Saudi artist draws on Grand Mosque’s closure for painting inspiration

Saudi artist Nabila Abuljadayel who produced the artwork called ‘Isjod wa Iqtareb’ (Prostrate and Draw Near) says the idea for the painting came from reality. (Supplied)
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Updated 17 April 2020
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Saudi artist draws on Grand Mosque’s closure for painting inspiration

  • Painting pays tribute to workers at Grand Mosque, reflects KSA’s decision to close it for prayers to prevent spread of virus

RIYADH: A cleaner kneels in the courtyard of Makkah’s Grand Mosque, the only worshipper in the normally bustling holy site. The moment of emptiness, stillness and contemplation is captured in a painting that has moved Muslims during the global health emergency.

The painting reflects the historic decision taken by Saudi Arabia’s authorities to close the Grand Mosque for prayers to prevent the spread of coronavirus and protect people from infection. 

Saudi artist Nabila Abuljadayel produced the artwork — called “Isjod wa Iqtareb” (Prostrate and Draw Near) — during the Kingdom’s coronavirus lockdown.

Abuljadayel, who is a Goodwill Ambassador for the King Salman Humanitarian Aid and Relief Center, said the idea for the painting came from reality. 

“My inspiration for this piece was based on the unprecedented and unparalleled moment it dawned on me that, for the first time in my life, I would not be able to visit Al-Haram (Grand Mosque),” she told Arab News. “It made me realize what an honor, privilege and blessing it was to be able to do that.”

My inspiration for this piece was based on the unprecedented and unparalleled moment it dawned on me that, for the first time in my life, I would not be able to visit Al-Haram (Grand Mosque). It made me realize what an honor, privilege and blessing it was to be able to do that.

Nabila Abuljadayel. Saudi artist

She realized that the only ones who maintained such an elevated status — to visit the Grand Mosque — were those who had dedicated their lives to serve the holy site by tending to it. 

“Those same nameless, faceless anonymous workers, whom we tend to take for granted, had the best opportunity in the world,” she added. 

The Kingdom suspended all Umrah pilgrimages last month over coronavirus fears, and authorities cleared out the Grand Mosque in preparation for disinfection and sterilization measures.

“These men, who serve Allah night and day, were the ones who now worshipped there alone,” she said. 

“This event embodies our faith. It reaffirms the importance of humility. It demonstrates how we are all equal in the sight of God.”

The artist drew inspiration from the UK’s Queen Elizabeth by saying she hoped that people would be able to take pride in how they responded to the challenge, as well as the words of King Salman to talk about the coronavirus crisis and how society was addressing it.

“This crisis will turn into a piece of history that proves man’s defiance in the face of this hardship humankind is experiencing.”

Muslims expressed their appreciation for the painting and the sentiments behind it.

Areej Al-Rowaily (@al_areej_des) tweeted: “The anonymous soldiers are the only ones left. Created by Nabila Abuljadayel.”

Mohammed Al-Qadi (@moealqadi) said that everyone was absent and “those who served this pure house” remained praying in front of the Kaaba, while Fahda Bint Saud (@fahdabntsaud) said she was touched by the artwork and described it as “one of the most beautiful paintings.”


Elie Saab, Zuhair Murad show new couture collections in Paris

Updated 29 January 2026
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Elie Saab, Zuhair Murad show new couture collections in Paris

  • Saab’s collection uses light as central theme
  • Exploration of structure, movement by Murad

DUBAI: Lebanese designers Elie Saab and Zuhair Murad presented their Spring/Summer 2026 haute couture collections in Paris earlier this week.

Look 1 by Elie Saab. (Supplied)

Saab’s collection referenced light as a central theme, expressed through elongated silhouettes and layered embellishment, according to a statement from the brand.

Look 2 by Elie Saab. (Supplied)

The runway featured gowns built on sheer bases, with metallic embroidery, sequins and crystal beadwork creating layered textures across champagne, gold, bronze and soft ivory tones.

Look 3 by Elie Saab. (Supplied)

Column dresses, deep necklines and floor-length gowns dominated the collection, while draped panels, embroidered capes and sheer overlays added movement.

Look 4 by Elie Saab. (Supplied)

Several looks incorporated fringed detailing and geometric patterns, with crystal embellishments catching the light as models walked.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Accessories were kept minimal, allowing the focus to remain on craftsmanship and surface technique.

Meanwhile, Murad’s collection also placed craftsmanship at the center of the show.

Look 1 by Zuhair Murad. (Supplied)

According to the house, the collection explored structure and movement, using corsetry to define the body and draping to create fluidity.

Look 2 by Zuhair Murad. (Supplied)

The runway featured fitted gowns and sculpted eveningwear built around structured bodices, many finished with dense embroidery, crystals and metallic thread.

Look 3 by Zuhair Murad. (Supplied)

A palette of champagne, pale blue, sage green, ivory and gold ran throughout the show, with strapless silhouettes, off-the-shoulder gowns and column dresses appearing alongside sheer panels, thigh-high slits and flowing trains.

Look 4 by Zuhair Murad. (Supplied)

Shorter dresses with crystal-encrusted bodices were shown alongside floor-length gowns, with sheer layers and extended trains.