DUBAI: Coca-Cola, a major force in global advertising, announced on Friday it would suspend ads on social media for at least 30 days, as platforms face a reckoning over how they deal with racist content.
“There is no place for racism in the world and there is no place for racism on social media,” James Quincey, chairman and CEO of The Coca-Cola Company, said in a brief statement.
He said that social media companies, which other major brands have boycotted to force changes in how they deal with hateful material, need to provide “greater accountability and transparency.”
Coca-Cola will use the pause to “reassess our advertising policies to determine whether revisions are needed,” Quincey said.
The beverage giant told CNBC that the “break” does not mean it is joining the movement launched last week by African American and civil society groups.
The coalition, which includes the National Association for the Advancement of Colored People (NAACP), has been urging companies to stop advertising on Facebook, using the #StopHateForProfit hashtag.
It aims to achieve better regulation of groups inciting hatred, racism or violence on the platform.
Unilever, home to brands including Lipton tea and Ben and Jerry’s ice cream, said it would stop advertising on Facebook, Twitter and Instagram in the US until the end of 2020 due to the “polarized election period.”
Facebook said on Friday that it would ban a “wider category of hateful content” in ads as the embattled social media giant moved to respond to widening protests over its handling of inflammatory posts.
Coca-Cola to pause social advertising
https://arab.news/56zj2
Coca-Cola to pause social advertising
- Coca-Cola will use the pause to reassess its advertising policies to determine whether revisions are needed
- “There is no place for racism in the world and there is no place for racism on social media,” the CEO of The Coca-Cola Company said
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
