and stable air to make the viewing of stars sharp and clear for both stargazers or photography enthusiasts alike,” he added.

Obsessed with astrophysics and space for years, Jan captured his first glimpse of the Milky Way in 2014 and soon became more knowledgeable in the field. He often drives for hours just to make sure he is away from any light pollution.

“There are different apps that you can use to make sure that you’re in the right area. Large cities such as Makkah and Jeddah are within Zone 9 and barely feature any stars. For optimal viewing and astrophotography, you’ll need to be in an area less than a Zone 4,” he added.

With time, Jan grew used to capturing celestial objects, but soon ventured into new territory — nebulas and deep-sky objects.

“The Helix Nebula has always captured my interest. The planetary nebula was and has always been my favorite object to photograph in the dark skies,” said Jan, repeating Al-Majed’s warning that it is through time, practice, and effort that he was able to reach his level of expertise. Jan is looking forward to doing better but has called for greater community support for astrophotography.

“Not many understand what we do and why we do it. It’s educational, it’s knowledge and its understanding,” he said.


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 4 sec ago
Follow

An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 8 min 37 sec ago
Follow

Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.


Investigation clears coalition on claims of rights violations at Yemen sites

Updated 27 min 34 sec ago
Follow

Investigation clears coalition on claims of rights violations at Yemen sites

  • Report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center
  • Investigation concluded that the coalition carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target

RIYADH: The Joint Incident Assessment Team held a conference in Riyadh on Wednesday to announce the results of investigations into allegations against coalition forces in Yemen. 

The report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center in Al-Ghail. 

Team spokesman Mansour Al-Mansour said that “with regards to what was stated in the ninth periodic report on the works of the National Commission to Investigate Alleged violations to Human Rights in Yemen (NCIAVHR) on Dec 11, 2017, the Coalition Forces targeted G.J house and M.J. house in Sha’aban area in Razih directorate of Sa’ada governorate, the targeting resulted in the destruction of the two houses, killing and injuring number of people, and the destruction of two cars.” 

Al-Mansour, said that the investigation had concluded that the coalition forces carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target. 

Regarding the allegation that the coalition targeted a civilian house in Al-Jirahi directorate of Al-Hudaydah governorate on Dec. 1, 2021, and that one man and two children were injured in the strike, JIAT found that the coalition did not carry out any air missions in the whole of the governorate. 

JIAT also exonerated the coalition over a report issued by Physicians for Human Rights which stated that on Feb. 24, 2016, coalition forces aircraft dropped three munitions on Al-Ghail Health Center in Al-Ghail directorate of Al-Jawf governorate.

At the time, Houthi militia were occupying the site and using it as a military center. The building was partially destroyed in the attack. 

In response to the allegation, JIAT found that coalition forces carried out an air mission on a military target, consisting of a gathering of fighter elements belonging to the Houthi militia, in a vacant area, 2.9 km away from Al-Ghail Health Center, using one guided bomb that hit its target.


Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

Saudi FM Prince Faisal bin Farhan receives his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday. (SPA)
Updated 43 min 35 sec ago
Follow

Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

  • Yemen’s internationally recognized Presidential Leadership Council appointed Al-Zindani as foreign minister in late March

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday.

Prince Faisal congratulated Al-Zindani on his recent appointment as foreign minister by Yemen’s internationally recognized Presidential Leadership Council at the end of March, and wished him success in the role. 

During the meeting, the two ministers reviewed aspects of bilateral relations and ways to strengthen and develop them in various fields. They also discussed topics of common interest.


Saudi Arabia launches witness protection center

Updated 25 April 2024
Follow

Saudi Arabia launches witness protection center

  • Attorney General Sheikh Saud Al-Mojeb approved the establishment in line with Article Four of the Law for the Protection of Whistleblowers, Witnesses, Experts and Victims
  • Criminal penalties for those who harm witnesses under protection include up to three years’ imprisonment and fines of up to SR5 million

RIYADH: Saudi Arabia has launched a new center to protect whistleblowers and witnesses to crimes that will begin operations in July.

Attorney General Sheikh Saud Al-Mojeb approved the establishment in line with Article Four of the Law for the Protection of Whistleblowers, Witnesses, Experts and Victims.

The center will provide legal protection from threats, danger, or harm through methods stipulated in Article Fourteen of the Law, including security, as well as identity and data anonymization.

Victims can be transferred from their place of work, temporarily or permanently, and provided with alternative employment, as well as legal, psychological and social guidance.

The protection also includes provisions for security escorts and financial assistance.

Witnesses and whistleblowers can submit protection requests according to specific conditions, and can be assisted by the center without requesting help if in imminent danger.

Criminal penalties for those who harm witnesses under protection include up to three years’ imprisonment and fines of up to SR5 million ($1.3 million).

Tariq Al-Suqair, an accredited lawyer, told Arab News: “Each state has a duty to establish procedures that provide measures for the protection of people whose cooperation with the justice system in an investigation may put them at risk of physical harm.”

Saudi Arabia, which ratified the UN organized crime convention in 2005, has domestic laws that mandate protective measures for victims and witnesses of crime, he added.

Al-Suqair said that the Kingdom’s latest measures operate in accordance with Article 24 of the convention, which calls for effective protection for witnesses from retaliation or intimidation.

Saudi Arabia’s Public Prosecution has proposed an executive body to run the center and its witness protection program.

“It is expected that once the program starts, we will witness more effective control to combat sophisticated organized crimes,” Al-Suqair said.