Ithra exhibition set to showcase life during lockdown

Ithra will showcase personal objects belonging to individuals around the world that symbolize this turbulent period. (Supplied)
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Updated 10 July 2020
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Ithra exhibition set to showcase life during lockdown

  • The exhibition, which launches digitally in July, focuses on memories, thoughts and reflections in the form of objects

DUBAI: As countries reopen their borders and economies following months of lockdown, many are contemplating their experiences during the pandemic.

A new exhibition at the King Abdul Aziz Center for World Culture (Ithra), in Dahran, Saudi Arabia, titled the “COVID-19 Exhibit,” will showcase personal objects belonging to individuals around the world that symbolize this turbulent period.

Exhibits will include new works of art, a pen, photos of loved ones and relatives, musical instruments and fitness gear.




Bland Corona. (Supplied)

“While this is an unprecedented time, it is also an unprecedented moment of global solidarity,” said Ithra’s Head of Museums, Laila Faddagh.

She added: “The ‘COVID-19 Exhibit’ is an opportunity for the global community to tell our stories during this complicated and difficult time. Art is about connecting people through culture – and culture is based on the exchange of ideas and identities – but we connect maybe even more easily through common objects.

“We can all understand the personal value of family photos, a special mug, a note from an important friend, a musical instrument, a favorite painting, your camera, the pen you use to write in your diary… just as we understand Charlie Browns’ friend Linus and his security blanket. The exhibition is a platform where you can express yourself and explain your pandemic experience so you can connect with people around the world – and they can connect with you,” Faddagh said.




Keystrokes. (Supplied)

Submissions are now open to people from around the world. Ithra hopes to obtain about 700 submissions and select up to 300 objects for display.

In 2021, objects selected by the museum’s curators from online submissions will be on display at Ithra.

The exhibition also serves to build a sense of community.

“When people see the physical exhibition, we want them to connect with the objects and remember how it was to be in lockdown,” said Farah Abushullaih, the exhibition’s curator.




Passion of Sourdough. (Supplied)

“The idea is that these objects will relate not just to one person’s experience but to many — to a larger global collective,” she added.

“Each object holds meaning to its owner and their particular lockdown story. I want people to tackle the personal side of things through these objects,” Abushullaih said.

The objects that will be shown are those that are taken for granted in everyday life. Under lockdown, these everyday items have taken on a new significance and meaning.


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 33 sec ago
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.