Downtown Design announces new hybrid format for 2020

Downtown Design will be staged from Nov. 9-14. (Supplied)
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Updated 17 August 2020
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Downtown Design announces new hybrid format for 2020

DUBAI: The Middle East’s leading design fair will present this year’s edition in a digital and physical format from Dubai.

Downtown Design, which has been held for eight years, has announced that in light of the COVID-19 pandemic the 2020 fair, to be staged from Nov. 9-14, will bring the industry together across both platforms. 

“The recent pandemic has offered the design industry an opportunity to pause and rethink its approach,” Pratyush Sarup, head of programming, Downtown Design, told Arab News.




Downtown Design has been held for eight years. (Supplied)

He said: “How do we design more resilient spaces and communities? How can we offer elevated experiences? How can material and tech innovations guide those experiences? What is our relationship to our built and unbuilt environment? How can our work positively impact the lives of the end user?”

The new hybrid format will feature a conception exhibition for regional architects and interior designers, a digital fair, an online talks program and tailor-made physical brand experiences. The hybrid format will be presented within the Design Quarter at Dubai Design District (d3) across all six days of Dubai Design Week. 




The hybrid format will be presented within the Design Quarter at Dubai Design District (d3) across all six days of Dubai Design Week. (Supplied)

At the heart of this year’s event will be the conceptual exhibition, “The Shape of Things to Come,” which will invite the region’s architects and interior designers to imagine how we will work, live and play in a post-pandemic world. Creatives will be selected from an open call after which selected concepts will be presented as a multi-media exhibition with the mission of presenting progressive design thinking from the Middle East region. 

“The recent global events have impacted us all and design fairs are no exception. Which is why I am extremely excited for Downtown Design’s innovative response,” said David G. Daniels, director of architecture, SSH, one of the region’s leading design firms. “With this new format, the event leverages its platform to explore positive solutions which I hope will help to resolve the numerous scenarios that we are all faced with.”




The fair will present this year’s edition in a digital and physical format from Dubai. (Supplied)

The digital fair will present a showcase of works providing design professionals, lovers and collectors with the opportunity to discover the latest collections, designs and trends. The digital edition will also include country pavilions as well as a range of ways for design professionals in the region to raise their profile both regionally and internationally. 

On the physical side, Downtown Design will also curate pop-up installations, capsule showcases and also creative collaborations in the d3 Quarter in collaboration with Dubai Design Week. The fair’s well-regarded talks program, which has traditionally flown in design professionals from around the world, will be held this year online and will feature regional and international experts discussing the emergence of a new value system as a result of the pandemic crisis. 

For more information, visit www.downtowndesign.com


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”