Startup of the Week: Glitz Lights: Yet another way to beautify surroundings

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Updated 05 October 2020
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Startup of the Week: Glitz Lights: Yet another way to beautify surroundings

  • Safety is always a priority with Glitz Lights, and the company always ensures the correct voltage for the size of the light

JEDDAH: Glitz Lights, which specializes in neon signs and neon art, started off as a passion that turned into a business.

It was founded by 24-year-old Saudi graphic designer Layan Farhan in 2017 and is the first online store in the Kingdom that specializes in neon signs.

“Glitz is a neon business that I started where I can share my ideas and creativity in the form of lights, and what better way to do that than in neon,” Farhan told Arab News. “I’ve always been obsessed with neon. I was always surfing the web for them and looking at international works. Locally, I just see restaurant signs, I never saw the beauty of neon lights with colors and shapes. You can get so creative with it.”

During her travels abroad she saw how neon lights were made and saw the beauty of their colors.

“It made me want to dive deeper in this field. It made me think, why don’t we have neon shops here? Instead of it being a sign outside a restaurant, it should be part of the interior. It can be anywhere — home, work, or something small for an outdoor area.”

She thought about it as a business idea for a while and decided to take a step forward during Ramadan in 2017.

“I rented a booth at an event and sold small neon lights. I researched a lot about neon lights so I could explain to people what they are and how they can be a unique decorative item. I received very good feedback.”

She said many people thought that the company’s founder was a man because it was unusual for women to deal with electricity, glass tubes and bulbs. As the owner of the company, it was important for her to learn the details about a product before handing it over to the customer.

“It was strange at first, a girl running a business like this. People would always be surprised when they found a girl was running the business. I learned a lot through this experience. In these three years, me, as a girl, I learned about things I wouldn’t have thought of learning before (about) electricity, lights and such.”

Customers can find different colors, shapes and sizes of neon lights. They can also customize their own sign.

The company’s Instagram account shows slogans, images and even Saudi Arabia’s national emblem of two crossed swords and a palm tree — all in neon.

“To me, neon signs are a popular way to enhance your interior design whether you’re at home or at the workplace. It's a new and modern way to enliven any space.”

Safety is always a priority with Glitz Lights, and the company always ensures the correct voltage for the size of the light. “We pay attention to every detail. We would never use high voltage on small lights.”

Find the store on Instagram: @glitz.lights

 


Lebanese filmmaker turns archival footage into a love letter to Beirut

Updated 28 February 2026
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Lebanese filmmaker turns archival footage into a love letter to Beirut

LONDON: Lebanese filmmaker Lana Daher’s debut feature “Do You Love Me” is a love letter of sorts to Beirut, composed entirely of archival material spanning seven decades across film, television, home videos and photography.

The film premiered at the 82nd Venice International Film Festival in September and has since traveled to several regional and international festivals.

Pink Smoke (2020) by Ben Hubbard. (Supplied)

With minimal dialogue, the film relies heavily on image and sound to reconstruct Lebanon’s fragmented history.

“By resisting voiceover and autobiography, I feel like I had to trust the image and the shared emotional landscape of these archives to carry the meaning,” Daher said.

A Suspended Life (Ghazal el-Banat) (1985) by Jocelyne Saab. (Supplied)

She explained that in a city like Beirut “where trauma is rarely private,” the socio-political context becomes the atmosphere of the film, with personal memory expanding into a collective experience — “a shared terrain of emotional history.”

Daher said: “By using the accumulated visual representations of Beirut, I was, in a way, rewriting my own representation of home through images that already existed."

Whispers (1980) by Maroun Bagdadi. (Supplied)

Daher, with editor Qutaiba Barhamji, steered clear of long sequences, preferring individual shots that allowed them to “reassemble meaning” while maintaining the integrity of their own work and respecting the original material, she explained.

The film does not feature a voice-over, an intentional decision that influenced the use of sound, music, and silence.

The Boombox (1995) by Fouad Elkoury. (Supplied)

“By resisting the urge to fill every space with dialogue or score, we created room for discomfort,” Daher said, adding that silence allows the audience to sit with the image and enter its emotional space rather than being guided too explicitly.

 The film was a labor of love, challenging Daher personally and professionally.

“When you draw from personal memory, you’re not just directing scenes, you’re revisiting parts of yourself and your childhood,” she said. “There’s vulnerability in that.”