British Museum exhibition to highlight major Mesopotamian discoveries by Iraqi archaeologists

Discoveries made by a team of Iraqi archaeologists are to be the focus of a British Museum exhibition this year. (Photos: British Museum)
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Updated 31 January 2020
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British Museum exhibition to highlight major Mesopotamian discoveries by Iraqi archaeologists

  • Curator said the discoveries were “absolutely ten-out-of-ten and beyond

LONDON: Discoveries made by a team of Iraqi archaeologists are to be the focus of a British Museum exhibition this year, along with dozens of other artefacts removed from the country in the late 19th and early 20th centuries.

The British Museum’s collection of items from Iraq has for decades been understood without context, having been taken from the country in the late 19th and early 20th centuries, but has been given new life following the work of the Iraqi archaeologists.

One of the objects, a small dolerite statue dating to around 2130 BC, was purchased by the museum in the 1930s and depicts a king called Gudea, ruler of the ancient city of Girsu, which is now inhabited by the city of Tello in the south of the country.

The statue shows Gudea in a position of prayer, the museum’s ancient Mesopotamia curator Sebastien Rey told the UK’s Guardian newspaper. He explained that while experts had deduced from sources that Gudea constructed a temple in the city, it had never been found.

Thanks to the work of the local Iraqi trainee archaeological team, led by Rey, who revisited the site decades after it was originally dug, it has now been found.

The team, working on the Iraq emergency heritage scheme started by the museum in 2015, found the location of the 4,000-year-old building as well as a bakery connected to it where bread would have been baked in large quantities as offerings to the gods.

Rey said the discoveries were “absolutely ten-out-of-ten and beyond,” especially given they came at a time when many of Iraq’s important historical and cultural sites had been under severe threat of destruction by Daesh militants.

The law in Iraq forbids archaeological discoveries to be removed from the country, but visitors will be able to see the items and finds in an exhibition called “Ancient Iraq: New Discoveries” through photographs, videos and reconstructions alongside the museum’s current collection.

It will run at the Great North Museum in Newcastle and University of Nottingham Museum from March to December.


In the light of Andalusia: Luis Olaso’s new body of work

Updated 23 February 2026
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In the light of Andalusia: Luis Olaso’s new body of work

  • Luis Olaso transforms Andalusian landscapes and light into abstract art, creating canvases that reflect culture, nature, and the artist’s inner state
  • Each work in ‘Photosynthesis’ acts as a sensory and meditative portrait — an immersion into the Andalusian experience and the artist’s emotional universe

DUBAI: Spanish artist Luis Olaso is presenting “Photosynthesis,” his new exhibition, until March 9 at the JD Malat Gallery in Downtown Dubai. The series marks a turning point in his career, born from his recent move to Cadiz, in Andalusia, where the sun, light, and Mediterranean landscapes have profoundly transformed his practice.

For Olaso, relocating to southern Spain was not merely a change of scenery but an immersion into a culture and environment that nourishes his art at every moment.

“It’s very important for me because this is the first exhibition I have created in my new studio … I built it in the middle of the garden, surrounded by nature, fruit trees and olive trees, with a fantastic landscape. The influence of Andalusia and the colors of that place are the driving force behind my work,” said Olaso.

Located at the heart of an estate surrounded by olive, almond, and orange trees, his studio is designed to allow nature to enter the creative process both physically and psychologically. Yet, rather than depicting these elements directly, Olaso absorbs them as a sensory catalyst: Each color, texture, and gesture becomes the expression of a lived moment.

“Even when I work with plants or flowers, I’m not aiming for literal representation; they are vehicles to express abstract metaphors of myself and the moment I’m living while creating the work,” he said.

His artistic process is both spontaneous and meditative. Olaso often works on several canvases simultaneously to free himself from the pressure of the “perfect painting,” allowing intuition to guide his brush. Music —  the Spanish band Triana and 1970s psychedelic flamenco — plays a central role in his focus and inner connection.

“Painting, for me, is similar to meditation. I need to be in that precise moment and feel connected with myself,” said Olaso.

“Photosynthesis” also reflects a profound cultural and artistic dialogue. The artist’s work draws from Spanish tradition— with references to Antoni Tapies and Manolo Millares — as well as major international abstract movements, including American gestural abstraction and the San Francisco Bay Area Figurative Movement.

This meeting point between abstraction, culture, and emotion transforms each canvas into a portrait of a lived instant and the artist’s inner state.

After Dubai, Olaso is expected to present a solo exhibition in Madrid in March 2026, followed by another solo exhibition in Helsinki in April. An art fair is scheduled for September, with additional fairs planned throughout the year, notably with the JD Malat Gallery.

These milestones illustrate his universal approach to art, deeply rooted in a specific cultural context: the light, color, and sensory memory of Andalusia. With “Photosynthesis,” the artist offers viewers an experience in which painting becomes a mirror of the self, an emotional journey, and an encounter with a singular place.