What We Are Reading Today: Introduction to Social Neuroscience

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Updated 12 August 2020
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What We Are Reading Today: Introduction to Social Neuroscience

Edited by Stephanie Cacioppo and John T. Cacioppo

Humans, like many other animals, are a highly social species. But how do our biological systems implement social behaviors, and how do these processes shape the brain and biology? Spanning multiple disciplines, Introduction to Social Neuroscience seeks to engage students and scholars alike in exploring the effects of the brain’s perceived connections with others. 

This wide-ranging textbook provides a quintessential foundation for comprehending the psychological, neural, hormonal, cellular, and genomic mechanisms underlying such varied social processes as loneliness, empathy, theory-of-mind, trust, and cooperation.

Stephanie and John Cacioppo posit that our brain is our main social organ. They show how the same objective relationship can be perceived as friendly or threatening depending on the mental states of the individuals involved in that relationship. They present exercises and evidence-based findings readers can put into practice to better understand the neural roots of the social brain and the cognitive and health implications of a dysfunctional social brain. 

This textbook’s distinctive features include the integration of human and animal studies, clinical cases from medicine, multilevel analyses of topics from genes to societies, and a variety of methodologies.


Book Review: Things We Do Not Tell the People We Love

Updated 20 February 2026
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Book Review: Things We Do Not Tell the People We Love

It is always a pleasure to encounter a short story collection that delivers on every page, and British Muslim writer Huma Qureshi’s “Things We Do Not Tell the People We Love,” does exactly that.

Deliciously complex and devastating, the stories in this collection, published in paperback in 2022, are told mostly from the female perspective, capturing the intimate textures of everyday life, from love, loss and loneliness to the endlessly fraught relationships between mothers and daughters, friends and lovers.

Qureshi’s prose is understated yet razor-sharp, approaching her characters from close quarters with poignant precision. 

I found it particularly impressive that none of the stories in the collection fall short or leave you confused or underwhelmed, and they work together to deliver the title’s promise.

Even the stories that leave you with burning, unanswered questions feel entirely satisfying in their ambiguity.

Several pieces stand out. “Firecracker” is a melancholy study of how some friendships simply age out of existence; “Too Much” lays bare the failures of communication that so often run between mothers and daughters; “Foreign Parts,” told from a British man’s perspective as he accompanies his fiancee to Lahore, handles questions of class and hidden identity with admirable delicacy; and “The Jam Maker,” an award-winning story, builds to a genuinely thrilling twist.

Throughout, Qureshi’s characters carry South Asian and Muslim identities worn naturally, as one thread among many in the fabric of who they are. They are never reduced to stereotypes or a single defining characteristic. 

Reading this collection, I found myself thinking of early Jhumpa Lahiri, of “Interpreter of Maladies,” and that feeling of discovering a writer who seems destined to endure. 

Huma Qureshi tells the stories of our times— mundane and extraordinary in equal measure— and she tells them beautifully.