BRASILIA: Facebook said on Saturday it has put a global block on certain accounts controlled by supporters of Brazil’s President Jair Bolsonaro implicated in a fake news inquiry, a day after it was fined for not complying with a Supreme Court judge’s order to do so.
A spokesperson for Facebook said the order was “extreme” and threatens “freedom of expression outside of Brazil’s jurisdiction,” but said the company has agreed to the order.
“Given the threat of criminal liability to a local employee, at this point we see no other alternative than complying with the decision by blocking the accounts globally, while we appeal to the Supreme Court,” the spokesperson said.
Justice Alexandre de Moraes had ruled on Thursday that Facebook and Twitter failed to comply with orders to block the accounts because they were only blocked within Brazil, but remained accessible with foreign IP addresses.
On Friday, he ruled that Facebook must pay a 1.92 million reais ($367,710) fine for not complying and face further daily fines of 100,000 reais per day if it does not block the accounts in question globally.
Before the fine was announced, Facebook said on Friday that it would appeal the decision. The world’s largest social network said it respects the laws of countries where it operates, but that “Brazilian law recognizes the limits of its jurisdiction.”
The judge’s fine only addressed Facebook’s non-compliance. It was not clear whether Twitter would face a similar fine.
The judge originally decided in May to block 16 Twitter accounts and 12 Facebook accounts of Bolsonaro supporters who have been linked to a probe into the spreading of fake news during Brazil’s 2018 election.
The accounts were blocked due to allegations that they violated laws on hate speech.
Facebook puts global block on Brazil’s Bolsonaro supporters
https://arab.news/r5pbv
Facebook puts global block on Brazil’s Bolsonaro supporters
- A Facebook spokesperson said the order was “extreme” and threatens “freedom of expression outside of Brazil’s jurisdiction”
- Justice Alexandre de Moraes had ruled on Thursday that Facebook and Twitter failed to comply with orders to block the accounts because they were only blocked within Brazil
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
