Sophisticated thriller: The Aston Martin DBS Superleggera

The DBS Superleggera is a close relative of Bond’s DB5, sharing a common design ancestor in the Italian coachbuilder that inspired the elegant but dynamic curves of both cars. (Screenshot: AN Video)
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Updated 14 September 2020
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Sophisticated thriller: The Aston Martin DBS Superleggera

  • James Bond’s car of choice is back - minus the ejector seat and smoke machine

DUBAI: As I slipped behind the Caithness leather steering wheel of the Aston Martin DBS Superleggera, I felt a pang of nostalgia. For the next couple of days, test-driving this incredible vehicle, I knew I would be whisked back to my teenage years when I first saw an Aston - driven by actor Sean Connery as James Bond in the film “Goldfinger.”

I even found myself mouthing the words: “The name is Kane. Frank Kane.”

Aston and Bond have had a relationship since the 1960s, when 007 threw the car round the hairpin bends of the Swiss Alps on his way to the lair of the gold-smitten villain, and I have been under Aston’s spell ever since.

I have driven lots of luxury sports cars, some of the best in the world, but none has the emotional resonance of an Aston Martin with me. It is simply a mesmerizing vehicle that has the power to lift you out of the everyday and into a fantasy land of espionage, beautiful women and thrilling peril.  


The DBS Superleggera is a close relative of Bond’s DB5, sharing a common design ancestor in the Italian coachbuilder that inspired the elegant but dynamic curves of both cars. If the DBS looks powerful, that’s because it is. The 5.2-liter twin-turbo V-12 engine generates enough torque to get from standing to 160 km/h in 6.2 seconds. At a top speed of 340 km/h you are nearly flying. It is the most powerful Aston currently on the road.

The handling and suspension are a real ‘wow’ factor. The engine is mounted low and as far back in the car as possible, giving it a center of gravity that allows you to do amazing things on tight curves.

Gun it into a sharp bend at a speed that would overturn the sedate 4X4 I drive everyday and the car remains clamped to the road, which is how Bond managed to stay in control on those Alpine passes while still able to sweet talk the blonde in the passenger seat. (Perhaps disappointingly, the Superleggera has no ejector seat).

On an open freeway, you can sense that the DBS simply wants to be the fastest car on the road. Acceleration from medium speed is almost neck-breaking and, once you hit the 120 km/h speed limit, there is still plenty of space between the gas pedal and the floor. “Faster, faster,” the car seems to be saying in a deep-throated snarl.

And it looks sensational. The car I drove, courtesy of the lovely people at Aston Martin MENA, was what they call “intense blue’ with a black mesh roof, and it was certainly a head-turner at the five-star hotels in the UAE. The valet’s face lit up with glee when I pulled into the forecourt.

Inside, it has everything you would expect from a super-luxury GT high-performance car: Bang & Olufsen audio, Bluetooth connectivity, and an incredibly clear and detailed navigation system.

The starting price is around the $327,000 mark but, as usual with luxury cars, the sky’s the limit once you start adding the extras. There is no current choice of front-mounted machine guns and rear smoke machine, sadly. What would Bond have thought?

Corporately, the British carmaker is going through (another) time of transition, but it has produced an amazing range of vehicles that appeal to the sophisticated thrill-seeker.

Aston owners are not the privileged sons of multimillionaires given a fast and expensive toy for their 21st birthday, they are successful investment bankers, high-achieving lawyers and self-made entrepreneurs who want a status symbol that reflects their real daredevil mentality.

And they are also journalists of a certain age who want to recapture the glamour and thrill of their youth, and who order their skimmed lattes shaken, not stirred.


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”