Shakira and Jennifer Lopez project power of women at Super Bowl showcase

Shakira and Jennifer Lopez brought Latina star power to Sunday’s Super Bowl halftime show. (AFP)
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Updated 03 February 2020
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Shakira and Jennifer Lopez project power of women at Super Bowl showcase

MIAMI: Shakira and Jennifer Lopez brought Latina star power to Sunday’s Super Bowl halftime show, delivering a medley of pop hits and hip-shaking choreography on one of the world’s glitziest stages.

Latin artists Bad Bunny and J Balvin, in addition to Lopez’s 11-year-old daughter, appeared as surprise guests in an extravaganza that signaled its Latin American influences from the onset, when Shakira greeted the stadium audience in Spanish with “Hola, Miami.”

Dressed in a sequined, ruby-red outfit with matching boots, Shakira led her team of dancers through snippets of hits such as “Whenever, Wherever” and “Hips Don't Lie.”

Shakira, 43, who is from Barranquilla, Colombia, had let it be known in the build up to the show that she sympathized with Latinos in the United States, where anti-immigration rhetoric has become more open in recent years.

“Latinos are going through a difficult time in the U.S. right now, and I think it's very important for us to convey a message of unity,” Shakira told reporters on Thursday.




The singer was joined on stage by Puerto Rico’s Bad Bunny before giving way to J. Lo. AFP

The singer, who is of Lebanese descent also paid homage to her Middle Eastern roots by way of a belly dance performance set to the soundtrack of Arabic music. She was joined on stage by Puerto Rico’s Bad Bunny before giving way to J. Lo.

Lopez made her entrance in black leather and studs on a stage set resembling the top of the Empire State Building, as “Jenny from the Block” proudly announced she was from the Bronx, New York.

Sharing stage with Colombia’s J Balvin, J. Lo strutted to hits such as “On the Floor,” and showed off the dancing skills she honed for the 2019 movie “Hustlers.”

The 12-minute halftime show, along with commercials, has become a popular feature of the Super Bowl spectacle on par with the game, which draws some 100 million television viewers in the United States.

 


Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

Updated 23 December 2025
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Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

  • 70 works by local, Mideast, international artists on Jan. 31
  • Work of late Saudi artist Safeya Binzagr will also be on sale

DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.

Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.

The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.

Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.

Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.

The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.

A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.

Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.

Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.

A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.

International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.

Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.

Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.

Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.

The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.

Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.