Saudi Red Sea Film Festival open for new challenge

The festival was set to kick off earlier this year with its inaugural event on March 12, but was postponed due to the pandemic. (Supplied)
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Updated 05 October 2020
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Saudi Red Sea Film Festival open for new challenge

  • 48-hour challenge: festival is inviting aspiring filmmakers – Saudis or residents – between the ages of 18 and 25

The Red Sea International Film Festival, in collaboration with Alliance Française and film and TV school La Fémis, has announced that applications for its 48-hour film challenge are open.

The festival was set to kick off earlier this year with its inaugural event on March 12, but was postponed due to the pandemic.

“It has become clear that the idea of hosting a physical event in 2020 with no social distancing measures in place is remiss. For this reason, we are declaring the inaugural Red Sea Film Festival as a ‘Label Edition’,” the organizers said in a statement.

“We want to thank all the filmmakers, juries, industry teams, staff and partners. We would also like to let you know that our new thinking is to host the 2nd edition of The Red Sea Film Festival in the second half of 2021.”

The statement said in the meantime, the Red Sea Film Foundation will continue to support the burgeoning Saudi film industry, as well as local and regional filmmakers. 

With its 48-hour challenge, the festival is inviting aspiring filmmakers — Saudis or residents — between the ages of 18 and 25.

Those interested can apply in teams of a minimum of two and maximum of five people. The team leader, either the director or scriptwriter, should be a Saudi national.

The application form requests details such as why applicants want to participate, how they spent their time under lockdown, a short script and links to previous work.

Once accepted, applicants will undergo three days of technical workshops and mentorship prior to the two-day shoot, which will take place on Oct. 22 and 24. The final result should be a short film that is three to six minutes long.

There is no restriction on whether the film is a documentary, fiction, non-fiction or narrative, but applicants have to choose from one of the following themes: Decoding playing, creating or thinking.

They also have to choose from one of the following sub-themes: Memory, time, technology or breath.

Twenty-four hours before the challenge, all shortlisted teams will be presented with a new element that they will have to include in their film.

The two winning team leaders will be awarded the “48Hr Film Challenge Trophy” and a residency at La Fémis in France in 2021.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.