Review: Mark Wahlberg plays a cop with a conscience in ‘Spenser Confidential’

Mark Wahlberg plays the title role of a fallen policeman who spends five years behind bars for having roughed up his boss. (YouTube)
Short Url
Updated 10 March 2020
Follow

Review: Mark Wahlberg plays a cop with a conscience in ‘Spenser Confidential’

  • Though inspired by Ace Atkins’ novel ‘Robert B. Parker’s Wonderland,’ the movie has little in common with the book, except the Boston location and the names of the main characters

CHENNAI: Netflix’s new caper “Spenser Confidential,” helmed by Peter Berg, takes us to Boston, where cops kill and maim their own colleagues.

Mark Wahlberg plays the title role of a fallen policeman who spends five years behind bars for having roughed up his boss.

The film hardly gives you time to pause and ponder. Frames flash by, each packed with gun-blazing action in scenes that often leave the viewer gasping for air and grasping at straws in a bid to understand what it going on.

Wahlberg has previously worked with Berg four times, including on “Deepwater Horizon,” scripted by Brian Helgeland — who also penned “Spenser Confidential.”

Helgeland won an Oscar for “LA Confidential,” and was nominated for the brilliant “Mystic River” with Sean Penn. But his latest thriller is not quite in the same league as either film.

The day Spenser walks out of prison, the policeman he attacked is murdered. Obviously Spenser is a suspect, and despite his plans to get out of the city and leave behind bad memories, he is drawn into the murky world of crooked cops, thugs on the loose, violence and drugs.

When an apparently upstanding policeman commits what looks like a suicide, Spenser teams up with his roommate Hawk (Winston Duke) to start a chase that often resembles a cat-and-mouse adventure. Spenser’s girlfriend Illiza Shlesinger chips in to clean up the mess.

The thriller has its drawbacks as far as plot construction goes. For instance, the relationship between Spenser and his girlfriend seems incredibly superficial, and viewers could be left scratching their heads when trying to fathom what makes Hawk stick his neck out for Spenser — the two start off as mere roommates and barely know each other, and their relationship is never fully explored.

Though inspired by Ace Atkins’ novel “Robert B. Parker’s Wonderland,” the movie has little in common with the book, except the Boston location and the names of the main characters.

Wahlberg has his limitations, and Berg knows them only too well — he gets the best out of his actor without forcing him to step beyond his range. But we must give it to the two for being the perfect salt-and-pepper combo.


Stars flaunt Arab looks at music’s biggest industry events

Updated 02 February 2026
Follow

Stars flaunt Arab looks at music’s biggest industry events

DUBAI/ LOS ANGELES: The Grammys are a night of rule-breaking looks and memorable fashion statements where artists shed the traditional playbook of red carpet dressing and take style risks.

Some artists at Sunday night’s Grammy Awards in Los Angeles looked to the past for inspiration, with British girl group Flo, a first-time nominee, paying homage to Destiny’s Child with their matching sets.

Jorja Douglas, Stella Quaresma and Renée Downer each wore coordinated beaded black and royal blue ensembles. Destiny’s Child famously wore matching green lace cut-out looks at the 2001 Grammys where the group won two awards for “Say My Name.”

Former Destiny Child member Michelle Williams arrived on the carpet in a black sheer gown embellished with gold leaves and a black satin train from Lebanese designer Jean-Louis Sabaji.

Michelle Williams arrived on the carpet in a black sheer gown embellished with gold leaves and a black satin train from Lebanese designer Jean-Louis Sabaji.(Getty Images)

It was one of a few Arab looks on the Grammy Awards red carpet, with other stars opting for Middle Eastern designs at pre-Grammy events instead.

On Saturday night, Dove Cameron posed for portraits on the red carpet during the 68th Grammy Awards Pre-Grammy Gala in a pale blue Georges Hobeika gown from the Lebanese designer’s Spring/Summer 2026 ready-to-wear collection.

Dove Cameron posed for portraits on the red carpet during the 68th Grammy Awards Pre-Grammy Gala in a pale blue Georges Hobeika gown from the Lebanese designer’s Spring/Summer 2026 ready-to-wear collection. (Getty Images) 

On the Grammys red carpet, British rising stars Lola Young and PinkPantheress who are shaking up the music industry with their individual sounds both opted for vastly different Vivienne Westwood looks Sunday. Best new artist nominee Young, who is back after taking a brief hiatus last year, sported an army green sweatsuit printed with children’s toys on the carpet. PinkPantheress opted for a signature corseted off-the-shoulder gown draped with the Union Jack symbol.

Zara Larsson glowed on the carpet in her sunny yellow bra top and maxi skirt sequined set. The “Midnight Sun” singer made reference to the song with her radiating look. In keeping with her theme, the Swedish singer wore a circular ray around her skirt while performing at the Grammy’s Premiere Ceremony before removing the rays for her walk down the carpet.

Unlike the tuxedos at other award shows, male Grammy nominees often shake things up. Singer-songwriter Darren Criss was one of the first to arrive shortly after the carpet opened. Criss, who hosted the Grammys premiere ceremony, donned a shimmering lace suit from Tanner Fletcher with an off-white silk cravat shaped into a bow.