Saudi photographer exposes big dream with images of hope amid virus gloom

1 / 2
With public movement restricted during the COVID-19 pandemic, Saudi photographer Ahmed Al-Hamwan sees hope for the future through his lenses. (Supplied)
2 / 2
With public movement restricted during the COVID-19 pandemic, Saudi photographer Ahmed Al-Hamwan sees hope for the future through his lenses. (Supplied)
Short Url
Updated 24 April 2020
Follow

Saudi photographer exposes big dream with images of hope amid virus gloom

  • Ahmed Al-Hamwan’s work has been recognized in a number of photography competitions
  • His passion for photography began as a hobby taking photos for his friends using a mobile phone camera

JEDDAH: A Saudi photographer is hoping exposure of his uplifting images amid the gloom of the coronavirus disease (COVID-19) outbreak will move him one step closer to realizing a professional dream.

Ever since taking his first pictures on a mobile phone, Ahmed Al-Hamwan has harbored an ambition of photographing Crown Prince Mohammed bin Salman.

Capturing the royal on camera would be the crowning glory of the 30-year-old lensman’s career. And it is a dream he believes will one day come true.

With public movement restricted during the COVID-19 pandemic the snapper, from the municipality of Jouf, sees hope for the future through his lenses.




Caption

After six years as a professional cameraman, Al-Hamwan takes great pride in the photograph that he took of his father.

His passion for photography began as a hobby taking photos for his friends using a mobile phone camera and archiving them, before his focus turned to landscapes.

Al-Hamwan’s first camera was a Canon 7D but he has since spent thousands of riyals on photography equipment. However, he said picture taking could generate handsome profits.

FASTFACTS

  • Ahmed Al-Hamwan’s first camera was a Canon 7D but he has since spent thousands of riyals on photography equipment.
  • Al-Hamwan recommends novices to follow professional photographers’ social media sites to help develop their skills and learn about the latest camera techniques. 

His work has been recognized in a number of photography competitions. 

In 2018, he came fourth in the “excitement” category of the Ezz Al-Khail contest against more than 100 contestants, and last year he was runner-up in the Jouf Society of Culture and Art’s photo event for best shots of the city’s tourist attractions.

He advises novices to follow professional photographers’ social media sites to help develop their skills and learn about the latest camera techniques. 




Ahmed Al-Hamwan’s work has been recognized in a number of photography competitions. (Supplied)

The more exposure an amateur snapper can get to the work of experts the greater their visual feedback, which enables faster learning and more creativity, he said.

He pointed out that the use of filtering apps in the processing of photos gave them “a good shape,” but added that however technically advanced a camera was it could never fully replicate the natural vision of the human eye. 

However, photo editing apps such as Adobe Photoshop and Adobe Lightroom could help photographers produce stunning images.

Al-Hamwan said he prefers to shoot during daytime, as light allows him to achieve the quality effects he looks for.


REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

Updated 05 March 2026
Follow

REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

DUBAI: Bradley Cooper’s latest directorial effort is based — loosely — on the life of popular UK comedian John Bishop, so you might expect stand-up to be its focus. It isn’t. This is a bittersweet low-key depiction of a love that has eroded between a couple who’ve been together for decades.

Alex (Will Arnett, of “Arrested Development” and “BoJack Horseman” fame) — a regular guy with a regular job — and Tess (Oscar winner Laura Dern) — a former Olympic volleyball player, now a housewife and mom — are separated, heading for a mutually agreed divorce, and keeping it amicable partly for the sake of their two kids, partly because they still get on well — just not well enough to stay together.

Newly single Alex decides to get a late-night drink at New York’s famed Comedy Cellar. To avoid paying the $15 dollar entry fee, he signs up for a slot at the open-mic night (a part inspired by Bishop’s own origin story). With no material planned, he’s not great, but his self-deprecating, anecdotes about his impending divorce get a few laughs. Most importantly, the experience sparks a new passion in Alex and he continues to perform, befriending other comics who offer him companionship and advice and a new perspective that leads him to re-evaluate his own contributions to his marriage. His newfound spark also makes Tess see him in a new light, one that might just convince her to give him another shot.

What elevates this sometimes-saccharine, not-entirely-believable (exhibit A: the scene where Tess discovers that Alex is using their relationship as comedy material) film above similar fare is the engrossing chemistry on show between Arnett and Dern as people struggling to (re)discover themselves in middle age. Arnett is typically charming and witty as Alex, but brings out unexpected depths of emotion in what may be his best performance to date. Dern imbues Tess Tess with the toughness and independence you’d expect from a successful former pro athlete, but gives equal weight to her vulnerabilities as someone who’s invested so much of her identity into something she can no longer do to the same high standards. Their relationship is so sweetly genuine you’ll find yourself rooting for them both.